Maria Streshinsky's guest appearances

Maria Streshinsky

Geek's Guide to the Galaxy - A Science Fiction Podcast

Longform

Reversing Climate Change

Ana Marie Cox

George Saunders

Jon Ronson

ELIZABETH KOLBERT

David Kushner

Joe Quirk

Naomi Klein

Nathaniel Rich

Laura Shin

Ashlee Vance

Kim Stanley Robinson

David Remnick

Ramez Naam

Mary Roach

Mark Adams

OwlTail

Maria Streshinsky is the Executive Editor of Wired, a science and technology magazine devoted to exploring technology’s potential to shape the world for the better. On this bonus episode of Reversing Climate Change, Maria joins Ross to discuss the forthcoming issue of Wired, walking us through its sections on carbon capture, food and land, transportation and renewable energy.--- Send in a voice message: https://podcasters.spotify.com/pod/show/reversingclimatechange/messageSupport this podcast: https://podcasters.spotify.com/pod/show/reversingclimatechange/support

Maria Streshinsky is the Executive Editor of Wired, a science and technology magazine devoted to exploring technology’s potential to shape the world for the better. On this bonus episode of Reversing Climate Change, Maria joins Ross to discuss the forthcoming issue of Wired, walking us through its sections on carbon capture, food and land, transportation and renewable energy. --- Send in a voice message: <a href="https://podcasters.spotify.com/pod/show/reversingclimatechange/message" rel="nofollow" target="_blank">https://podcasters.spotify.com/pod/show/reversingclimatechange/message</a> Support this podcast: <a href="https://podcasters.spotify.com/pod/show/reversingclimatechange/support" rel="payment nofollow" target="_blank">https://podcasters.spotify.com/pod/show/reversingclimatechange/support</a>

Wired releases its climate solutions issue!—w/ Maria Streshinsky, Wired's Executive Editor

Maria Streshinsky is the executive editor at Wired.“Sometimes a story comes in and it’s really lovely and well done. And you think if you just got on the phone with this person and pointed out the structure is wrong here and the chronology is wrong here, ask them to change that and send them what is known at Wired as the ‘praise sandwich letter’: how wonderful something is, how much work it will need, how wonderful it will be. … It’s not the kiss of death, it’s ‘we have a lot of work to do.’ … There are lots of pieces that come in that you’ve assigned because it’s the person with the right information with the right access, and they’re a good reporter, but maybe not a terrific wordsmith. So, you do more rewriting. Then there’s the other person that’s a really lovely, lovely writer that doesn’t have the structure and the reporting so you push on that. It’s sort of a three or four-pronged thing—it depends on the piece. I will say, somewhat controversially, there aren’t that many pieces that come in pretty clean.”Thanks to MailChimp, Skagen, and Pitt Writers for sponsoring this week's episode.@mstreshinskyStreshinsky's archive at Wired[5:40] Streshinsky's archive at Mother Jones[7:45] Streshinsky's archive at The Atlantic[8:45] "Women Aren't Welcome Here" (Amanda Hess • Pacific Standard • Jan 2014)[12:00] "How One Woman's Digital Life Was Weaponized Against Her" (Brooke Jarvis • Wired • Nov 2017)[23:05] "Inside the Two Years That Shook Facebook—and the World" (Nick Thompson &amp; Dave Vogelstein • Wired • Feb 2018)[25:15] "Saving Lives with Tech Amid Syria's Endless Civil War" (Danny Gold • Wired • Aug 2018) Learn more about your ad choices. Visit podcastchoices.com/adchoices

Maria Streshinsky is the executive editor at Wired. “Sometimes a story comes in and it’s really lovely and well done. And you think if you just got on the phone with this person and pointed out the structure is wrong here and the chronology is wrong here, ask them to change that and send them what is known at Wired as the ‘praise sandwich letter’: how wonderful something is, how much work it will need, how wonderful it will be. … It’s not the kiss of death, it’s ‘we have a lot of work to do.’ … There are lots of pieces that come in that you’ve assigned because it’s the person with the right information with the right access, and they’re a good reporter, but maybe not a terrific wordsmith. So, you do more rewriting. Then there’s the other person that’s a really lovely, lovely writer that doesn’t have the structure and the reporting so you push on that. It’s sort of a three or four-pronged thing—it depends on the piece. I will say, somewhat controversially, there aren’t that many pieces that come in pretty clean.” Thanks to MailChimp, Skagen, and Pitt Writers for sponsoring this week's episode. @mstreshinsky Streshinsky's archive at Wired [5:40] Streshinsky's archive at Mother Jones [7:45] Streshinsky's archive at The Atlantic [8:45] "Women Aren't Welcome Here" (Amanda Hess • Pacific Standard • Jan 2014) [12:00] "How One Woman's Digital Life Was Weaponized Against Her" (Brooke Jarvis • Wired • Nov 2017) [23:05] "Inside the Two Years That Shook Facebook—and the World" (Nick Thompson &amp; Dave Vogelstein • Wired • Feb 2018) [25:15] "Saving Lives with Tech Amid Syria's Endless Civil War" (Danny Gold • Wired • Aug 2018) Learn more about your ad choices. Visit <a href="https://podcastchoices.com/adchoices" rel="nofollow" target="_blank">podcastchoices.com/adchoices</a>

Episode 322: Maria Streshinsky

Jason Kehe

236. The WIRED Fiction Issue (with Maria Streshinsky, Jason Kehe)