Andrew Leven's guest appearances

Andrew Leven

Frame By Frame

Frame by Frame - Post New York Alliance

David Smith

Jay Rabinowitz

Chic Ciccolini

Dominick Tavella

Angelo Corrao

Kate Sanford

Lillian Benson

Suzana Peric

Ron Roose

Marc Laub

Bob Reitano

JIM JARMUSCH PT2

Tony Volante

David Mamet

Mike Nichols

OwlTail

Derek Schweickart

Tim Squyres

As movie-going audiences choose more often to view their entertainment  on the smaller screens of home theaters, tablets and phones, movies like GEMINI MAN  directed by Ang Lee and shot in 4K resolution, at 120 frames per second, for 3-D projection are intentionally built to create a hyper real immersive experience that will incentivize audiences to experience films on a big screen in a large theater with a crowd and participate in  vital communal catharsis.   For the filmmakers, the choice to work in this format was on almost every level a technological experiment. For the post-production team especially, the format became a valuable testing ground for every aspect of media exchange along the pipeline.In this episode, I sat down with GEMINI MAN’s Picture editor, Tim Squyres, 3D Digital Intermediate Supervisor,Derek  Schweithart , First Assistant Editor, Andrew Leven and Associate Producer and Post-Production Supervisor, Jennifer Lane to talk about  why this pioneering format required that they construct their own mobile lab to process the media and how they believe the format ultimately supports better storytelling.    Frame By Frame is presented by Post New York Alliance because it’s how you finish that counts.   This episode marks the beginning of a new series exploring innovations in post-production and the vanguard film professionals in New York that are  leading the way.

As movie-going audiences choose more often to view their entertainment  on the smaller screens of home theaters, tablets and phones, movies like GEMINI MAN  directed by Ang Lee and shot in 4K resolution, at 120 frames per second, for 3-D projection are intentionally built to create a hyper real immersive experience that will incentivize audiences to experience films on a big screen in a large theater with a crowd and participate in  vital communal catharsis. For the filmmakers, the choice to work in this format was on almost every level a technological experiment. For the post-production team especially, the format became a valuable testing ground for every aspect of media exchange along the pipeline. In this episode, I sat down with GEMINI MAN’s Picture editor, Tim Squyres, 3D Digital Intermediate Supervisor,Derek  Schweithart , First Assistant Editor, Andrew Leven and Associate Producer and Post-Production Supervisor, Jennifer Lane to talk about  why this pioneering format required that they construct their own mobile lab to process the media and how they believe the format ultimately supports better storytelling.    Frame By Frame is presented by Post New York Alliance because it’s how you finish that counts. This episode marks the beginning of a new series exploring innovations in post-production and the vanguard film professionals in New York that are  leading the way.

FXF0601 INNOVATIONS IN POST -- THE NEXT FRONTIER with GEMINI MAN’s TIM SQUYRES, DEREK SCHWEICKART, JEN LANE and ANDREW LEVEN

Jennifer Lane

FXF_S06EP01 INNOVATIONS IN POST - THE NEXT FRONTIER - GEMINI MAN with Tim Squyres, Derek Schweickart, Jennifer Lane and Andrew Leven  As movie-going audiences choose more often to view their entertainment  on the smaller screens of home theaters, tablets and phones, movies like GEMINI MAN  directed by Ang Lee and shot in 4K resolution, at 120 frames per second, for 3-D projection are intentionally built to create a hyper real immersive experience that will incentivize audiences to experience films on a big screen in a large theater with a crowd and participate in  vital communal catharsis. For the filmmakers, the choice to work in this format was on almost every level a technological experiment. For the post-production team especially, the format became a valuable testing ground for every aspect of media exchange along the pipeline. In this episode, I sat down with GEMINI MAN’s Picture editor, Tim Squyres, 3D Digital Intermediate Supervisor, Derek  Schweickart , First Assistant Editor, Andrew Leven and Associate Producer and Post-Production Supervisor, Jennifer Lane to talk about  why this pioneering format required that they construct their own mobile lab to process the media and how they believe the format ultimately supports better storytelling. Frame By Frame is presented by Post New York Alliance because it’s how you finish that counts. This episode marks the beginning of a new series exploring innovations in post-production and the vanguard film professionals in New York that are  leading the way. We welcome your comments and suggestions -- write us atframebyframe@postnewyork.org or share your comments via iTunes Frame By Frame is a podcast series hosted, produced and edited by Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry. Frame By Frame is proudly presented by Post New York Alliance and supported by the Academy of Motion Picture Arts and Sciences Oral History Project. Stay tuned for the upcoming episode of Frame By Frame with the team behind the APOLLO 11.

<h2><a href="https://storage.googleapis.com/fxfpodcast/FXF_S05EP04_Gemini%20Man_FINAL2020FEB2.wav" rel="nofollow" target="_blank">FXF_S06EP01 INNOVATIONS IN POST - THE NEXT FRONTIER - GEMINI MAN with Tim Squyres, Derek Schweickart, Jennifer Lane and Andrew Leven </a></h2> As movie-going audiences choose more often to view their entertainment  on the smaller screens of home theaters, tablets and phones, movies like GEMINI MAN  directed by Ang Lee and shot in 4K resolution, at 120 frames per second, for 3-D projection are intentionally built to create a hyper real immersive experience that will incentivize audiences to experience films on a big screen in a large theater with a crowd and participate in  vital communal catharsis. For the filmmakers, the choice to work in this format was on almost every level a technological experiment. For the post-production team especially, the format became a valuable testing ground for every aspect of media exchange along the pipeline. In this episode, I sat down with GEMINI MAN’s Picture editor, Tim Squyres, 3D Digital Intermediate Supervisor, Derek  Schweickart , First Assistant Editor, Andrew Leven and Associate Producer and Post-Production Supervisor, Jennifer Lane to talk about  why this pioneering format required that they construct their own mobile lab to process the media and how they believe the format ultimately supports better storytelling. Frame By Frame is presented by Post New York Alliance because it’s how you finish that counts. This episode marks the beginning of a new series exploring innovations in post-production and the vanguard film professionals in New York that are  leading the way. We welcome your comments and suggestions -- write us atframebyframe@postnewyork.org or share your comments via iTunes Frame By Frame is a podcast series hosted, produced and edited by Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry. Frame By Frame is proudly presented by Post New York Alliance and supported by the Academy of Motion Picture Arts and Sciences Oral History Project. Stay tuned for the upcoming episode of Frame By Frame with the team behind the APOLLO 11.

FXF_S05EP04 INNOVATIONS IN POST - THE NEXT FRONTIER - GEMINI MAN with Tim Squyres, Derek Schweickart, Jennifer Lane and Andrew Leven