Wade Barnett's guest appearances

Wade Barnett

The Cutting Room

Geektown Radio - TV News, Interviews & UK TV Air Dates

Moving Music

Unexpected Themes & Intensities

Jeff Russo

Craig Johnson

George Takei

Troy Baker

David Brevik

David Benjamin

Steve Annis

Chris Shaw

Colin Stetson

Matt Johnson

Aimee Garcia

Bill Foley

Merrin Dungey

Colin Morgan

Katherine McNamara

OwlTail

CURRENT STATES OF EMPATHY, REDWOODS, SOLO TRIPS, PATIENCE. WADE WAS SUPERVISING SOUND EDITOR FOR THE TV SERIES THE BOYS.

055 - WADE BARNETT (THE BOYS)

Welcome to a new episode of the Geektown Behind The Scenes podcast. On this episode I'm chatting Supervising Sound Editor Wade Barnett, who is a 2020 Emmy nominee for his brilliant work on Amazon's hit series 'The Boys'.For those of you that haven't caught 'The Boys' yet, the series comes from ‘Supernatural' and 'Timeless' creator Eric Kripke, alongside Seth Rogen &amp; Evan Goldberg, and examines what happens when superheroes – who are as popular as celebrities, as influential as politicians, and as revered as Gods – abuse their superpowers rather than use them for good. This leads a small band calling themselves "The Boys", led by Karl Urban's Billy Butcher, to try and expose the truth about the worlds most popular "superhero" team, The Seven, alongside Vought – the multi-billion dollar conglomerate that manages these so-called heroes and covers up all of their dirty secrets.In the interview, Wade discusses coming up with sounds for the super-powered people on the show, and goes into detail about that iconic episode one scene featuring Hughie (Jack Quaid), his girlfriend Robin (Jess Salgueiro), and A-Train (Jessie T. Usher). We also discuss how sound can help enhance, and in some cases, reduce the workload for special effects, working with the actors in ADR (dialogue replacement), and the complexity of building the sound for that plane scene with Homelander (Antony Starr) and Queen Maeve (Dominique McElligott).If you'd like to hear more behind the scenes interviews, don't forget to rate and subscribe to where ever you get your podcasts by searching for "Geektown Radio". This will also give you our weekly Geektown Radio podcast which brings you all the latest tv, film and gaming news.Support this show http://supporter.acast.com/geektown. Hosted on Acast. See acast.com/privacy for more information.

Welcome to a new episode of the Geektown Behind The Scenes podcast. On this episode I'm chatting Supervising Sound Editor Wade Barnett, who is a 2020 Emmy nominee for his brilliant work on Amazon's hit series '<a href="https://www.geektown.co.uk/tvairdates/the-boys/" rel="noopener noreferrer nofollow" target="_blank">The Boys</a>'.For those of you that haven't caught 'The Boys' yet, the series comes from ‘Supernatural' and 'Timeless' creator Eric Kripke, alongside Seth Rogen &amp; Evan Goldberg, and examines what happens when superheroes – who are as popular as celebrities, as influential as politicians, and as revered as Gods – abuse their superpowers rather than use them for good. This leads a small band calling themselves "The Boys", led by Karl Urban's Billy Butcher, to try and expose the truth about the worlds most popular "superhero" team, The Seven, alongside Vought – the multi-billion dollar conglomerate that manages these so-called heroes and covers up all of their dirty secrets.In the interview, Wade discusses coming up with sounds for the super-powered people on the show, and goes into detail about that iconic episode one scene featuring Hughie (Jack Quaid), his girlfriend Robin (Jess Salgueiro), and A-Train (Jessie T. Usher). We also discuss how sound can help enhance, and in some cases, reduce the workload for special effects, working with the actors in ADR (dialogue replacement), and the complexity of building the sound for that plane scene with Homelander (Antony Starr) and Queen Maeve (Dominique McElligott).If you'd like to hear more behind the scenes interviews, don't forget to rate and subscribe to where ever you get your podcasts by searching for "Geektown Radio". This will also give you our weekly Geektown Radio podcast which brings you all the latest tv, film and gaming news.Support this show <a href="http://supporter.acast.com/geektown" rel="payment nofollow" target="_blank">http://supporter.acast.com/geektown</a>. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer nofollow" target="_blank">acast.com/privacy</a> for more information.

Geektown BTS Podcast 24: Emmy Nominated 'The Boys' Supervising Sound Editor Wade Barnett Interview

PG RATED It was the summer of 1984, I was 13 and MTV was King. Miami Vice had not yet made its place on a Friday night TV schedule. Music videos were coming into their own as “mini movies”. An artist like none other kept peeking through and blurring the lines of Rock’n’Roll. Prince had written a story that was tailor made for a hungry MTV audience; He boldly presented a full length autobiographical film that played like a long form music video. The public ate it up and “Purple Rain” won an academy award for his effort. We all know how Prince made his way to stardom, and sadly, how he died last year. What remained hidden in plain sight is just how this affected other future artists like Wade Barnett. Wade is a blues guitarist who showed up on the local music scene, seemingly out of nowhere, and maintains a strong presence.  I met Wade a few years ago in a cigar shop. For cigar lovers, it’s in part the conversation that occurs while smoking together that endears us to the shop. Wade and I began a dialog that took us right to Prince. This depiction of live music politics and the hidden private life of an artist seemed to make its way into his own artistic creed.  As a musician and artist, he holds Prince in high regard. His passion for this film is certainly shared by many, but Moving Music reveals Wade’s personal bond with the iconic movie that moved him, “Purple Rain”. TC

PG RATED It was the summer of 1984, I was 13 and MTV was King. Miami Vice had not yet made its place on a Friday night TV schedule. Music videos were coming into their own as “mini movies”. An artist like none other kept peeking through and blurring the lines of Rock’n’Roll. Prince had written a story that was tailor made for a hungry MTV audience; He boldly presented a full length autobiographical film that played like a long form music video. The public ate it up and “Purple Rain” won an academy award for his effort. We all know how Prince made his way to stardom, and sadly, how he died last year. What remained hidden in plain sight is just how this affected other future artists like Wade Barnett. Wade is a blues guitarist who showed up on the local music scene, seemingly out of nowhere, and maintains a strong presence.  I met Wade a few years ago in a cigar shop. For cigar lovers, it’s in part the conversation that occurs while smoking together that endears us to the shop. Wade and I began a dialog that took us right to Prince. This depiction of live music politics and the hidden private life of an artist seemed to make its way into his own artistic creed.  As a musician and artist, he holds Prince in high regard. His passion for this film is certainly shared by many, but Moving Music reveals Wade’s personal bond with the iconic movie that moved him, “Purple Rain”. TC

Episode 2: Wade Barnett - "Purple Rain"