Susan McKeown's guest appearances

Susan McKeown

Madness Radio

Irish Arts Center Podcast

Folkscene Radio Show

CenterPieceNY 

Steve Earle

Lucinda Williams

Todd Phillips

Vance Gilbert

Gretchen Peters

Bill Morrissey

Bill Bryson

Philip Morgan

Robbie Fulks

Anais Mitchell

Jonathan Edwards

Gary Greenberg

John Horgan

Sarah Lee

Darrell Scott

OwlTail

Dubliner Susan McKeown has made a career in music.  This is no small feat, and tells us she is an accomplished singer and innovative songwriter. And now, through the Cuala Foundation, she's become a social entrepreneur in the arts.  And when you add to the mix that she is also a mother who single-handedly raised her daughter, you're learning about someone who revels in taking on the world when the odds may not be in her favor. In short, she's a warrior.  A Celtic warrior.   With her dream of making great music, Susan arrived in New York in the early 1990s–landing in a city that could still hear the 1970s echoes of its own decline, a metropolis still awaiting the turnaround that has since restored it to former glories.  And make great music she did, connecting with kindred spirits on Manhattan's grungy Lower East Side, finding a home at the Sin-é café, an Irish hot-spot for great underground performances during this time.Building on her formative experiences in this historic patch along Manhattan's eastern flank, Susan has gone on to record many albums, and collaborate with many first-rate performers, on stage and in the studio.The Lower East Side is famous for its part in the story of America's melting pot, when large numbers of German, Italian, Jewish and Irish immigrants lived in close, crowded quarters.  This concoction of traditions has morphed into a fertile ground for a diverse creativity that lives on to this day.  So it was no surprise that Susan was influenced by much more than her beloved Irish heritage, and explains her extensive work with a Jewish klezmer group, which led to her winning a prestigious Grammy in 2007.    The early loss of her own mother shaped her, and her unique musical style.  Changes to music's business model, along with being a witness to mental ill-health in those she loved, has led her to implement new models of care for artists, through her most recent venture, the Cuala Foundation.And, of course, there's the motherhood thing, which has been central to her identity for the past two decades. She raised her daughter, and raised her well, in the turbulence of a performing artist's life on the road.  Step back and give that a moment's contemplation!For more info on just some of those mentioned in this episode, check out these links:Veronica DunneBernadette Devlin McAliskeySin-é CaféJeff BuckleyJohnny CunninghamCathie RyanKlezmaticsOn Holy Ground - trailerBarry ReynoldsFor more info on our sponsor visit Celtic Irish American Academy.Follow us on Facebook and Twitter @CenterPieceNY.  Subscribe to us wherever you get your podcasts.  And kindly give us a rating, and a review there, or here.Thanks to Purple Planet, for our intro/outro music.  And thanks to Susan McKeown for her music in this episode. 

Dubliner <a href="https://en.wikipedia.org/wiki/Susan_McKeown" rel="nofollow" target="_blank">Susan McKeown</a> has made a career in music.  This is no small feat, and tells us she is an accomplished singer and innovative songwriter. And now, through the Cuala Foundation, she's become a social entrepreneur in the arts.  And when you add to the mix that she is also a mother who single-handedly raised her daughter, you're learning about someone who revels in taking on the world when the odds may not be in her favor. In short, she's a warrior.  A Celtic warrior.    With her dream of making great music, Susan arrived in New York in the early 1990s–landing in a city that could still hear the 1970s echoes of its own decline, a metropolis still awaiting the turnaround that has since restored it to former glories.  And make great music she did, connecting with kindred spirits on Manhattan's grungy Lower East Side, finding a home at the Sin-é café, an Irish hot-spot for great underground performances during this time. Building on her formative experiences in this historic patch along Manhattan's eastern flank, Susan has gone on to record many albums, and collaborate with many first-rate performers, on stage and in the studio. The Lower East Side is famous for its part in the story of America's melting pot, when large numbers of German, Italian, Jewish and Irish immigrants lived in close, crowded quarters.  This concoction of traditions has morphed into a fertile ground for a diverse creativity that lives on to this day.  So it was no surprise that Susan was influenced by much more than her beloved Irish heritage, and explains her extensive work with a Jewish <a href="https://en.wikipedia.org/wiki/Klezmer" rel="nofollow" target="_blank">klezmer</a> group, which led to her winning a prestigious Grammy in 2007.    The early loss of her own mother shaped her, and her unique musical style.  Changes to music's business model, along with being a witness to mental ill-health in those she loved, has led her to implement new models of care for artists, through her most recent venture, the <a href="http://cualafoundation.com/" rel="nofollow" target="_blank">Cuala Foundation</a>. And, of course, there's the motherhood thing, which has been central to her identity for the past two decades. She raised her daughter, and raised her well, in the turbulence of a performing artist's life on the road.  Step back and give that a moment's contemplation! For more info on just some of those mentioned in this episode, check out these links: <a href="https://en.wikipedia.org/wiki/Veronica_Dunne_(soprano)" rel="nofollow" target="_blank">Veronica Dunne</a> <a href="https://bit.ly/3gKVwMC" rel="nofollow" target="_blank">Bernadette Devlin McAliskey</a> <a href="https://en.wikipedia.org/wiki/Sin-%C3%A9" rel="nofollow" target="_blank">Sin-é Café</a> <a href="https://en.wikipedia.org/wiki/Jeff_Buckley" rel="nofollow" target="_blank">Jeff Buckley</a> <a href="https://en.wikipedia.org/wiki/Johnny_Cunningham" rel="nofollow" target="_blank">Johnny Cunningham</a> <a href="https://www.cathieryan.com/" rel="nofollow" target="_blank">Cathie Ryan</a> <a href="https://en.wikipedia.org/wiki/The_Klezmatics" rel="nofollow" target="_blank">Klezmatics</a> <a href="https://www.youtube.com/watch?v=dRaD2rwSTbM" rel="nofollow" target="_blank">On Holy Ground - trailer</a> <a href="https://en.wikipedia.org/wiki/Barry_Reynolds" rel="nofollow" target="_blank">Barry Reynolds</a> For more info on our sponsor visit <a href="http://www.celticirishamericanacademy.com/" rel="nofollow" target="_blank">Celtic Irish American Academy</a>.Follow us on Facebook and Twitter @CenterPieceNY.  Subscribe to us wherever you get your podcasts.  And kindly give us a rating, and a review there, or <a href="https://www.centerpieceny.com/reviews/new/" rel="nofollow" target="_blank">here</a>. Thanks to <a href="https://www.purple-planet.com/" rel="nofollow" target="_blank">Purple Planet</a>, for our intro/outro music.  And thanks to Susan McKeown for her music in this episode.

S1E8: Susan McKeown

Is poetry the way to truly understand madness? Do rituals and music — such as Ireland’s tradition of keening — have the power to heal emotional suffering? Susan McKeown, Grammy award-winning singer/songwriter and folklorist, supported her partner through an extreme state. She began a journey to uncover intergenerational trauma in her family and in the history of her native Ireland, and was inspired to take poems about madness — by Anne Sexton, Theodore Roethke, James Clarence Mangan, Gwendolyn Brooks, and others — and set them to music in her album “Singing in the Dark.” http://www.susanmckeown.com http://irishphiladelphia.com/singinginthedark  The post Singing in the Dark | Susan McKeown on Madness Radio first appeared on Madness Radio.

Is poetry the way to truly understand madness? Do rituals and music — such as Ireland’s tradition of keening — have the power to heal emotional suffering? Susan McKeown, Grammy award-winning singer/songwriter and folklorist, supported her partner through an extreme state. She began a journey to uncover intergenerational trauma in her family and in the history of her native Ireland, and was inspired to take poems about madness — by Anne Sexton, Theodore Roethke, James Clarence Mangan, Gwendolyn Brooks, and others — and set them to music in her album “Singing in the Dark.” <a href="http://www.susanmckeown.com" rel="nofollow" target="_blank">http://www.susanmckeown.com</a> <a href="http://irishphiladelphia.com/singinginthedark" rel="nofollow" target="_blank">http://irishphiladelphia.com/singinginthedark</a> The post <a href="https://www.madnessradio.net/madness-radio-singing-dark-susan-mckeown/" rel="nofollow" target="_blank">Singing in the Dark | Susan McKeown on Madness Radio</a> first appeared on <a href="https://www.madnessradio.net" rel="nofollow" target="_blank">Madness Radio</a>.

Singing in the Dark | Susan McKeown on Madness Radio

Brendan O'Shea and Michael Brunnock sit with Susan McKeown for the second podcast from IAC's SongLives series. Both musicians discuss their influences and early days, plus a live sneak peak at Brunnock's "Down by the Araglin" and O'Shea's "Old Clock."

Brendan O'Shea and Michael Brunnock sit with Susan McKeown