Heloise d'Ormesson's guest appearances

Heloise d'Ormesson

The Biblio File hosted by Nigel Beale

Le coup de cour des libraires - France Bleu Besançon

Donald Trump

Quentin Tarantino

Nicholson Baker

Tom Doherty

Harlan Coben

Cory Doctorow

Yann Martel

Sydney Smith

George Eliot

Larry Thompson

Alex Ross

Lawrence Krauss

Margaret MacMillan

Lionel Trilling

Steven Heller

OwlTail

Series: Biblio File in France Héloïse d'Ormesson is a French publisher who founded a publishing house that bears her name. She studied comparative literature at Yale University in the United States, where she landed her first job in publishing, and then returned to France to work at Flammarion as director of foreign literature, and subsequently as an editor at Denoël, Laffont, and within the Gallimard group of companies. In 2004, she founded Editions Héloïse d'Ormesson with her partner Gilles Cohen-Solal. She is the daughter of famed French writer Jean d'Ormesson We met at her offices in Paris to discuss, among other things, why so many editors become publishers, a publishers' freedom and control, illustrated covers and French tradition, readers versus customers, the lack of good literary agents in France, Fixed Price and the importance of booksellers; publishing as a cultural industry, Amazon, Heloise's heart and soul, her father Jean, books in the house at an early age, bookshelves as walls and furniture; favourite bookstores, The Scarlet Letter, Mollat in Bordeaux, championing books, the Grand Prix Jean d'Ormesson award, overlooked masterpieces, Jacques Stephen Alexis's In the Flicker of an Eyelid, luck, every book being unique, the lack of a formula for success, and thrills. 

Series: Biblio File in France Héloïse d'Ormesson is a French publisher who founded a publishing house that bears her name. She studied comparative literature at Yale University in the United States, where she landed her first job in publishing, and then returned to France to work at <a href="https://fr.wikipedia.org/wiki/Flammarion" rel="nofollow" target="_blank">Flammarion</a> as director of foreign literature, and subsequently as an editor at <a href="https://fr.wikipedia.org/wiki/%C3%89ditions_Deno%C3%ABl" rel="nofollow" target="_blank">Denoël</a>, <a href="https://fr.wikipedia.org/wiki/%C3%89ditions_Robert_Laffont" rel="nofollow" target="_blank">Laffont</a>, and within the Gallimard group of companies. In 2004, she founded <a href="http://www.editions-heloisedormesson.com/" rel="nofollow" target="_blank">Editions Héloïse d'Ormesson</a> with her partner Gilles Cohen-Solal. She is the daughter of famed French writer <a href="https://fr.wikipedia.org/wiki/Jean_d%27Ormesson" rel="nofollow" target="_blank">Jean d'Ormesson</a> We met at her offices in Paris to discuss, among other things, why so many editors become publishers, a publishers' freedom and control, illustrated covers and French tradition, readers versus customers, the lack of good literary agents in France, Fixed Price and the importance of booksellers; publishing as a cultural industry, Amazon, Heloise's heart and soul, her father Jean, books in the house at an early age, bookshelves as walls and furniture; favourite bookstores, The Scarlet Letter, <a href="https://www.mollat.com/" rel="nofollow" target="_blank">Mollat in Bordeaux</a>, championing books, the Grand Prix Jean d'Ormesson award, overlooked masterpieces, Jacques Stephen Alexis's In the Flicker of an Eyelid, luck, every book being unique, the lack of a formula for success, and thrills.

Heloise d'Ormesson on Book Publishing in France