Marco Buongiorno Nardelli's guest appearances

Marco Buongiorno Nardelli

Art + Music + Technology

Creative Disturbance

SoundsTo.me

COMPLEXITY

Sound and Data

Mark Ballora

Garth Paine

Doug Lynner

Margaret Schedel

Matt Black

Paul Smith

Matt Jackson

Geert Bevin

Justin Shubow

Chris Arnade

Jacob Stegenga

Devin Fleenor

William Fields

Pauline Oliveros

Brad Garton

OwlTail

One way to frame the science of complexity is as a revelation of the hidden order under seemingly separate phenomena — a teasing-out of music from the noise of history and nature. This effort follows centuries of work to find the rules that structure language, music, and society. How strictly analogous are the patterns governing a symphony and those that describe a social transformation? Math and music are old friends, but new statistical and computational techniques afford the possibility of going even deeper. What fundamental insights — and what sounds — emerge by bringing physicists, composers, social scientists, data artists, and biologists together?Welcome to COMPLEXITY, the official podcast of the Santa Fe Institute. I’m your host, Michael Garfield, and every other week we’ll bring you with us for far-ranging conversations with our worldwide network of rigorous researchers developing new frameworks to explain the deepest mysteries of the universe.This week on Complexity, we sit with two of SFI’s External Professors — Miguel Fuentes at the Argentine Society for Philosophical Analysis and the Institute of Complex Systems of Valparaiso, and Marco Buongiorno Nardelli at the University of North Texas — for a discussion that roams from their working group on the complexity of music, to fundamental questions about the nature of emergence, to how we might bring all of these ideas together to think about  social transformation as a kind of music in its own right.A show that spend so much time exploring sense and nonsense would hardly be complete without technical errors, so please accept our apologies for losing some of Miguel’s backstory to a recording glitch. For this reason, be extra sure to check out our extensive show notes with links to all our references at complexity.simplecast.com.Note that applications are now open for our Complexity Postdoctoral Fellowships! If you value our research and communication efforts, please subscribe, rate and review us at Apple Podcasts or Spotify, and consider making a donation — or finding other ways to engage with us — at santafe.edu/engage.Thank you for listening!Join our Facebook discussion group to meet like minds and talk about each episode.Podcast theme music by Mitch Mignano.Follow us on social media:Twitter • YouTube • Facebook • Instagram • LinkedInReferenced in this episode:An ‘integrated mess of music lovers in science’on the 2020 Music &amp; Complexity SFI Working Group(with YouTube playlist of talks)Expanding our understanding of musical complexityon the 2022 Music &amp; Complexity SFI Working GroupTopology of Networks in Generalized Musical Spacesby Marco Buongiorno NardelliTonal harmony and the topology of dynamical score networksby Marco Buongiorno Nardellia computer-aided data-driven composition environment for the sonification and dramatization of scientific data streamsby Marco Buongiorno NardelliMachines that listen: towards a machine listening model based on perceptual descriptorsby Marco Buongiorno Nardelli, Mitsuko Aramaki, Sølvi Ystad, and Richard Kronland-MartinetDoes network complexity help organize Babel’s library?by Juan Pablo Cárdenas Iván González, Gerardo Vidal, and Miguel FuentesComplexity and the Emergence of Physical Propertiesby Miguel FuentesThe Structure of Online Information Behind Social Crisesby Juan Pablo Cárdenas, Gastón Olivares, Gerardo Vidal, Carolina Urbina and Miguel Fuentes88 - Aviv Bergman on The Evolution of Robustness and Integrating The DisciplinesComplexity Podcast86 - Dmitri Tymoczko on The Shape of Music: Mathematical Order in Western TonalityComplexity Podcast81 - C. Brandon Ogbunu on Epistasis &amp; The Primacy of Context in Complex SystemsComplexity Podcast67 - Tyler Marghetis on Breakdowns &amp; Breakthroughs: Critical Transitions in Jazz &amp; MathematicsComplexity Podcast36 - Geoffrey West on Scaling, Open-Ended Growth, and Accelerating Crisis/Innovation Cycles: Transcendence or Collapse? (Part 2)Complexity Podcast27 - COVID-19 &amp; Complex Time in Biology &amp; Economics with David Krakauer (Transmission Series Ep. 2)Complexity PodcastIgnorance, Failure, Uncertainty, and the Optimism of Scienceby Stuart Firestein (SFI Community Lecture)SFI’s Operating Principlesby Cormac McCarthy

One way to frame the science of complexity is as a revelation of the hidden order under seemingly separate phenomena — a teasing-out of music from the noise of history and nature. This effort follows centuries of work to find the rules that structure language, music, and society. How strictly analogous are the patterns governing a symphony and those that describe a social transformation? Math and music are old friends, but new statistical and computational techniques afford the possibility of going even deeper. What fundamental insights — and what sounds — emerge by bringing physicists, composers, social scientists, data artists, and biologists together?Welcome to COMPLEXITY, the official podcast of the Santa Fe Institute. I’m your host, <a href="https://www.santafe.edu/people/profile/michael-garfield" rel="nofollow" target="_blank">Michael Garfield</a>, and every other week we’ll bring you with us for far-ranging conversations with our worldwide network of rigorous researchers developing new frameworks to explain the deepest mysteries of the universe.This week on Complexity, we sit with two of SFI’s External Professors — <a href="https://www.santafe.edu/people/profile/miguel-fuentes" rel="nofollow" target="_blank">Miguel Fuentes</a> at the Argentine Society for Philosophical Analysis and the Institute of Complex Systems of Valparaiso, and <a href="https://www.santafe.edu/people/profile/marco-buongiorno-nardelli" rel="nofollow" target="_blank">Marco Buongiorno Nardelli</a> at the University of North Texas — for a discussion that roams from their working group on the complexity of music, to fundamental questions about the nature of emergence, to how we might bring all of these ideas together to think about  social transformation as a kind of music in its own right.A show that spend so much time exploring sense and nonsense would hardly be complete without technical errors, so please accept our apologies for losing some of Miguel’s backstory to a recording glitch. For this reason, be extra sure to check out our extensive show notes with links to all our references at <a href="http://complexity.simplecast.com/" rel="nofollow" target="_blank">complexity.simplecast.com</a>.Note that applications are now open for our <a href="https://www.santafe.edu/about/jobs/complexity-postdoc" rel="nofollow" target="_blank">Complexity Postdoctoral Fellowships</a>! If you value our research and communication efforts, please subscribe, rate and review us at <a href="https://podcasts.apple.com/us/podcast/complexity/id1482984603" rel="nofollow" target="_blank">Apple Podcasts</a> or <a href="https://open.spotify.com/show/2YRNavdimPddYFaNvQDU7I" rel="nofollow" target="_blank">Spotify</a>, and consider making a donation — or finding other ways to engage with us — at <a href="https://complexity.simplecast.com/episodes/santafe.edu/engage" rel="nofollow" target="_blank">santafe.edu/engage</a>.Thank you for listening!<a href="https://facebook.com/groups/santafeinstitute" rel="nofollow" target="_blank">Join our Facebook discussion group</a> to meet like minds and talk about each episode.Podcast theme music by <a href="https://deathlessmusic.bandcamp.com/releases" rel="nofollow" target="_blank">Mitch Mignano</a>.Follow us on social media: <a href="http://twitter.com/sfiscience" rel="nofollow" target="_blank">Twitter</a> • <a href="http://youtube.com/c/sfiscience" rel="nofollow" target="_blank">YouTube</a> • <a href="http://facebook.com/santafeinstitute" rel="nofollow" target="_blank">Facebook</a> • <a href="http://instagram.com/sfiscience" rel="nofollow" target="_blank">Instagram</a> • <a href="https://linkedin.com/company/20131/" rel="nofollow" target="_blank">LinkedIn</a>Referenced in this episode:<a href="https://www.santafe.edu/news-center/news/integrated-mess-music-lovers-science" rel="nofollow" target="_blank">An ‘integrated mess of music lovers in science’</a> on the 2020 Music &amp; Complexity SFI Working Group (with YouTube playlist of talks)<a href="https://www.santafe.edu/news-center/news/expanding-our-understanding-musical-complexity" rel="nofollow" target="_blank">Expanding our understanding of musical complexity</a> on the 2022 Music &amp; Complexity SFI Working Group<a href="https://arxiv.org/abs/1905.01842" rel="nofollow" target="_blank">Topology of Networks in Generalized Musical Spaces</a> by Marco Buongiorno Nardelli<a href="https://arxiv.org/abs/2006.01033" rel="nofollow" target="_blank">Tonal harmony and the topology of dynamical score networks</a> by Marco Buongiorno Nardelli<a href="https://www.materialssoundmusic.com/_files/ugd/b0d8e5_a581fd71da8a423d9d4142e63c4b7598.pdf" rel="nofollow" target="_blank">a computer-aided data-driven composition environment for the sonification and dramatization of scientific data streams</a> by Marco Buongiorno Nardelli<a href="https://hal.archives-ouvertes.fr/hal-02263890/document" rel="nofollow" target="_blank">Machines that listen: towards a machine listening model based on perceptual descriptors</a> by Marco Buongiorno Nardelli, Mitsuko Aramaki, Sølvi Ystad, and Richard Kronland-Martinet<a href="https://arxiv.org/abs/1409.7336" rel="nofollow" target="_blank">Does network complexity help organize Babel’s library?</a> by Juan Pablo Cárdenas Iván González, Gerardo Vidal, and Miguel Fuentes<a href="https://www.mdpi.com/1099-4300/16/8/4489" rel="nofollow" target="_blank">Complexity and the Emergence of Physical Properties</a> by Miguel Fuentes<a href="https://www.frontiersin.org/articles/10.3389/fphy.2021.650648/full" rel="nofollow" target="_blank">The Structure of Online Information Behind Social Crises</a> by Juan Pablo Cárdenas, Gastón Olivares, Gerardo Vidal, Carolina Urbina and Miguel Fuentes<a href="https://complexity.simplecast.com/episodes/88" rel="nofollow" target="_blank">88 - Aviv Bergman on The Evolution of Robustness and Integrating The Disciplines</a> Complexity Podcast<a href="https://complexity.simplecast.com/episodes/86" rel="nofollow" target="_blank">86 - Dmitri Tymoczko on The Shape of Music: Mathematical Order in Western Tonality</a> Complexity Podcast<a href="https://complexity.simplecast.com/episodes/81" rel="nofollow" target="_blank">81 - C. Brandon Ogbunu on Epistasis &amp; The Primacy of Context in Complex Systems</a> Complexity Podcast<a href="https://complexity.simplecast.com/episodes/67" rel="nofollow" target="_blank">67 - Tyler Marghetis on Breakdowns &amp; Breakthroughs: Critical Transitions in Jazz &amp; Mathematics</a> Complexity Podcast<a href="https://complexity.simplecast.com/episodes/36" rel="nofollow" target="_blank">36 - Geoffrey West on Scaling, Open-Ended Growth, and Accelerating Crisis/Innovation Cycles: Transcendence or Collapse? (Part 2)</a> Complexity Podcast<a href="https://complexity.simplecast.com/episodes/27" rel="nofollow" target="_blank">27 - COVID-19 &amp; Complex Time in Biology &amp; Economics with David Krakauer (Transmission Series Ep. 2)</a> Complexity Podcast<a href="https://www.youtube.com/watch?v=YIah2JtqlZk" rel="nofollow" target="_blank">Ignorance, Failure, Uncertainty, and the Optimism of Science</a> by Stuart Firestein (SFI Community Lecture)<a href="https://www.santafe.edu/about/operating-principles" rel="nofollow" target="_blank">SFI’s Operating Principles</a> by Cormac McCarthy

Miguel Fuentes & Marco Buongiorno Nardelli on Music, Emergence, and Society

This week's chat is very different from most weeks'. In this episode, we talk to Marco Buongiorno Nardelli, a research scientist in the area of material science. Huh? Well, in addition to his role as a scientist, he is also a composer, and he is working on ways to mine the deep databases of science to create interesting compositions - and maybe find new ways of viewing materials as well. As always, we dive into Marco's background to figure out how someone gets to be both a composer and a scientist. But I also take the time to talk about data-to-music mapping, and how this sort of system can work for both musicians and for non-musical scientists. Very interesting stuff! Now, after listening to this - or maybe even before - you will want to review his site: http://www.materialssoundmusic.com/ It's full of video, audio and image content that will illuminate the work that he is doing. I hope you enjoy this talk, and that it opens some doors for you in your search for more inspiration!

This week's chat is very different from most weeks'. In this episode, we talk to Marco Buongiorno Nardelli, a research scientist in the area of material science. Huh? Well, in addition to his role as a scientist, he is also a composer, and he is working on ways to mine the deep databases of science to create interesting compositions - and maybe find new ways of viewing materials as well. As always, we dive into Marco's background to figure out how someone gets to be both a composer and a scientist. But I also take the time to talk about data-to-music mapping, and how this sort of system can work for both musicians and for non-musical scientists. Very interesting stuff! Now, after listening to this - or maybe even before - you will want to review his site: <a href="http://www.materialssoundmusic.com/" rel="nofollow" target="_blank">http://www.materialssoundmusic.com/</a> It's full of video, audio and image content that will illuminate the work that he is doing. I hope you enjoy this talk, and that it opens some doors for you in your search for more inspiration!

Podcast 080: Marco Buongiorno Nardelli

Dr. Buongiorno Nardelli is a computational materials physicist and composer. His latest work at www.materialssoundmusic.com is a new computer-aided data-driven composition (CADDC) environment based on the sonification and remix of scientific data streams. Sonification of scientific data, i.e. the perceptualization of information through acoustic means, not only provides a useful alternative and complement to visual data representation, but provides also the raw data for potential artistic remixes and further musical interpretation.

Dr. Buongiorno Nardelli is a computational materials physicist and composer. His latest work at <a href="http://www.materialssoundmusic.com" rel="nofollow" target="_blank">www.materialssoundmusic.com</a> is a new computer-aided data-driven composition (CADDC) environment based on the sonification and remix of scientific data streams. Sonification of scientific data, i.e. the perceptualization of information through acoustic means, not only provides a useful alternative and complement to visual data representation, but provides also the raw data for potential artistic remixes and further musical interpretation.