Addison Reed's guest appearances

Addison Reed

Disability After Dark

Gleeman and The Geek

The SKOR North Twins Show -- a Minnesota Twins podcast

The Outside Corner Fantasy Baseball Podcast

FNTSY Newsdesk Sponsored by NY Daily News

Dance Careers: Unfiltered

Justin Lehmiller

Cindy Gallop

Amy Miller

Ryan O'Connell

Andrew Gurza

Judy Heumann

Christian Yelich

August McLaughlin

Amy McPherson

Jessica Johnson

Lee Phillips

Zach Kornfeld

Danielle Perez

Dan Savage

John Sovec

OwlTail

In today’s episode, I am joined by Addison Reed Holmes AKA the "Salty Ballerina". We talk about her ballet journey, growing up in Texas and attending SMU before moving to Los Angeles and New York. We chat about the importance of being a well-rounded dancer and person, the struggles of being a dance competition judge, and the challenges with dance competitions nowadays. Addy and I grew up dancing at the same studio in Dallas and its really cool to see how our paths both intertwine and differ. MNTR MGMTWebsite@mntr.mgmt@justinementerAddison Reed Holmes @thesaltyballerinaYoutubeartistic dir: Icon Dance Awardsballet dir: Mather Dance CompanyAddison spent her formative years studying ballet under Joyce Seaborne-Bader, a.r.a.d. for the Royal Ballet School method (R.A.D.), where she passed all exams with Distinction/Honors. Her training includes: Royal Academy of Dance, American Ballet Theatre, Joffrey Ballet NYC (scholarship), Austin Ballet (scholarship), and Mignon Furman's American Academy of Ballet (scholarship).  Addison has several credits with ballet world renowned ballet companies, including Texas Ballet Theatre, where she performed in several full length classical ballets. While studying for her BFA on scholarship at Southern Methodist University, she performed in several pieces (ballet, modern, jazz) and was the only female freshman cast by guest artist Jimmy Gamonet de los Heros for his trio piece "Tango Tonto".  During her competitive years, Addison was awarded several prizes and scholarships (Edge, Steps,  BDC) including Grande Prize in an for American Academy of Ballet’s Performance Awards ballet competition in NYC. Addison has worked in LA, Europe and NY, dancing in various shows, industrials, commercials, film, TV and music videos. Credits include: Natasha Bedingfield, Muse, My Chemical Romance, McDonald's, Toshiba, Gold Bond, JcPenney, Law and Order, Prison Break, Life Ball, and L.A. Choreographer's Carnival. Addison also has Equity Musical Theatre and Opera credits including Carmen, Amahl and the Night Visitor, The King and I, West Side Story, Fame, Funny Girl and Showboat. She has choreographed and performed as a guest artist for contemporary companies as well as industrials and commercials. Her choreography has been selected to perform at several festivals and concerts. She currently works in Southern California as a represented dancer, dance convention teacher and judge in both America and Canada, and ballet director for Shannon Mather’s Mather Dance Company. Most recently she produced Wanderlust Dance Project, which was chosen by chief dance critic Margaret Putnam for Top 10 dance concerts of 2016, alongside Kidd Pivot and BalletBoyz. Addison is known for her never-ending positive energy in the warm and encouraging environment she creates, whether at a private lesson, studio session, or convention ballroom. Her goal is to inspire young dancers and to encourage longevity and artistry.

In today’s episode, I am joined by Addison Reed Holmes AKA the "Salty Ballerina". We talk about her ballet journey, growing up in Texas and attending SMU before moving to Los Angeles and New York. We chat about the importance of being a well-rounded dancer and person, the struggles of being a dance competition judge, and the challenges with dance competitions nowadays. Addy and I grew up dancing at the same studio in Dallas and its really cool to see how our paths both intertwine and differ. MNTR MGMT <a href="https://www.justinementer.com/mntrmgmt" rel="nofollow" target="_blank">Website</a> <a href="https://www.instagram.com/mntr.mgmt/" rel="nofollow" target="_blank">@mntr.mgmt</a> <a href="http://instagram.com/justinementer" rel="nofollow" target="_blank">@justinementer</a> Addison Reed Holmes <a href="https://www.instagram.com/thesaltyballerina/?hl=en" rel="nofollow" target="_blank">@thesaltyballerina</a> <a href="https://www.youtube.com/channel/UC4Vk7b2ZcJ_IT-3jspAQvCg?app=desktop" rel="nofollow" target="_blank">Youtube</a> artistic dir: <a href="http://www.icondance.org" rel="nofollow" target="_blank">Icon Dance Awards</a> ballet dir: <a href="http://matherdancecompany.com" rel="nofollow" target="_blank">Mather Dance Company</a> Addison spent her formative years studying ballet under Joyce Seaborne-Bader, a.r.a.d. for the Royal Ballet School method (R.A.D.), where she passed all exams with Distinction/Honors. Her training includes: Royal Academy of Dance, American Ballet Theatre, Joffrey Ballet NYC (scholarship), Austin Ballet (scholarship), and Mignon Furman's American Academy of Ballet (scholarship).  Addison has several credits with ballet world renowned ballet companies, including Texas Ballet Theatre, where she performed in several full length classical ballets. While studying for her BFA on scholarship at Southern Methodist University, she performed in several pieces (ballet, modern, jazz) and was the only female freshman cast by guest artist Jimmy Gamonet de los Heros for his trio piece "Tango Tonto".  During her competitive years, Addison was awarded several prizes and scholarships (Edge, Steps,  BDC) including Grande Prize in an for American Academy of Ballet’s Performance Awards ballet competition in NYC. Addison has worked in LA, Europe and NY, dancing in various shows, industrials, commercials, film, TV and music videos. Credits include: Natasha Bedingfield, Muse, My Chemical Romance, McDonald's, Toshiba, Gold Bond, JcPenney, Law and Order, Prison Break, Life Ball, and L.A. Choreographer's Carnival. Addison also has Equity Musical Theatre and Opera credits including Carmen, Amahl and the Night Visitor, The King and I, West Side Story, Fame, Funny Girl and Showboat. She has choreographed and performed as a guest artist for contemporary companies as well as industrials and commercials. Her choreography has been selected to perform at several festivals and concerts. She currently works in Southern California as a represented dancer, dance convention teacher and judge in both America and Canada, and ballet director for Shannon Mather’s Mather Dance Company. Most recently she produced Wanderlust Dance Project, which was chosen by chief dance critic Margaret Putnam for Top 10 dance concerts of 2016, alongside Kidd Pivot and BalletBoyz. Addison is known for her never-ending positive energy in the warm and encouraging environment she creates, whether at a private lesson, studio session, or convention ballroom. Her goal is to inspire young dancers and to encourage longevity and artistry.

Psst.. Dance Awards Won’t Make or Break You - with Addison Reed Holmes

In this episode, I interviewed one of the sexiest people I have ever had the pleasure of talking to on the show. My friend Addison (a go-go dancing smoke show of hotness from Vancouver) sat down with me to talk about the connections between HIV-positive status and disability, and I was pleasantly surprised that he really considered the question, and asked his community what they thought. Our conversation is light and fun, but also touches on the fact that the disabled and poz communities have one big thing in common: we both face stigma and we need to work together to change that. 

In this episode, I interviewed one of the sexiest people I have ever had the pleasure of talking to on the show. My friend Addison (a go-go dancing smoke show of hotness from Vancouver) sat down with me to talk about the connections between HIV-positive status and disability, and I was pleasantly surprised that he really considered the question, and asked his community what they thought. Our conversation is light and fun, but also touches on the fact that the disabled and poz communities have one big thing in common: we both face stigma and we need to work together to change that.

Episode 063 - Is my HIV Status a Disability? An Interview w/ the Sexy AF Addison Reed

It is the tenth episode of the second season of The Outside Corner Fantasy Baseball Podcast! On the show, we talk about slow starters again, but this time starting pitchers, and we will decide: Faith No More or Joy Division. We also find out what happened to Matt Harvey's self esteem, how deep Shelby Miller can go into his dreams, and who the villain opposite Aaron Judge in his new film is! Be sure to subscribe so you can receive all of our 2017 season episodes as soon as they drop. You can leave us feedback or questions at: Twitter: @outsidecornerFBEmail: outsidecornerpodcast@gmail.com Facebook group: https://www.facebook.com/groups/outsidecornerPlay Draft with us by using the promo code: bombtrack or by visiting this URL http://playdraft.com/bombtrack

It is the tenth episode of the second season of The Outside Corner Fantasy Baseball Podcast! On the show, we talk about slow starters again, but this time starting pitchers, and we will decide: Faith No More or Joy Division. We also find out what happened to Matt Harvey's self esteem, how deep Shelby Miller can go into his dreams, and who the villain opposite Aaron Judge in his new film is! Be sure to subscribe so you can receive all of our 2017 season episodes as soon as they drop. You can leave us feedback or questions at: Twitter: @outsidecornerFB Email: outsidecornerpodcast@gmail.com Facebook group: <a href="https://www.facebook.com/groups/outsidecorner" rel="nofollow" target="_blank">https://www.facebook.com/groups/outsidecorner</a> Play Draft with us by using the promo code: bombtrack or by visiting this URL <a href="http://playdraft.com/bombtrack" rel="nofollow" target="_blank">http://playdraft.com/bombtrack</a>

S02 E10 - Addison Reed's Vigilante Justice