Victoria Nece's guest appearances

Victoria Nece

School of Motion Podcast

Motion Hatch: Helping Motion Designers Do Better Business

Zac Dixon

Mack Garrison

Cabeza Patata

TJ Kearney

Adam Plouff

Mitch Myers

Ryan Summers

Nidia Dias

Jay Grandin

Erica Gorochow

Hayley Akins

Lilian Darmono

Nick DenBoer

Michael Jones

Joel Pilger

OwlTail

Adobe MAX 2020 is on, and they just announced a slew of improvements to their After Effects 3D Workflow. We had a chance to sit down with Victoria Nece, Senior Product Manager for Motion Graphics and Visual Effects at Adobe, to discuss how this new workflow will affect the Motion Design community. More than that, we had a chance to discuss Adobe MAX, building a MoGraph career, and staying ahead of the competition.

Adobe MAX 2020 is on, and they just announced a slew of improvements to their After Effects 3D Workflow. We had a chance to sit down with Victoria Nece, Senior Product Manager for Motion Graphics and Visual Effects at Adobe, to discuss how this new workflow will affect the Motion Design community. More than that, we had a chance to discuss Adobe MAX, building a MoGraph career, and staying ahead of the competition.

Adobe's New After Effects 3D Workflow - Victoria Nece

In Part 5 of the mini-series, Making Money in Mograph, we’re looking at more of the non-conventional ways to earn an income as a motion designer. We spoke to someone who definitely plays a big part in the motion design industry but she doesn’t have a role many people are familiar with. Victoria Nece is the senior product manager for Adobe After Effects. Motion design is truly a life calling for Victoria. In fact, she’s been involved with it since she was a teenager. Before getting involved with Adobe, Victoria oversaw graphics, animation, and design for dozens of productions across broadcast, theatrical and educational markets as Director of Animation at the Documentary Group. Today you’re getting an inside look at what the Adobe After Effects team does. Victoria talks about how her job takes her all over the world to work with some great talent. She also shares what it’s like to speak in front of large audiences and how to do so in a natural and comfortable way. Victoria also shares some ideas about how you can make some passive income as a motion designer. This is particularly the case when it comes to making templates and Victoria gives some advice on what to keep in mind when making these. She also shares where she thinks the future of this industry is heading and how you can position yourself to take advantage of these changes. In this episode:  How proper networking and connections can help you get involved in films and documentaries Tips for those who are afraid of public speaking and why it’s an important part of this industry The future of making motion graphic templates and their potential to make you more passive income What Adobe looks for in the designers they want to hire How teaching tutorials will make you more competitive How you can get more involved with shaping the tools of this industry  Quotes: “Just keep doing it [public speaking] and you’ll be more comfortable every time. It’s also helpful to remind yourself that the audience isn’t hostile; they don’t want you to fail. They’re not sitting there waiting for you to mess up.” [14:45] “If you’ve made three options for something and the client goes for Option C, why not turn Options A and B into stock templates and sell them? It’s a way to reuse work that might not otherwise see the light of day.” [19:28] “With a motion graphics template you don’t just design your design, you’re actually designing the experience of using it as well.” [20:54] “Everything we do is based on user feedback.I don’t think we’ve built a single feature in the last several years that I couldn’t put specific people’s names on.” [36:32]   Links:  Follow Victoria Nece on Twitter | Linkedin | Facebook Motion Design on Slack Get Adobe’s free guide to motion graphics templates Look for a job with After Effects here World Time Buddy Adobe Prerelease Program Episode 31: Adam Plouff - Making Money in Mograph Part 1 Episode 32: Zack Lovatt - Making Money in Mograph Part 2 Episode 33: Jake Bartlett - Making Money in Mograph Part 3 Episode 34: Matthew Encina - Making Money in Mograph Part 4     Find the full show notes here Keep up with everything Motion Hatch Follow Motion Hatch on Twitter | Instagram If you haven't already, would you mind leaving us a rating and review? It really helps!

In Part 5 of the mini-series, Making Money in Mograph, we’re looking at more of the non-conventional ways to earn an income as a motion designer. We spoke to someone who definitely plays a big part in the motion design industry but she doesn’t have a role many people are familiar with. Victoria Nece is the senior product manager for Adobe After Effects. Motion design is truly a life calling for Victoria. In fact, she’s been involved with it since she was a teenager. Before getting involved with Adobe, Victoria oversaw graphics, animation, and design for dozens of productions across broadcast, theatrical and educational markets as Director of Animation at the Documentary Group. Today you’re getting an inside look at what the Adobe After Effects team does. Victoria talks about how her job takes her all over the world to work with some great talent. She also shares what it’s like to speak in front of large audiences and how to do so in a natural and comfortable way. Victoria also shares some ideas about how you can make some passive income as a motion designer. This is particularly the case when it comes to making templates and Victoria gives some advice on what to keep in mind when making these. She also shares where she thinks the future of this industry is heading and how you can position yourself to take advantage of these changes. In this episode: <ul> <li>How proper networking and connections can help you get involved in films and documentaries</li> <li>Tips for those who are afraid of public speaking and why it’s an important part of this industry</li> <li>The future of making motion graphic templates and their potential to make you more passive income</li> <li>What Adobe looks for in the designers they want to hire</li> <li>How teaching tutorials will make you more competitive</li> <li>How you can get more involved with shaping the tools of this industry</li> </ul> Quotes: “Just keep doing it [public speaking] and you’ll be more comfortable every time. It’s also helpful to remind yourself that the audience isn’t hostile; they don’t want you to fail. They’re not sitting there waiting for you to mess up.” [14:45] “If you’ve made three options for something and the client goes for Option C, why not turn Options A and B into stock templates and sell them? It’s a way to reuse work that might not otherwise see the light of day.” [19:28] “With a motion graphics template you don’t just design your design, you’re actually designing the experience of using it as well.” [20:54] “Everything we do is based on user feedback.I don’t think we’ve built a single feature in the last several years that I couldn’t put specific people’s names on.” [36:32] Links:  Follow Victoria Nece on <a href="https://twitter.com/FakeGreenDress" rel="noopener nofollow" target="_blank">Twitter</a> | <a href="https://www.linkedin.com/in/victoria-nece" rel="noopener nofollow" target="_blank">Linkedin</a> | <a href="https://www.facebook.com/victoria.nece" rel="noopener nofollow" target="_blank">Facebook</a> <a href="https://motiondesign.slack.com" rel="noopener nofollow" target="_blank">Motion Design on Slack</a> <a href="https://helpx.adobe.com/content/dam/help/en/stock/contributor/Making_MOGRTs.pdf" rel="noopener nofollow" target="_blank">Get Adobe’s free guide to motion graphics templates</a> <a href="http://aftereffectsishiring.com" rel="noopener nofollow" target="_blank">Look for a job with After Effects here</a> <a href="https://www.worldtimebuddy.com/" rel="noopener nofollow" target="_blank">World Time Buddy</a> <a href="http://adobeprerelease.com" rel="noopener nofollow" target="_blank">Adobe Prerelease Program</a> <a href="https://motionhatch.com/031-making-money-in-mograph-part-1-w-adam-plouff-battleaxe" rel="noopener nofollow" target="_blank">Episode 31: Adam Plouff - Making Money in Mograph Part 1</a> <a href="https://motionhatch.com/032-zack-lovatt-technical-director-making-money-in-mograph-part-2" rel="noopener nofollow" target="_blank">Episode 32: Zack Lovatt - Making Money in Mograph Part 2</a> <a href="https://motionhatch.com/033-making-money-in-mograph-part-3-w-jake-bartlett-skillshare" rel="noopener nofollow" target="_blank">Episode 33: Jake Bartlett - Making Money in Mograph Part 3</a> <a href="https://motionhatch.com/034-making-money-in-mograph-part-4-w-matthew-encina" rel="noopener nofollow" target="_blank">Episode 34: Matthew Encina - Making Money in Mograph Part 4</a> <a href="https://motionhatch.com/36" rel="noopener nofollow" target="_blank">Find the full show notes here</a> <a href="https://motionhatch.com" rel="noopener nofollow" target="_blank">Keep up with everything Motion Hatch</a> Follow Motion Hatch on <a href="https://twitter.com/motionhatch" rel="noopener nofollow" target="_blank">Twitter</a> | <a href="https://www.instagram.com/motionhatch/" rel="noopener nofollow" target="_blank">Instagram</a> <a href="https://itunes.apple.com/us/podcast/motion-hatch-helping-motion-designers-do-better-business/id1306811815?mt=2&amp;ls=1" rel="noopener nofollow" target="_blank">If you haven't already, would you mind leaving us a rating and review? It really helps!</a>

036: Making Money in Mograph Part 5 w/ Victoria Nece