Thomas Poell's guest appearances

Thomas Poell

New Books in Sociology

New Books in Science, Technology, and Society

New Books in Economics

New Books in Communications

New Books in Journalism

New Books Network

Pakhuis de Zwijger

OwlTail

Hello, world! This is the Global Media &amp; Communication podcast series.In this episode, our co-hosts Aswin Punathambekar and Jing Wang discusses the book Platforms and Cultural Production (2021) by Thomas Poell, David B. Nieborg, and Brooke Erin Duffy.You’ll hear about: How this collaborative project came about, given each of the authors has distinct interests and disciplinary orientations; Given the two keywords of “platforms” and “cultural production,” how did the authors make sense of these keywords in relation to broader processes of digital infrastructures and imaginaries; How three key sections – social media, games, and journalism – were identified by the authors to explain the idea of “platformization”; How the platforms work as multi-sided markets and the approaches to account for the dynamism and lifecycles at work in platform economies; A discussion of Twitter as a useful case of platformization to grasp the challenges of platform governance; Why the authors chose to specifically focus on the role and agency of cultural producers; How to study cultural practices in various platforms across a wide variety of sociopolitical contexts in both Global North and South; The structural inequalities of platform economies, the precarity of the platform-dependent labor market, and the efforts of cultural producers to face insecurity; The cultural meanings of “creativity” and “authenticity” and the tension between the profit-driven platform logic and the individual search for belonging in social media such as TikTok; The relevance of cultural production and platforms to understanding the present and future of democratic governance and civic life in the post-truth era; The next collaborative project, such as a second volume, conferences, and research networks. About the bookPoell, Nieborg, and Duffy explore both the processes and the implications of platformization across the cultural industries, identifying key changes in markets, infrastructures, and governance at play in this ongoing transformation, as well as pivotal shifts in the practices of labor, creativity, and democracy. The authors foreground three particular industries – news, gaming, and social media creation – and also draw upon examples from music, advertising, and more. Diverse in its geographic scope, Platforms and Cultural Production builds on the latest research and accounts from across North America, Western Europe, Southeast Asia, and China to reveal crucial differences and surprising parallels in the trajectories of platformization across the globe. You can find the book from Polity Press HERE.Authors:Thomas Poell is Professor of Data, Culture &amp; Institutions at the University of Amsterdam, program director MA Media Studies, and director of the Research Priority Area on Global Digital Cultures.David B. Nieborg is Associate Professor of Media Studies at the University of Toronto Scarborough with a graduate appointment at the Faculty of Information.Brooke Erin Duffy is Associate Professor in the Department of Communication at Cornell University, where she is also a member of the Feminist, Gender, and Sexuality Studies faculty.Co-Hosts: Aswin Punathambekar is Professor of Communication and Director of the Center for Advanced Research in Global Communication at the Annenberg School for Communication, University of Pennsylvania. Jing Wang is Senior Research Manager at CARGC at the Annenberg School for Communication, University of Pennsylvania.Editor &amp; Producer: Jing Wang Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics

Hello, world! This is the Global Media &amp; Communication podcast series.In this episode, our co-hosts <a href="https://www.asc.upenn.edu/people/faculty/aswin-punathambekar-phd" rel="nofollow" target="_blank">Aswin Punathambekar</a> and <a href="https://www.jing-wang.net/" rel="nofollow" target="_blank">Jing Wang</a> discusses the book <a href="https://www.wiley.com/en-us/Platforms+and+Cultural+Production-p-9781509540501" rel="nofollow" target="_blank">Platforms and Cultural Production</a> (2021) by <a href="https://www.uva.nl/en/profile/p/o/t.poell/t.poell.html?cb#Profile" rel="nofollow" target="_blank">Thomas Poell</a>, <a href="https://www.utsc.utoronto.ca/acm/david-nieborg" rel="nofollow" target="_blank">David B. Nieborg</a>, and <a href="https://cals.cornell.edu/brooke-erin-duffy" rel="nofollow" target="_blank">Brooke Erin Duffy</a>.You’ll hear about:<ul> <li>How this collaborative project came about, given each of the authors has distinct interests and disciplinary orientations;</li> <li>Given the two keywords of “platforms” and “cultural production,” how did the authors make sense of these keywords in relation to broader processes of digital infrastructures and imaginaries;</li> <li>How three key sections – social media, games, and journalism – were identified by the authors to explain the idea of “platformization”;</li> <li>How the platforms work as multi-sided markets and the approaches to account for the dynamism and lifecycles at work in platform economies;</li> <li>A discussion of Twitter as a useful case of platformization to grasp the challenges of platform governance;</li> <li>Why the authors chose to specifically focus on the role and agency of cultural producers;</li> <li>How to study cultural practices in various platforms across a wide variety of sociopolitical contexts in both Global North and South;</li> <li>The structural inequalities of platform economies, the precarity of the platform-dependent labor market, and the efforts of cultural producers to face insecurity;</li> <li>The cultural meanings of “creativity” and “authenticity” and the tension between the profit-driven platform logic and the individual search for belonging in social media such as TikTok;</li> <li>The relevance of cultural production and platforms to understanding the present and future of democratic governance and civic life in the post-truth era;</li> <li>The next collaborative project, such as a second volume, conferences, and research networks.</li> </ul>About the bookPoell, Nieborg, and Duffy explore both the processes and the implications of platformization across the cultural industries, identifying key changes in markets, infrastructures, and governance at play in this ongoing transformation, as well as pivotal shifts in the practices of labor, creativity, and democracy. The authors foreground three particular industries – news, gaming, and social media creation – and also draw upon examples from music, advertising, and more. Diverse in its geographic scope, Platforms and Cultural Production builds on the latest research and accounts from across North America, Western Europe, Southeast Asia, and China to reveal crucial differences and surprising parallels in the trajectories of platformization across the globe. You can find the book from Polity Press <a href="https://www.wiley.com/en-us/Platforms+and+Cultural+Production-p-9781509540501" rel="nofollow" target="_blank">HERE</a>.Authors:<a href="https://www.uva.nl/en/profile/p/o/t.poell/t.poell.html?cb#Profile" rel="nofollow" target="_blank">Thomas Poell</a> is Professor of Data, Culture &amp; Institutions at the University of Amsterdam, program director MA Media Studies, and director of the Research Priority Area on Global Digital Cultures.<a href="https://www.utsc.utoronto.ca/acm/david-nieborg" rel="nofollow" target="_blank">David B. Nieborg</a> is Associate Professor of Media Studies at the University of Toronto Scarborough with a graduate appointment at the Faculty of Information.<a href="https://cals.cornell.edu/brooke-erin-duffy" rel="nofollow" target="_blank">Brooke Erin Duffy</a> is Associate Professor in the Department of Communication at Cornell University, where she is also a member of the Feminist, Gender, and Sexuality Studies faculty.Co-Hosts: <a href="https://www.asc.upenn.edu/people/faculty/aswin-punathambekar-phd" rel="nofollow" target="_blank">Aswin Punathambekar</a> is Professor of Communication and Director of the Center for Advanced Research in Global Communication at the Annenberg School for Communication, University of Pennsylvania. <a href="https://www.jing-wang.net/" rel="nofollow" target="_blank">Jing Wang</a> is Senior Research Manager at CARGC at the Annenberg School for Communication, University of Pennsylvania.Editor &amp; Producer: Jing Wang Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/economics" rel="nofollow" target="_blank">https://newbooksnetwork.supportingcast.fm/economics</a>

Thomas Poell et al., "Platforms and Cultural Production" (Polity, 2022)

Hello, world! This is the Global Media &amp; Communication podcast series.In this episode, our co-hosts Aswin Punathambekar and Jing Wang discusses the book Platforms and Cultural Production (2021) by Thomas Poell, David B. Nieborg, and Brooke Erin Duffy.You’ll hear about: How this collaborative project came about, given each of the authors has distinct interests and disciplinary orientations; Given the two keywords of “platforms” and “cultural production,” how did the authors make sense of these keywords in relation to broader processes of digital infrastructures and imaginaries; How three key sections – social media, games, and journalism – were identified by the authors to explain the idea of “platformization”; How the platforms work as multi-sided markets and the approaches to account for the dynamism and lifecycles at work in platform economies; A discussion of Twitter as a useful case of platformization to grasp the challenges of platform governance; Why the authors chose to specifically focus on the role and agency of cultural producers; How to study cultural practices in various platforms across a wide variety of sociopolitical contexts in both Global North and South; The structural inequalities of platform economies, the precarity of the platform-dependent labor market, and the efforts of cultural producers to face insecurity; The cultural meanings of “creativity” and “authenticity” and the tension between the profit-driven platform logic and the individual search for belonging in social media such as TikTok; The relevance of cultural production and platforms to understanding the present and future of democratic governance and civic life in the post-truth era; The next collaborative project, such as a second volume, conferences, and research networks. About the bookPoell, Nieborg, and Duffy explore both the processes and the implications of platformization across the cultural industries, identifying key changes in markets, infrastructures, and governance at play in this ongoing transformation, as well as pivotal shifts in the practices of labor, creativity, and democracy. The authors foreground three particular industries – news, gaming, and social media creation – and also draw upon examples from music, advertising, and more. Diverse in its geographic scope, Platforms and Cultural Production builds on the latest research and accounts from across North America, Western Europe, Southeast Asia, and China to reveal crucial differences and surprising parallels in the trajectories of platformization across the globe. You can find the book from Polity Press HERE.Authors:Thomas Poell is Professor of Data, Culture &amp; Institutions at the University of Amsterdam, program director MA Media Studies, and director of the Research Priority Area on Global Digital Cultures.David B. Nieborg is Associate Professor of Media Studies at the University of Toronto Scarborough with a graduate appointment at the Faculty of Information.Brooke Erin Duffy is Associate Professor in the Department of Communication at Cornell University, where she is also a member of the Feminist, Gender, and Sexuality Studies faculty.Co-Hosts: Aswin Punathambekar is Professor of Communication and Director of the Center for Advanced Research in Global Communication at the Annenberg School for Communication, University of Pennsylvania. Jing Wang is Senior Research Manager at CARGC at the Annenberg School for Communication, University of Pennsylvania.Editor &amp; Producer: Jing Wang Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Hello, world! This is the Global Media &amp; Communication podcast series.In this episode, our co-hosts <a href="https://www.asc.upenn.edu/people/faculty/aswin-punathambekar-phd" rel="nofollow" target="_blank">Aswin Punathambekar</a> and <a href="https://www.jing-wang.net/" rel="nofollow" target="_blank">Jing Wang</a> discusses the book <a href="https://www.wiley.com/en-us/Platforms+and+Cultural+Production-p-9781509540501" rel="nofollow" target="_blank">Platforms and Cultural Production</a> (2021) by <a href="https://www.uva.nl/en/profile/p/o/t.poell/t.poell.html?cb#Profile" rel="nofollow" target="_blank">Thomas Poell</a>, <a href="https://www.utsc.utoronto.ca/acm/david-nieborg" rel="nofollow" target="_blank">David B. Nieborg</a>, and <a href="https://cals.cornell.edu/brooke-erin-duffy" rel="nofollow" target="_blank">Brooke Erin Duffy</a>.You’ll hear about:<ul> <li>How this collaborative project came about, given each of the authors has distinct interests and disciplinary orientations;</li> <li>Given the two keywords of “platforms” and “cultural production,” how did the authors make sense of these keywords in relation to broader processes of digital infrastructures and imaginaries;</li> <li>How three key sections – social media, games, and journalism – were identified by the authors to explain the idea of “platformization”;</li> <li>How the platforms work as multi-sided markets and the approaches to account for the dynamism and lifecycles at work in platform economies;</li> <li>A discussion of Twitter as a useful case of platformization to grasp the challenges of platform governance;</li> <li>Why the authors chose to specifically focus on the role and agency of cultural producers;</li> <li>How to study cultural practices in various platforms across a wide variety of sociopolitical contexts in both Global North and South;</li> <li>The structural inequalities of platform economies, the precarity of the platform-dependent labor market, and the efforts of cultural producers to face insecurity;</li> <li>The cultural meanings of “creativity” and “authenticity” and the tension between the profit-driven platform logic and the individual search for belonging in social media such as TikTok;</li> <li>The relevance of cultural production and platforms to understanding the present and future of democratic governance and civic life in the post-truth era;</li> <li>The next collaborative project, such as a second volume, conferences, and research networks.</li> </ul>About the bookPoell, Nieborg, and Duffy explore both the processes and the implications of platformization across the cultural industries, identifying key changes in markets, infrastructures, and governance at play in this ongoing transformation, as well as pivotal shifts in the practices of labor, creativity, and democracy. The authors foreground three particular industries – news, gaming, and social media creation – and also draw upon examples from music, advertising, and more. Diverse in its geographic scope, Platforms and Cultural Production builds on the latest research and accounts from across North America, Western Europe, Southeast Asia, and China to reveal crucial differences and surprising parallels in the trajectories of platformization across the globe. You can find the book from Polity Press <a href="https://www.wiley.com/en-us/Platforms+and+Cultural+Production-p-9781509540501" rel="nofollow" target="_blank">HERE</a>.Authors:<a href="https://www.uva.nl/en/profile/p/o/t.poell/t.poell.html?cb#Profile" rel="nofollow" target="_blank">Thomas Poell</a> is Professor of Data, Culture &amp; Institutions at the University of Amsterdam, program director MA Media Studies, and director of the Research Priority Area on Global Digital Cultures.<a href="https://www.utsc.utoronto.ca/acm/david-nieborg" rel="nofollow" target="_blank">David B. Nieborg</a> is Associate Professor of Media Studies at the University of Toronto Scarborough with a graduate appointment at the Faculty of Information.<a href="https://cals.cornell.edu/brooke-erin-duffy" rel="nofollow" target="_blank">Brooke Erin Duffy</a> is Associate Professor in the Department of Communication at Cornell University, where she is also a member of the Feminist, Gender, and Sexuality Studies faculty.Co-Hosts: <a href="https://www.asc.upenn.edu/people/faculty/aswin-punathambekar-phd" rel="nofollow" target="_blank">Aswin Punathambekar</a> is Professor of Communication and Director of the Center for Advanced Research in Global Communication at the Annenberg School for Communication, University of Pennsylvania. <a href="https://www.jing-wang.net/" rel="nofollow" target="_blank">Jing Wang</a> is Senior Research Manager at CARGC at the Annenberg School for Communication, University of Pennsylvania.Editor &amp; Producer: Jing Wang Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/sociology" rel="nofollow" target="_blank">https://newbooksnetwork.supportingcast.fm/sociology</a>

Hello, world! This is the Global Media &amp; Communication podcast series.In this episode, our co-hosts Aswin Punathambekar and Jing Wang discusses the book Platforms and Cultural Production (2021) by Thomas Poell, David B. Nieborg, and Brooke Erin Duffy.You’ll hear about: How this collaborative project came about, given each of the authors has distinct interests and disciplinary orientations; Given the two keywords of “platforms” and “cultural production,” how did the authors make sense of these keywords in relation to broader processes of digital infrastructures and imaginaries; How three key sections – social media, games, and journalism – were identified by the authors to explain the idea of “platformization”; How the platforms work as multi-sided markets and the approaches to account for the dynamism and lifecycles at work in platform economies; A discussion of Twitter as a useful case of platformization to grasp the challenges of platform governance; Why the authors chose to specifically focus on the role and agency of cultural producers; How to study cultural practices in various platforms across a wide variety of sociopolitical contexts in both Global North and South; The structural inequalities of platform economies, the precarity of the platform-dependent labor market, and the efforts of cultural producers to face insecurity; The cultural meanings of “creativity” and “authenticity” and the tension between the profit-driven platform logic and the individual search for belonging in social media such as TikTok; The relevance of cultural production and platforms to understanding the present and future of democratic governance and civic life in the post-truth era; The next collaborative project, such as a second volume, conferences, and research networks. About the bookPoell, Nieborg, and Duffy explore both the processes and the implications of platformization across the cultural industries, identifying key changes in markets, infrastructures, and governance at play in this ongoing transformation, as well as pivotal shifts in the practices of labor, creativity, and democracy. The authors foreground three particular industries – news, gaming, and social media creation – and also draw upon examples from music, advertising, and more. Diverse in its geographic scope, Platforms and Cultural Production builds on the latest research and accounts from across North America, Western Europe, Southeast Asia, and China to reveal crucial differences and surprising parallels in the trajectories of platformization across the globe. You can find the book from Polity Press HERE.Authors:Thomas Poell is Professor of Data, Culture &amp; Institutions at the University of Amsterdam, program director MA Media Studies, and director of the Research Priority Area on Global Digital Cultures.David B. Nieborg is Associate Professor of Media Studies at the University of Toronto Scarborough with a graduate appointment at the Faculty of Information.Brooke Erin Duffy is Associate Professor in the Department of Communication at Cornell University, where she is also a member of the Feminist, Gender, and Sexuality Studies faculty.Co-Hosts: Aswin Punathambekar is Professor of Communication and Director of the Center for Advanced Research in Global Communication at the Annenberg School for Communication, University of Pennsylvania. Jing Wang is Senior Research Manager at CARGC at the Annenberg School for Communication, University of Pennsylvania.Editor &amp; Producer: Jing Wang Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Hello, world! This is the Global Media &amp; Communication podcast series.In this episode, our co-hosts <a href="https://www.asc.upenn.edu/people/faculty/aswin-punathambekar-phd" rel="nofollow" target="_blank">Aswin Punathambekar</a> and <a href="https://www.jing-wang.net/" rel="nofollow" target="_blank">Jing Wang</a> discusses the book <a href="https://www.wiley.com/en-us/Platforms+and+Cultural+Production-p-9781509540501" rel="nofollow" target="_blank">Platforms and Cultural Production</a> (2021) by <a href="https://www.uva.nl/en/profile/p/o/t.poell/t.poell.html?cb#Profile" rel="nofollow" target="_blank">Thomas Poell</a>, <a href="https://www.utsc.utoronto.ca/acm/david-nieborg" rel="nofollow" target="_blank">David B. Nieborg</a>, and <a href="https://cals.cornell.edu/brooke-erin-duffy" rel="nofollow" target="_blank">Brooke Erin Duffy</a>.You’ll hear about:<ul> <li>How this collaborative project came about, given each of the authors has distinct interests and disciplinary orientations;</li> <li>Given the two keywords of “platforms” and “cultural production,” how did the authors make sense of these keywords in relation to broader processes of digital infrastructures and imaginaries;</li> <li>How three key sections – social media, games, and journalism – were identified by the authors to explain the idea of “platformization”;</li> <li>How the platforms work as multi-sided markets and the approaches to account for the dynamism and lifecycles at work in platform economies;</li> <li>A discussion of Twitter as a useful case of platformization to grasp the challenges of platform governance;</li> <li>Why the authors chose to specifically focus on the role and agency of cultural producers;</li> <li>How to study cultural practices in various platforms across a wide variety of sociopolitical contexts in both Global North and South;</li> <li>The structural inequalities of platform economies, the precarity of the platform-dependent labor market, and the efforts of cultural producers to face insecurity;</li> <li>The cultural meanings of “creativity” and “authenticity” and the tension between the profit-driven platform logic and the individual search for belonging in social media such as TikTok;</li> <li>The relevance of cultural production and platforms to understanding the present and future of democratic governance and civic life in the post-truth era;</li> <li>The next collaborative project, such as a second volume, conferences, and research networks.</li> </ul>About the bookPoell, Nieborg, and Duffy explore both the processes and the implications of platformization across the cultural industries, identifying key changes in markets, infrastructures, and governance at play in this ongoing transformation, as well as pivotal shifts in the practices of labor, creativity, and democracy. The authors foreground three particular industries – news, gaming, and social media creation – and also draw upon examples from music, advertising, and more. Diverse in its geographic scope, Platforms and Cultural Production builds on the latest research and accounts from across North America, Western Europe, Southeast Asia, and China to reveal crucial differences and surprising parallels in the trajectories of platformization across the globe. You can find the book from Polity Press <a href="https://www.wiley.com/en-us/Platforms+and+Cultural+Production-p-9781509540501" rel="nofollow" target="_blank">HERE</a>.Authors:<a href="https://www.uva.nl/en/profile/p/o/t.poell/t.poell.html?cb#Profile" rel="nofollow" target="_blank">Thomas Poell</a> is Professor of Data, Culture &amp; Institutions at the University of Amsterdam, program director MA Media Studies, and director of the Research Priority Area on Global Digital Cultures.<a href="https://www.utsc.utoronto.ca/acm/david-nieborg" rel="nofollow" target="_blank">David B. Nieborg</a> is Associate Professor of Media Studies at the University of Toronto Scarborough with a graduate appointment at the Faculty of Information.<a href="https://cals.cornell.edu/brooke-erin-duffy" rel="nofollow" target="_blank">Brooke Erin Duffy</a> is Associate Professor in the Department of Communication at Cornell University, where she is also a member of the Feminist, Gender, and Sexuality Studies faculty.Co-Hosts: <a href="https://www.asc.upenn.edu/people/faculty/aswin-punathambekar-phd" rel="nofollow" target="_blank">Aswin Punathambekar</a> is Professor of Communication and Director of the Center for Advanced Research in Global Communication at the Annenberg School for Communication, University of Pennsylvania. <a href="https://www.jing-wang.net/" rel="nofollow" target="_blank">Jing Wang</a> is Senior Research Manager at CARGC at the Annenberg School for Communication, University of Pennsylvania.Editor &amp; Producer: Jing Wang Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/science-technology-and-society" rel="nofollow" target="_blank">https://newbooksnetwork.supportingcast.fm/science-technology-and-society</a>

Hello, world! This is the Global Media &amp; Communication podcast series.In this episode, our co-hosts Aswin Punathambekar and Jing Wang discusses the book Platforms and Cultural Production (2021) by Thomas Poell, David B. Nieborg, and Brooke Erin Duffy.You’ll hear about: How this collaborative project came about, given each of the authors has distinct interests and disciplinary orientations; Given the two keywords of “platforms” and “cultural production,” how did the authors make sense of these keywords in relation to broader processes of digital infrastructures and imaginaries; How three key sections – social media, games, and journalism – were identified by the authors to explain the idea of “platformization”; How the platforms work as multi-sided markets and the approaches to account for the dynamism and lifecycles at work in platform economies; A discussion of Twitter as a useful case of platformization to grasp the challenges of platform governance; Why the authors chose to specifically focus on the role and agency of cultural producers; How to study cultural practices in various platforms across a wide variety of sociopolitical contexts in both Global North and South; The structural inequalities of platform economies, the precarity of the platform-dependent labor market, and the efforts of cultural producers to face insecurity; The cultural meanings of “creativity” and “authenticity” and the tension between the profit-driven platform logic and the individual search for belonging in social media such as TikTok; The relevance of cultural production and platforms to understanding the present and future of democratic governance and civic life in the post-truth era; The next collaborative project, such as a second volume, conferences, and research networks. About the bookPoell, Nieborg, and Duffy explore both the processes and the implications of platformization across the cultural industries, identifying key changes in markets, infrastructures, and governance at play in this ongoing transformation, as well as pivotal shifts in the practices of labor, creativity, and democracy. The authors foreground three particular industries – news, gaming, and social media creation – and also draw upon examples from music, advertising, and more. Diverse in its geographic scope, Platforms and Cultural Production builds on the latest research and accounts from across North America, Western Europe, Southeast Asia, and China to reveal crucial differences and surprising parallels in the trajectories of platformization across the globe. You can find the book from Polity Press HERE.Authors:Thomas Poell is Professor of Data, Culture &amp; Institutions at the University of Amsterdam, program director MA Media Studies, and director of the Research Priority Area on Global Digital Cultures.David B. Nieborg is Associate Professor of Media Studies at the University of Toronto Scarborough with a graduate appointment at the Faculty of Information.Brooke Erin Duffy is Associate Professor in the Department of Communication at Cornell University, where she is also a member of the Feminist, Gender, and Sexuality Studies faculty.Co-Hosts: Aswin Punathambekar is Professor of Communication and Director of the Center for Advanced Research in Global Communication at the Annenberg School for Communication, University of Pennsylvania. Jing Wang is Senior Research Manager at CARGC at the Annenberg School for Communication, University of Pennsylvania.Editor &amp; Producer: Jing Wang Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Hello, world! This is the Global Media &amp; Communication podcast series.In this episode, our co-hosts <a href="https://www.asc.upenn.edu/people/faculty/aswin-punathambekar-phd" rel="nofollow" target="_blank">Aswin Punathambekar</a> and <a href="https://www.jing-wang.net/" rel="nofollow" target="_blank">Jing Wang</a> discusses the book <a href="https://www.wiley.com/en-us/Platforms+and+Cultural+Production-p-9781509540501" rel="nofollow" target="_blank">Platforms and Cultural Production</a> (2021) by <a href="https://www.uva.nl/en/profile/p/o/t.poell/t.poell.html?cb#Profile" rel="nofollow" target="_blank">Thomas Poell</a>, <a href="https://www.utsc.utoronto.ca/acm/david-nieborg" rel="nofollow" target="_blank">David B. Nieborg</a>, and <a href="https://cals.cornell.edu/brooke-erin-duffy" rel="nofollow" target="_blank">Brooke Erin Duffy</a>.You’ll hear about:<ul> <li>How this collaborative project came about, given each of the authors has distinct interests and disciplinary orientations;</li> <li>Given the two keywords of “platforms” and “cultural production,” how did the authors make sense of these keywords in relation to broader processes of digital infrastructures and imaginaries;</li> <li>How three key sections – social media, games, and journalism – were identified by the authors to explain the idea of “platformization”;</li> <li>How the platforms work as multi-sided markets and the approaches to account for the dynamism and lifecycles at work in platform economies;</li> <li>A discussion of Twitter as a useful case of platformization to grasp the challenges of platform governance;</li> <li>Why the authors chose to specifically focus on the role and agency of cultural producers;</li> <li>How to study cultural practices in various platforms across a wide variety of sociopolitical contexts in both Global North and South;</li> <li>The structural inequalities of platform economies, the precarity of the platform-dependent labor market, and the efforts of cultural producers to face insecurity;</li> <li>The cultural meanings of “creativity” and “authenticity” and the tension between the profit-driven platform logic and the individual search for belonging in social media such as TikTok;</li> <li>The relevance of cultural production and platforms to understanding the present and future of democratic governance and civic life in the post-truth era;</li> <li>The next collaborative project, such as a second volume, conferences, and research networks.</li> </ul>About the bookPoell, Nieborg, and Duffy explore both the processes and the implications of platformization across the cultural industries, identifying key changes in markets, infrastructures, and governance at play in this ongoing transformation, as well as pivotal shifts in the practices of labor, creativity, and democracy. The authors foreground three particular industries – news, gaming, and social media creation – and also draw upon examples from music, advertising, and more. Diverse in its geographic scope, Platforms and Cultural Production builds on the latest research and accounts from across North America, Western Europe, Southeast Asia, and China to reveal crucial differences and surprising parallels in the trajectories of platformization across the globe. You can find the book from Polity Press <a href="https://www.wiley.com/en-us/Platforms+and+Cultural+Production-p-9781509540501" rel="nofollow" target="_blank">HERE</a>.Authors:<a href="https://www.uva.nl/en/profile/p/o/t.poell/t.poell.html?cb#Profile" rel="nofollow" target="_blank">Thomas Poell</a> is Professor of Data, Culture &amp; Institutions at the University of Amsterdam, program director MA Media Studies, and director of the Research Priority Area on Global Digital Cultures.<a href="https://www.utsc.utoronto.ca/acm/david-nieborg" rel="nofollow" target="_blank">David B. Nieborg</a> is Associate Professor of Media Studies at the University of Toronto Scarborough with a graduate appointment at the Faculty of Information.<a href="https://cals.cornell.edu/brooke-erin-duffy" rel="nofollow" target="_blank">Brooke Erin Duffy</a> is Associate Professor in the Department of Communication at Cornell University, where she is also a member of the Feminist, Gender, and Sexuality Studies faculty.Co-Hosts: <a href="https://www.asc.upenn.edu/people/faculty/aswin-punathambekar-phd" rel="nofollow" target="_blank">Aswin Punathambekar</a> is Professor of Communication and Director of the Center for Advanced Research in Global Communication at the Annenberg School for Communication, University of Pennsylvania. <a href="https://www.jing-wang.net/" rel="nofollow" target="_blank">Jing Wang</a> is Senior Research Manager at CARGC at the Annenberg School for Communication, University of Pennsylvania.Editor &amp; Producer: Jing Wang Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/communications" rel="nofollow" target="_blank">https://newbooksnetwork.supportingcast.fm/communications</a>

Hello, world! This is the Global Media &amp; Communication podcast series.In this episode, our co-hosts Aswin Punathambekar and Jing Wang discusses the book Platforms and Cultural Production (2021) by Thomas Poell, David B. Nieborg, and Brooke Erin Duffy.You’ll hear about: How this collaborative project came about, given each of the authors has distinct interests and disciplinary orientations; Given the two keywords of “platforms” and “cultural production,” how did the authors make sense of these keywords in relation to broader processes of digital infrastructures and imaginaries; How three key sections – social media, games, and journalism – were identified by the authors to explain the idea of “platformization”; How the platforms work as multi-sided markets and the approaches to account for the dynamism and lifecycles at work in platform economies; A discussion of Twitter as a useful case of platformization to grasp the challenges of platform governance; Why the authors chose to specifically focus on the role and agency of cultural producers; How to study cultural practices in various platforms across a wide variety of sociopolitical contexts in both Global North and South; The structural inequalities of platform economies, the precarity of the platform-dependent labor market, and the efforts of cultural producers to face insecurity; The cultural meanings of “creativity” and “authenticity” and the tension between the profit-driven platform logic and the individual search for belonging in social media such as TikTok; The relevance of cultural production and platforms to understanding the present and future of democratic governance and civic life in the post-truth era; The next collaborative project, such as a second volume, conferences, and research networks. About the bookPoell, Nieborg, and Duffy explore both the processes and the implications of platformization across the cultural industries, identifying key changes in markets, infrastructures, and governance at play in this ongoing transformation, as well as pivotal shifts in the practices of labor, creativity, and democracy. The authors foreground three particular industries – news, gaming, and social media creation – and also draw upon examples from music, advertising, and more. Diverse in its geographic scope, Platforms and Cultural Production builds on the latest research and accounts from across North America, Western Europe, Southeast Asia, and China to reveal crucial differences and surprising parallels in the trajectories of platformization across the globe. You can find the book from Polity Press HERE.Authors:Thomas Poell is Professor of Data, Culture &amp; Institutions at the University of Amsterdam, program director MA Media Studies, and director of the Research Priority Area on Global Digital Cultures.David B. Nieborg is Associate Professor of Media Studies at the University of Toronto Scarborough with a graduate appointment at the Faculty of Information.Brooke Erin Duffy is Associate Professor in the Department of Communication at Cornell University, where she is also a member of the Feminist, Gender, and Sexuality Studies faculty.Co-Hosts: Aswin Punathambekar is Professor of Communication and Director of the Center for Advanced Research in Global Communication at the Annenberg School for Communication, University of Pennsylvania. Jing Wang is Senior Research Manager at CARGC at the Annenberg School for Communication, University of Pennsylvania.Editor &amp; Producer: Jing Wang Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Hello, world! This is the Global Media &amp; Communication podcast series.In this episode, our co-hosts <a href="https://www.asc.upenn.edu/people/faculty/aswin-punathambekar-phd" rel="nofollow" target="_blank">Aswin Punathambekar</a> and <a href="https://www.jing-wang.net/" rel="nofollow" target="_blank">Jing Wang</a> discusses the book <a href="https://www.wiley.com/en-us/Platforms+and+Cultural+Production-p-9781509540501" rel="nofollow" target="_blank">Platforms and Cultural Production</a> (2021) by <a href="https://www.uva.nl/en/profile/p/o/t.poell/t.poell.html?cb#Profile" rel="nofollow" target="_blank">Thomas Poell</a>, <a href="https://www.utsc.utoronto.ca/acm/david-nieborg" rel="nofollow" target="_blank">David B. Nieborg</a>, and <a href="https://cals.cornell.edu/brooke-erin-duffy" rel="nofollow" target="_blank">Brooke Erin Duffy</a>.You’ll hear about:<ul> <li>How this collaborative project came about, given each of the authors has distinct interests and disciplinary orientations;</li> <li>Given the two keywords of “platforms” and “cultural production,” how did the authors make sense of these keywords in relation to broader processes of digital infrastructures and imaginaries;</li> <li>How three key sections – social media, games, and journalism – were identified by the authors to explain the idea of “platformization”;</li> <li>How the platforms work as multi-sided markets and the approaches to account for the dynamism and lifecycles at work in platform economies;</li> <li>A discussion of Twitter as a useful case of platformization to grasp the challenges of platform governance;</li> <li>Why the authors chose to specifically focus on the role and agency of cultural producers;</li> <li>How to study cultural practices in various platforms across a wide variety of sociopolitical contexts in both Global North and South;</li> <li>The structural inequalities of platform economies, the precarity of the platform-dependent labor market, and the efforts of cultural producers to face insecurity;</li> <li>The cultural meanings of “creativity” and “authenticity” and the tension between the profit-driven platform logic and the individual search for belonging in social media such as TikTok;</li> <li>The relevance of cultural production and platforms to understanding the present and future of democratic governance and civic life in the post-truth era;</li> <li>The next collaborative project, such as a second volume, conferences, and research networks.</li> </ul>About the bookPoell, Nieborg, and Duffy explore both the processes and the implications of platformization across the cultural industries, identifying key changes in markets, infrastructures, and governance at play in this ongoing transformation, as well as pivotal shifts in the practices of labor, creativity, and democracy. The authors foreground three particular industries – news, gaming, and social media creation – and also draw upon examples from music, advertising, and more. Diverse in its geographic scope, Platforms and Cultural Production builds on the latest research and accounts from across North America, Western Europe, Southeast Asia, and China to reveal crucial differences and surprising parallels in the trajectories of platformization across the globe. You can find the book from Polity Press <a href="https://www.wiley.com/en-us/Platforms+and+Cultural+Production-p-9781509540501" rel="nofollow" target="_blank">HERE</a>.Authors:<a href="https://www.uva.nl/en/profile/p/o/t.poell/t.poell.html?cb#Profile" rel="nofollow" target="_blank">Thomas Poell</a> is Professor of Data, Culture &amp; Institutions at the University of Amsterdam, program director MA Media Studies, and director of the Research Priority Area on Global Digital Cultures.<a href="https://www.utsc.utoronto.ca/acm/david-nieborg" rel="nofollow" target="_blank">David B. Nieborg</a> is Associate Professor of Media Studies at the University of Toronto Scarborough with a graduate appointment at the Faculty of Information.<a href="https://cals.cornell.edu/brooke-erin-duffy" rel="nofollow" target="_blank">Brooke Erin Duffy</a> is Associate Professor in the Department of Communication at Cornell University, where she is also a member of the Feminist, Gender, and Sexuality Studies faculty.Co-Hosts: <a href="https://www.asc.upenn.edu/people/faculty/aswin-punathambekar-phd" rel="nofollow" target="_blank">Aswin Punathambekar</a> is Professor of Communication and Director of the Center for Advanced Research in Global Communication at the Annenberg School for Communication, University of Pennsylvania. <a href="https://www.jing-wang.net/" rel="nofollow" target="_blank">Jing Wang</a> is Senior Research Manager at CARGC at the Annenberg School for Communication, University of Pennsylvania.Editor &amp; Producer: Jing Wang Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/journalism" rel="nofollow" target="_blank">https://newbooksnetwork.supportingcast.fm/journalism</a>