Gina Telaroli's guest appearances

Gina Telaroli

The Film Comment Podcast

The Cinephiliacs

David Bordwell

Manohla Dargis

Richard Peña

Jordan Cronk

Nellie Killian

Kent Jones

Sara Smith

K. Austin Collins

Miriam Bale

Justin Chang

Adam Nayman

Kathleen Collins

Vadim Rizov

Eric Hynes

Greta Gerwig

OwlTail

Steve Macfarlane

Inney Prakash

This week, Clint surveys the wealth of cinematic delights on offer this fall across repertory calendars, both in person in New York City and online. To guide him through the thicket of newly rediscovered gems, lost classics, and thematic programs, he is joined by three experts: critic and filmmaker Gina Telaroli; Inney Prakash, programmer and founder of the Prismatic Ground festival; and Steve Macfarlane, programmer at Spectacle Theater and department assistant at the Museum of Modern Art. They discuss Anthology Film Archives’ ongoing Imageless Films series, the upcoming Hugo Fregonese and Beth and Scott B retrospectives at MoMA, the online series Spectral Grounds: Black Experimental Film, and much more.  Check the show notes on filmcomment.com for more information.

This week, Clint surveys the wealth of cinematic delights on offer this fall across repertory calendars, both in person in New York City and online. To guide him through the thicket of newly rediscovered gems, lost classics, and thematic programs, he is joined by three experts: critic and filmmaker Gina Telaroli; Inney Prakash, programmer and founder of the Prismatic Ground festival; and Steve Macfarlane, programmer at Spectacle Theater and department assistant at the Museum of Modern Art. They discuss Anthology Film Archives’ ongoing Imageless Films series, the upcoming Hugo Fregonese and Beth and Scott B retrospectives at MoMA, the online series Spectral Grounds: Black Experimental Film, and much more. Check the show notes on <a href="http://filmcomment.com" rel="nofollow" target="_blank">filmcomment.com</a> for more information.

Fall 2022 Rep Report, with Gina Telaroli, Inney Prakash, and Steve Macfarlane

John Klacsmann

The work and legacy of the late Jonas Mekas have been on our minds even more than usual, with a recent retrospective of his films at Film at Lincoln Center and an ongoing exhibit at the Jewish Museum. So, for today’s podcast, Film Comment Editors Clinton Krute and Devika Girish wanted to discuss a form of which Mekas was a true master: the Diary Film.Devika and Clint welcomed Anthology Film Archives Archivist John Klaccsman and critic and FC–contributor Gina Telaroli for a conversation about films that document their makers’ intimate lives. They discussed Mekas’s kaleidoscopic As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty, Ed Pincus’s influential Diaries, films by Anne Charlotte Robertson and Jim McBride, as well as a the work of a more contemporary diarist: John Wilson, of the critically acclaimed HBO show.

The work and legacy of the late Jonas Mekas have been on our minds even more than usual, with a recent retrospective of his films at Film at Lincoln Center and an ongoing exhibit at the Jewish Museum. So, for today’s podcast, Film Comment Editors Clinton Krute and Devika Girish wanted to discuss a form of which Mekas was a true master: the Diary Film. Devika and Clint welcomed Anthology Film Archives Archivist John Klaccsman and critic and FC–contributor Gina Telaroli for a conversation about films that document their makers’ intimate lives. They discussed Mekas’s kaleidoscopic As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty, Ed Pincus’s influential Diaries, films by Anne Charlotte Robertson and Jim McBride, as well as a the work of a more contemporary diarist: John Wilson, of the critically acclaimed HBO show.

Diary Films with Gina Telaroli and John Klacsmann

Many of Peter's guests have expressed their feelings about cinema through words. Gina Telaroli prefers images, both moving and still. The experimental filmmaker, image essay maker, and critic sits down with Peter for a very engaging conversation about her work and passion. The two dive into her frame-by-frame analysis of classic Hollywood films and the "unconscious cinema" she unlocks, as well as her obsession with Hollywood workmen Allan Dwan and William Wellman. Peter also gushes about Gina's film Traveling Light, and asks her numerous questions about what he sees as a spiritual work of cinema. Finally, Gina brings in Vincente Minnelli's Gene Kelly-Scottish set musical Brigadoon, a haunting work that both read as a metaphor for the magic and miracle that is cinema and 35mm. 0:00-1:08 Opening1:48-6:50 Establishing Shots - Computer Chess7:02-9:05 Trivia Round9:49-1:10:50 Deep Focus - Gina Telaroli1:12:07-1:32:48 Double Exposure - Brigadoon (Vincente Minnelli)1:32:50-1:34:29 Close

Many of Peter's guests have expressed their feelings about cinema through words. Gina Telaroli prefers images, both moving and still. The experimental filmmaker, image essay maker, and critic sits down with Peter for a very engaging conversation about her work and passion. The two dive into her frame-by-frame analysis of classic Hollywood films and the "unconscious cinema" she unlocks, as well as her obsession with Hollywood workmen Allan Dwan and William Wellman. Peter also gushes about Gina's film Traveling Light, and asks her numerous questions about what he sees as a spiritual work of cinema. Finally, Gina brings in Vincente Minnelli's Gene Kelly-Scottish set musical Brigadoon, a haunting work that both read as a metaphor for the magic and miracle that is cinema and 35mm. 0:00-1:08 Opening1:48-6:50 Establishing Shots - Computer Chess7:02-9:05 Trivia Round9:49-1:10:50 Deep Focus - Gina Telaroli1:12:07-1:32:48 Double Exposure - Brigadoon (Vincente Minnelli)1:32:50-1:34:29 Close

TC #23 - Gina Telaroli (Brigadoon)