Julio César Morales's guest appearances

Julio César Morales

Art Practical Audio

FUSE: A BOMB Podcast

Hank WIllis Thomas

Emory Douglas

Andrew Wilson

Edra Soto

Maria Gaspar

Michelle Wong

Rhiannon Evans

Laurel Braitman

Jacqueline Brown

Sita Kuratomi Bhaumik

Brett Cook

Kim Anno

Edgar Arceneaux

Việt Lê

Brontez Purnell

OwlTail

Tanya Aguiñiga

For this episode, we asked artist, mother, and activist Tanya Aguiñiga which artist she would most wish to speak with and she chose visual artist and curator Julio César Morales.The pair discuss the versatility of the border experience, unlikely influences, and functional art practices.This episode is in partnership with The Armory Show. Both artists appearing in the episode are part of the curated sections of the fair’s 2022 edition. Tanya Aguiñiga’s work is presented by Volume Gallery in Focus, curated by Carla Acevedo-Yates, while Julio César Morales’s piece La Linea is presented by Gallery Wendi Norris in Platform, curated by Tobias Ostrander.Tanya Aguiñiga is an artist, designer, and craftsperson, who works with traditional craft materials like natural fibers and collaborates with other artists and activists to create sculptures, installations, performances, and community-based art projects. In her installations, furniture, and wearable designs, Aguiñiga often works with cotton, wool, and other textiles, drawing upon Mesoamerican weaving and traditional forms. Her solo exhibitions include the Smithsonian American Art Museum and the Museum of Arts and Design. Additional exhibitions have been held at the Annenberg Space for Photography, and the Craft and Folk Art Museum—among others.Julio César Morales investigates issues of migration, underground economies, and labor on the personal and global scales. Morales’s practice explores diverse mediums specific to each project or body of work. He has painted watercolor illustrations that diagram human trafficking methods, employed the DJ turntable, produced video and time-based pieces, and reenacted a famous meal—all to elucidate social interactions and political perspectives. Morales’s work has been shown at SFMOMA, Museo Rufino Tamayo, LACMA, Hammer Museum, Muca Roma, Prospect 3 Biennale, Lyon Biennale, and Istanbul Biennale among others. Learn more about your ad choices. Visit megaphone.fm/adchoices

For this episode, we asked artist, mother, and activist Tanya Aguiñiga which artist she would most wish to speak with and she chose visual artist and curator Julio César Morales.The pair discuss the versatility of the border experience, unlikely influences, and functional art practices.This episode is in partnership with The Armory Show. Both artists appearing in the episode are part of the curated sections of the fair’s 2022 edition. Tanya Aguiñiga’s work is presented by Volume Gallery in Focus, curated by Carla Acevedo-Yates, while Julio César Morales’s piece La Linea is presented by Gallery Wendi Norris in Platform, curated by Tobias Ostrander.Tanya Aguiñiga is an artist, designer, and craftsperson, who works with traditional craft materials like natural fibers and collaborates with other artists and activists to create sculptures, installations, performances, and community-based art projects. In her installations, furniture, and wearable designs, Aguiñiga often works with cotton, wool, and other textiles, drawing upon Mesoamerican weaving and traditional forms. Her solo exhibitions include the Smithsonian American Art Museum and the Museum of Arts and Design. Additional exhibitions have been held at the Annenberg Space for Photography, and the Craft and Folk Art Museum—among others.Julio César Morales investigates issues of migration, underground economies, and labor on the personal and global scales. Morales’s practice explores diverse mediums specific to each project or body of work. He has painted watercolor illustrations that diagram human trafficking methods, employed the DJ turntable, produced video and time-based pieces, and reenacted a famous meal—all to elucidate social interactions and political perspectives. Morales’s work has been shown at SFMOMA, Museo Rufino Tamayo, LACMA, Hammer Museum, Muca Roma, Prospect 3 Biennale, Lyon Biennale, and Istanbul Biennale among others. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

Tanya Aguiñiga & Julio César Morales

Ana Teresa Fernández

Tuesday, October 2, 2018, Art Practical hosted an evening of conversation between Ana Teresa Fernández and Julio César Morales, who spoke about how their respective practices are influenced by each other’s work and processes. This conversation was recorded live at the San Francisco Art Institute.Between You &amp; Me is a series of dialogic exchanges between artists and their collaborators and peers to materialize the countless conversations, musings, and debates that are often invisible yet play a significant role in the generative space of artmaking. This program is organized as part of an editorial column published online by Art Practical with support from the Kenneth Rainin Foundation, a private family foundation dedicated to enhancing quality of life by championing and sustaining the arts, promoting early childhood literacy, and supporting research to cure chronic disease.Ana Teresa Fernández, born in 1981 in Tampico, Mexico, lives and works in San Francisco. Her work explores the politics of intersectionality through time-based actions and social gestures, translated into masterful oil paintings, installations and videos. Within her work, performance becomes a tool for investigation as strong feminist undercurrents flow together with post-colonial rhetoric. Through her work, the artist illuminates the psychological and physical barriers that define gender, race, and class in Western society and the global south.Fernández has exhibited at the Denver Art Museum, Denver, CO, the Nevada Museum of Art, Reno, NV, Arizona State University Art Museum, Phoenix, AZ, the Grunwald Gallery at Indiana University, Bloomington, IN, Humboldt State University, Eureka, CA; the Tijuana Biennial, Tijuana, Mexico; Snite Museum at Notre Dame University, Notre Dame, IN; Yerba Buena Center for the Arts, San Francisco, CA and The Oakland Art Museum, Oakland, CA. Her work has been collected by institutions such the Denver Art Museum, the Nevada Museum of Art, and Kadist Art Foundation.Julio César Morales By deploying a range of media and visual strategies, Julio César Morales investigates issues of migration, underground economies, and labor on the personal and global scales. Morales’ practice employs multifarious mediums specific to each project or body of work. He has painted watercolor illustrations that diagram human trafficking methods, employed the DJ turntable, produced video and time-based pieces, reenacted a famous meal, all to elucidate social interactions and political perspectives.--Subscribe to Art Practical on iTunes to catch more episodes! Check us out on Instagram at @artpracticalsf. #APaudio

Tuesday, October 2, 2018, Art Practical hosted an evening of conversation between Ana Teresa Fernández and Julio César Morales, who spoke about how their respective practices are influenced by each other’s work and processes. This conversation was recorded live at the San Francisco Art Institute. Between You &amp; Me is a series of dialogic exchanges between artists and their collaborators and peers to materialize the countless conversations, musings, and debates that are often invisible yet play a significant role in the generative space of artmaking. This program is organized as part of an editorial column published online by Art Practical with support from the Kenneth Rainin Foundation, a private family foundation dedicated to enhancing quality of life by championing and sustaining the arts, promoting early childhood literacy, and supporting research to cure chronic disease. Ana Teresa Fernández, born in 1981 in Tampico, Mexico, lives and works in San Francisco. Her work explores the politics of intersectionality through time-based actions and social gestures, translated into masterful oil paintings, installations and videos. Within her work, performance becomes a tool for investigation as strong feminist undercurrents flow together with post-colonial rhetoric. Through her work, the artist illuminates the psychological and physical barriers that define gender, race, and class in Western society and the global south. Fernández has exhibited at the Denver Art Museum, Denver, CO, the Nevada Museum of Art, Reno, NV, Arizona State University Art Museum, Phoenix, AZ, the Grunwald Gallery at Indiana University, Bloomington, IN, Humboldt State University, Eureka, CA; the Tijuana Biennial, Tijuana, Mexico; Snite Museum at Notre Dame University, Notre Dame, IN; Yerba Buena Center for the Arts, San Francisco, CA and The Oakland Art Museum, Oakland, CA. Her work has been collected by institutions such the Denver Art Museum, the Nevada Museum of Art, and Kadist Art Foundation. Julio César Morales By deploying a range of media and visual strategies, Julio César Morales investigates issues of migration, underground economies, and labor on the personal and global scales. Morales’ practice employs multifarious mediums specific to each project or body of work. He has painted watercolor illustrations that diagram human trafficking methods, employed the DJ turntable, produced video and time-based pieces, reenacted a famous meal, all to elucidate social interactions and political perspectives. -- Subscribe to Art Practical on iTunes to catch more episodes! Check us out on Instagram at @artpracticalsf. #APaudio

Between You & Me: Ana Teresa Fernández and Julio César Morales