Declan Quinn's guest appearances

Declan Quinn

The Cinematography Podcast

MyMediaDiary Podcast

Jordan Peele

Tom Ford

Quentin Tarantino

Bill Hader

Aaron Sorkin

Todd Phillips

Rian Johnson

Norman Lear

Taika Waititi

Ava Duvernay

Bradley Cooper

John Singleton

Jason Bateman

James Mangold

Bryan Fogel

OwlTail

Braden King

In the film The Evening Hour, director Braden King wanted to immerse the viewer in a fully formed world, with spare dialog and little exposition. This approach appealed to cinematographer Declan Quinn, ASC. With such little dialog, Declan paid close attention to finding the right camera placement, how each scene was composed and how the images told the story, with natural and motivated lighting.The Evening Hour tells the story of Cole Freeman, a health aid at a nursing home who lives in a fictional rural West Virginia town. He makes a little extra money on the side selling his client's prescription medication, until an old friend comes back to the Appalachian town and tries to convince Cole to get further involved in the drug trade. The film was shot entirely on location in Kentucky. Braden specifically wanted to shoot in autumn in order to capture the beauty of that time of year and show in images the collapse of these rural towns due to the opioid epidemic and the risk of environmental destruction by mining companies. Declan enjoyed actually shooting on location in the real Appalachia, instead of having to fake it on a soundstage or in a different area. He was able to freely capture everything in the environment, letting the art of cinematography work its magic in the film.The Evening Hour is screening in limited release in New York at the IFC Center and Los Angeles at the Laemmle Monica on August 6th. https://www.laemmle.com/film/evening-hourTwitter &amp; Instagram: @eveninghourfilm Braden King: www.bradenking.comTwitter:@bradenkingInstagram: @truckstopFind Declan Quinn: https://www.artistry.net/clients/directors-of-photography/declan-quinn-asc#category=narrativeFind out even more about this episode, with extensive show notes and links: http://camnoir.com/ep134/ Sponsored by Hot Rod Cameras: www.hotrodcameras.com The Cinematography Podcast website: www.camnoir.comYouTube: https://www.youtube.com/c/TheCinematographyPodcast Facebook: @cinepodInstagram: @thecinepodTwitter: @ShortEndz

In the film The Evening Hour, director Braden King wanted to immerse the viewer in a fully formed world, with spare dialog and little exposition. This approach appealed to cinematographer Declan Quinn, ASC. With such little dialog, Declan paid close attention to finding the right camera placement, how each scene was composed and how the images told the story, with natural and motivated lighting. The Evening Hour tells the story of Cole Freeman, a health aid at a nursing home who lives in a fictional rural West Virginia town. He makes a little extra money on the side selling his client's prescription medication, until an old friend comes back to the Appalachian town and tries to convince Cole to get further involved in the drug trade. The film was shot entirely on location in Kentucky. Braden specifically wanted to shoot in autumn in order to capture the beauty of that time of year and show in images the collapse of these rural towns due to the opioid epidemic and the risk of environmental destruction by mining companies. Declan enjoyed actually shooting on location in the real Appalachia, instead of having to fake it on a soundstage or in a different area. He was able to freely capture everything in the environment, letting the art of cinematography work its magic in the film. The Evening Hour is screening in limited release in New York at the IFC Center and Los Angeles at the Laemmle Monica on August 6th. <a href="https://www.laemmle.com/film/evening-hour" rel="nofollow" target="_blank">https://www.laemmle.com/film/evening-hour</a> Twitter &amp; Instagram: @eveninghourfilm Braden King: <a href="http://www.bradenking.com" rel="nofollow" target="_blank">www.bradenking.com</a> Twitter:@bradenking Instagram: @truckstop Find Declan Quinn: <a href="https://www.artistry.net/clients/directors-of-photography/declan-quinn-asc#category=narrative" rel="nofollow" target="_blank">https://www.artistry.net/clients/directors-of-photography/declan-quinn-asc#category=narrative</a> Find out even more about this episode, with extensive show notes and links: <a href="http://camnoir.com/ep134/" rel="nofollow" target="_blank">http://camnoir.com/ep134/</a> Sponsored by Hot Rod Cameras: <a href="http://www.hotrodcameras.com" rel="nofollow" target="_blank">www.hotrodcameras.com</a> The Cinematography Podcast website: <a href="http://www.camnoir.com" rel="nofollow" target="_blank">www.camnoir.com</a> YouTube: <a href="https://www.youtube.com/c/TheCinematographyPodcast" rel="nofollow" target="_blank">https://www.youtube.com/c/TheCinematographyPodcast</a> Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

Director Braden King and cinematographer Declan Quinn, ASC on The Evening Hour

We visit with noted cinematographer Declan Quinn—whose career has spanned now five decades with such memorable work as director of photography for major films such as Leaving Las Vegas, In America, Vanity Fair and Monsoon Wedding along with David Letterman's Netflix series “My Next Guest Needs No Introduction”.  While focusing primarily on the production of the Disney Plus movie of Hamilton, we'll also discuss his career which has constantly moved back to the beginning of his career—in music, from a 1984 documentary short for the up and coming band U2, to work with Neil Young, Smashing Pumpkins, Justin Timberlake to his excellent work transferring hit broadway shows such as Rent and Shrek.  Read related post on MyMediaDiary.com.

We visit with noted cinematographer Declan Quinn—whose career has spanned now five decades with such memorable work as director of photography for major films such as Leaving Las Vegas, In America, Vanity Fair and Monsoon Wedding along with David Letterman's Netflix series “My Next Guest Needs No Introduction”. While focusing primarily on the production of the Disney Plus movie of Hamilton, we'll also discuss his career which has constantly moved back to the beginning of his career—in music, from a 1984 documentary short for the up and coming band U2, to work with Neil Young, Smashing Pumpkins, Justin Timberlake to his excellent work transferring hit broadway shows such as Rent and Shrek. <a href="https://mymediadiary.com/the-filming-of-hamilton-with-cinematographer-declan-quinn/" rel="nofollow" target="_blank"> Read related post on MyMediaDiary.com.</a>

The Cinema of Hamilton with Cinematographer Declan Quinn