Hayne Bayless's guest appearances

Hayne Bayless

The Potters Cast | Pottery | Ceramics | Art | Craft

This Should Work

Kate Malone

Jon Stein

Amy Sanders

Andrew Stephenson

Shannon Garson

Jessica Brandl

Daniel Johnston

Paul Briggs

Paul Blais

John Neely

Forrest Middelton

Darren Francis Cassidy

Simon Levin

Bryan Hopkins

Samuel Johnson

OwlTail

Growing up in Seattle, Hayne Bayless first got interested in clay when he found an old potter's wheel and kiln in a corner of the high school art room. The art teacher knew enough about pottery to point him to Leach's A Potter's Book, and that became his guide. Other than lessons with a potter in Tokyo as a late teen, Hayne managed to avoid any formal education in ceramics. Hayne abandoned wheel-throwing early on, lured by the freedom that hand-building offers. He set up his first studio in a tiny basement he shared with a washer and dryer, a stack of snow tires, mice and the snakes that ate them. The workspace amounted to a little more than a hundred square feet. To navigate the cramped quarters he sometimes had to slide sideways, and since then it’s been Sideways Studio. It also applies to a certain way of looking at things; instead of encountering an idea head-on, you might approach it from a different angle, even sideways. It can help avoid the traps of your own assumptions and biases. His studio is larger now and still cluttered, but he doesn't have to walk sideways.

Growing up in Seattle, Hayne Bayless first got interested in clay when he found an old potter's wheel and kiln in a corner of the high school art room. The art teacher knew enough about pottery to point him to Leach's A Potter's Book, and that became his guide. Other than lessons with a potter in Tokyo as a late teen, Hayne managed to avoid any formal education in ceramics. Hayne abandoned wheel-throwing early on, lured by the freedom that hand-building offers. He set up his first studio in a tiny basement he shared with a washer and dryer, a stack of snow tires, mice and the snakes that ate them. The workspace amounted to a little more than a hundred square feet. To navigate the cramped quarters he sometimes had to slide sideways, and since then it’s been Sideways Studio. It also applies to a certain way of looking at things; instead of encountering an idea head-on, you might approach it from a different angle, even sideways. It can help avoid the traps of your own assumptions and biases. His studio is larger now and still cluttered, but he doesn't have to walk sideways.

A Board Member of Studio Potter | Hayne Bayless | Episode 859

I talk with Hayne Bayless, potter, board member of Studio Potter literary journal, and board member of Pots on Wheels (POW!) about his work, his methodology, and the art of "I don't know."Hayne's work has been awarded the top prizes at some of the country's most important craft shows: the Smithsonian Craft Show in Washington, D.C. and the Philadelphia Museum of Art Craft Show.Other than lessons from a potter in Tokyo and a handful of classes and workshops, he has managed to avoid any formal instruction in ceramics. He abandoned wheel-throwing early on, preferring the freedom of handbuilding afforded by slabwork and extrusions.

I talk with Hayne Bayless, potter, board member of Studio Potter literary journal, and board member of Pots on Wheels (POW!) about his work, his methodology, and the art of "I don't know." Hayne's work has been awarded the top prizes at some of the country's most important craft shows: the Smithsonian Craft Show in Washington, D.C. and the Philadelphia Museum of Art Craft Show. Other than lessons from a potter in Tokyo and a handful of classes and workshops, he has managed to avoid any formal instruction in ceramics. He abandoned wheel-throwing early on, preferring the freedom of handbuilding afforded by slabwork and extrusions.

Session 8 - Pottery, The Unintended Result, And Art Of I Don't Know With Hayne Bayless