Callie Siskel's guest appearances

Callie Siskel

Skylight Books Podcast Series

Chris Ryan

Sean Fennessey

Jason Concepcion

Shea Serrano

Mallory Rubin

Chuck Klosterman

Benjamin Franklin

Jon Hamm

Kate Schatz

Miriam Klein Stahl

Michelle Tea

Matt Bell

Sarah Ruhl

Amy Stewart

Joanna Angel

OwlTail

Megan Fernandes

Catherine Pond

In an era of rising nationalism and geopolitical instability, Megan Fernandes's Good Boys offers a complex portrait of messy feminist rage, negotiations with race and travel, and existential dread in the Anthropocene. The collection follows a restless, nervy, cosmically abandoned speaker failing at the aspirational markers of adulthood as she flips from city to city, from enchantment to disgust, always reemerging-just barely-on the trains and bridges and barstools of New York City. A child of the Indian ocean diaspora, Fernandes enacts the humor and devastation of what it means to exist as a body of contradictions. Her interpretations are muddied. Her feminism is accusatory, messy. Her homelands are theoretical and rootless. The poet converses with goats and throws a fit at a tarot reading; she loves the intimacy of strangers during turbulent plane rides and has dark fantasies about the "hydrogen fruit" of nuclear fallout. Ultimately, these poems possess an affection for the doomed: false beloveds, the hounded earth, civilizations intent on their own ruin. Fernandes skillfully interrogates where to put our fury and, more importantly, where to direct our mercy. Fernandes is in conversation with Catherine Pond and Callie Siskel.

In an era of rising nationalism and geopolitical instability, <a href="https://www.skylightbooks.com/book/9781947793408" rel="nofollow" target="_blank">Megan Fernandes's Good Boys</a> offers a complex portrait of messy feminist rage, negotiations with race and travel, and existential dread in the Anthropocene. The collection follows a restless, nervy, cosmically abandoned speaker failing at the aspirational markers of adulthood as she flips from city to city, from enchantment to disgust, always reemerging-just barely-on the trains and bridges and barstools of New York City. A child of the Indian ocean diaspora, Fernandes enacts the humor and devastation of what it means to exist as a body of contradictions. Her interpretations are muddied. Her feminism is accusatory, messy. Her homelands are theoretical and rootless. The poet converses with goats and throws a fit at a tarot reading; she loves the intimacy of strangers during turbulent plane rides and has dark fantasies about the "hydrogen fruit" of nuclear fallout. Ultimately, these poems possess an affection for the doomed: false beloveds, the hounded earth, civilizations intent on their own ruin. Fernandes skillfully interrogates where to put our fury and, more importantly, where to direct our mercy. Fernandes is in conversation with Catherine Pond and Callie Siskel.

Megan Fernandes, "GOOD BOYS" w/ Catherine Pond & Callie Siskel