Jay Defeo's guest appearances

Jay Defeo

Art Talk

LARB Radio Hour

OwlTail

Jordan Stein

Writer and curator Jordan Stein joins Kate Wolf to discuss his book Rip Tales: Jay DeFeo’s Estocada and Other Pieces. The book centers on the American artist Jay DeFeo who’s best known for her monumental 2,000 pound painting The Rose, which she worked on for eight years. Following her eviction, in 1965, it had to be removed from her apartment by a forklift after the building’s bay window was sawed off. At the time, DeFeo was in the process of completing another painting, Estocada, a piece on paper stapled directly to the walls of her hallway. Instead of removing it intact, she ripped the pieces of the work apart and over the next decades reanimated the fragments by way of photography, photocopy, collage, and relief. While Stein documents the many incarnations of Estocada in his book, its mutating quality also become a template for writing about other Bay Area artists — including Trisha Donnelly, Ruth Asawa, Lutz Bacher, and Vincent Fecteau — whose work similarly engages with risk, reinvention, absence, ephemerality, and community. Also, Jamieson Webster, author of Disorganisation and Sex, returns to recommend The Case of Dominique by Francoise Dalto.

<p>Writer and curator Jordan Stein joins Kate Wolf to discuss his book Rip Tales: Jay DeFeo’s Estocada and Other Pieces. The book centers on the American artist Jay DeFeo who’s best known for her monumental 2,000 pound painting The Rose, which she worked on for eight years. Following her eviction, in 1965, it had to be removed from her apartment by a forklift after the building’s bay window was sawed off. At the time, DeFeo was in the process of completing another painting, Estocada, a piece on paper stapled directly to the walls of her hallway. Instead of removing it intact, she ripped the pieces of the work apart and over the next decades reanimated the fragments by way of photography, photocopy, collage, and relief. While Stein documents the many incarnations of Estocada in his book, its mutating quality also become a template for writing about other Bay Area artists — including Trisha Donnelly, Ruth Asawa, Lutz Bacher, and Vincent Fecteau — whose work similarly engages with risk, reinvention, absence, ephemerality, and community. Also, Jamieson Webster, author of Disorganisation and Sex, returns to recommend The Case of Dominique by Francoise Dalto.</p>