Adriane Ohanesian's guest appearances

Adriane Ohanesian

B&H Photography Podcast

Michael Young

Keith Carter

Irving Penn

Kesha Lambert

Art Wolfe

Stella Johnson

Marc Silber

Mark Thiessen

David Burnett

Sebastian Meyer

Omar Z. Robles

Gulnara Samoilova

Craig Semetko

Ami Vitale

Ralph Gibson

OwlTail

Nancy Borowick

What obstacles have gotten in the way of your photography? When life’s troubles arise, where do you point your camera? Or do you set it down? Photography can be a weekend hobby or it can be a life’s calling and, for our guests on today’s episode of the  B&amp;H Photography Podcast, there is no doubt that photography is part of their very being, and meshed into the most intimate aspects of their lives. Adriane Ohanesian and Nancy Borowick have been friends since they studied together at the International Center of Photography, and have remained close despite careers that have put them on opposite sides of the globe. Both had specific aspirations while studying, both have received professional recognition as photographers, and both have faced tragedy and pain with a steady hand and unflinching eye. In addition to her many assignments for the likes of Time magazine and the New York Times,  Borowick documented her parent’s parallel treatments for stage-four cancer. And as a photojournalist in East Africa, Ohanesian has covered war, refugee crisis, climate change, and illegal mining. Not only has she witnessed and documented extreme human brutality, she has been caught in the crossfire on more than one occasion. As part of B&amp;H’s content for International Women’s Day, which is on March 8, 2020, we asked Borowick and Ohanesian to join us for a conversation about the role photography has played in their lives and to discuss their careers thus far. For both women, 2019 will be a watershed year—Borowick welcomed her first baby and Ohanesian survived a plane crash that has left her broken but unbowed. After a decade of “the hustle,” they also take a moment to gaze into the future of their photo careers and we are proud to be privy to this conversation and present it to our listeners. Join us for this real-world conversation among two accomplished photographers. Guests: Adriane Ohanesian and Nancy Borowick Photograph © Adriane Ohanesian

What obstacles have gotten in the way of your photography? When life’s troubles arise, where do you point your camera? Or do you set it down? Photography can be a weekend hobby or it can be a life’s calling and, for our guests on today’s episode of the <a href="https://www.bhphotovideo.com/explora/podcasts?utm_source=podcast&amp;utm_medium=referral&amp;utm_campaign=Nancy_Adriane" rel="nofollow" target="_blank"> B&amp;H Photography Podcast</a>, there is no doubt that photography is part of their very being, and meshed into the most intimate aspects of their lives. <a href="https://www.instagram.com/adrianeohanesian/" rel="nofollow" target="_blank">Adriane Ohanesian</a> and <a href="http://www.nancyborowick.com/the-family-imprint/the-book/" rel="nofollow" target="_blank">Nancy Borowick</a> have been friends since they studied together at the International Center of Photography, and have remained close despite careers that have put them on opposite sides of the globe. Both had specific aspirations while studying, both have received professional recognition as photographers, and both have faced tragedy and pain with a steady hand and unflinching eye. In addition to her many assignments for the likes of Time magazine and the New York Times, <a href="https://www.strandbooks.com/product/nancy-borowick-the-family-imprint-a-daughters-portrait-of-love-and-loss/_/searchString/%20Family%20Imprint" rel="nofollow" target="_blank"> Borowick documented her parent’s parallel treatments for stage-four cancer</a>. And as a photojournalist in East Africa, Ohanesian has covered war, refugee crisis, climate change, and illegal mining. Not only has she witnessed and documented extreme human brutality, she has been caught in the crossfire on more than one occasion. As part of B&amp;H’s content for International Women’s Day, which is on March 8, 2020, we asked Borowick and Ohanesian to join us for a conversation about the role photography has played in their lives and to discuss their careers thus far. For both women, 2019 will be a watershed year—Borowick welcomed her first baby and Ohanesian survived a plane crash that has left her broken but unbowed. After a decade of “the hustle,” they also take a moment to gaze into the future of their photo careers and we are proud to be privy to this conversation and present it to our listeners. Join us for this real-world conversation among two accomplished photographers. Guests: Adriane Ohanesian and Nancy Borowick Photograph © Adriane Ohanesian

Photography Has Nothing to Do with Cameras - A Conversation between Nancy Borowick and Adriane Ohanesian

Adriane Ohanesian has been on the  B&amp;H Photography Podcast in the past and we are very excited to welcome her back to discuss her photojournalistic work in Africa. As many of our listeners will recall, Ohanesian contributed to our podcast throughout 2017 in a serial segment we called “Dispatch,” in which she provided monthly reports on her freelance assignments covering conflict and climate change in Sudan and Somalia. She also narrated the  story of a deadly attack she survived while covering a story on illegal mining in Congo. It was a harrowing and tragic account that demonstrates the lengths to which photojournalists will go to cover a story. On today’s episode, Ohanesian updates us on a few of the items we discussed in 2017, including the illegal mining story and her assignment on the last white male rhinoceros in existence, which has since died. She also talks about a recent assignment for  National Geographic, covering illegal mining and deforestation in Madagascar, and her work back in Congo covering an Ebola outbreak. In addition, Ohanesian provides insight into her life as a freelance photojournalist, reflects on incorporating video and audio into her workflow to get important stories told, and offers tips on the  gear she uses for her arduous and often very remote assignments.         Adriane Ohanesian is a respected photojournalist living in Nairobi and covering news stories throughout East Africa. Her coverage of the civil war in South Sudan garnered her a 2016 World Press Photo Award and she is also the recipient of the 2016 Anja Niedringhaus Courage in Photojournalism Award. Join us for this compelling and inspirational episode.   Guest: Adriane Ohanesian Photograph © Adriane Ohanesian

Adriane Ohanesian has been on the <a href="https://www.bhphotovideo.com/explora/podcasts?utm_source=podcast&amp;utm_medium=referral&amp;utm_campaign=freelance_photojournalism" rel="nofollow" target="_blank"> B&amp;H Photography Podcast</a> in the past and we are very excited to welcome her back to discuss her photojournalistic work in Africa. As many of our listeners will recall, Ohanesian contributed to our podcast throughout 2017 in a serial segment we called “<a href="https://www.bhphotovideo.com/explora/podcasts/photography/podcast-the-photocloser-talks-dollars-and-sense-%E2%80%9Cdispatch%E2%80%9D-serial-episode-1" rel="nofollow" target="_blank">Dispatch</a>,” in which she provided monthly reports on her freelance assignments covering conflict and climate change in Sudan and Somalia. She also narrated the <a href="https://www.bhphotovideo.com/explora/podcasts/photography/podcast-the-passionate-photographer-and-episode-5-of-dispatch" rel="nofollow" target="_blank"> story of a deadly attack</a> she survived while covering a story on illegal mining in Congo. It was a harrowing and tragic account that demonstrates the lengths to which photojournalists will go to cover a story. On today’s episode, Ohanesian updates us on a few of the items we discussed in 2017, including the illegal mining story and her assignment on the last white male rhinoceros in existence, which has since died. She also talks about a recent assignment for <a href="https://www.nationalgeographic.com/animals/2019/03/sapphire-mining-fuels-lemur-deaths-in-madagascar/" rel="nofollow" target="_blank"> National Geographic</a>, covering illegal mining and deforestation in Madagascar, and her work back in Congo covering an Ebola outbreak. In addition, Ohanesian provides insight into her life as a freelance photojournalist, reflects on incorporating video and audio into her workflow to get important stories told, and offers tips on the <a href="https://www.bhphotovideo.com/c/product/1159878-REG/sony_a7r_mark_ii_digital.html?utm_source=podcast&amp;utm_medium=referral&amp;utm_campaign=freelance_photojournalism" rel="nofollow" target="_blank"> gear</a> she uses for her arduous and often very remote assignments.         <a href="http://adrianeohanesian.com" rel="nofollow" target="_blank">Adriane Ohanesian</a> is a respected photojournalist living in Nairobi and covering news stories throughout East Africa. Her coverage of the civil war in South Sudan garnered her a 2016 World Press Photo Award and she is also the recipient of the 2016 Anja Niedringhaus Courage in Photojournalism Award. Join us for this compelling and inspirational episode.   Guest: Adriane Ohanesian Photograph © Adriane Ohanesian

Survive that Day - Freelance Photojournalism, with Adriane Ohanesian

It’s a short week here at the  B&amp;H Photography Podcast, so we thought we’d take care of some cleaning that we have put off all winter. Unless one is a full-time pro or serious enthusiast, most of one’s photography is done in the fairer months of spring and summer, whether that be on family vacations, at sporting events, weekend picnics, or just working out that macro lens in the garden. So, it’s time to pull the camera bag from the closet and give our gear a quick once-over to make sure everything is in working order. In this episode, we discuss little ways to maintain cameras and lenses, and things to do to prepare them for the shooting season. From firmware upgrades to mode settings to dust and grease removal, there is a lot you can do in a short time to better understand your camera and to keep it functioning smoothly. In the second half of the show, we continue our serial “Dispatch,” with Adriane Ohanesian. This ongoing segment takes an inside look at the life and work of a freelance photojournalist working in East Africa. In this episode, Ohanesian updates us on her coverage of the conflict in Somalia as she spends time embedded with African Union troops and travels north, to photograph the effects of the ongoing drought in Puntland. She discusses being contracted by the International Rescue Committee to document the refugees “flowing” from war-torn South Sudan to settlement camps in Uganda and, finally, analyzes the risks and expenses freelance photographers take on while working in conflict zones—and the often adverse objectives of news organizations and NGOs. Guests: Todd Vorenkamp and Adriane Ohanesian Photograph: Adriane Ohanesian

It’s a short week here at the <a href="https://itunes.apple.com/us/podcast/b-h-photography-podcast/id1052860428?mt=2" rel="nofollow" target="_blank"> B&amp;H Photography Podcast</a>, so we thought we’d take care of some cleaning that we have put off all winter. Unless one is a full-time pro or serious enthusiast, most of one’s photography is done in the fairer months of spring and summer, whether that be on family vacations, at sporting events, weekend picnics, or just working out that macro lens in the garden. So, it’s time to pull the camera bag from the closet and give our gear a quick once-over to make sure everything is in working order. In this episode, we discuss little ways to maintain cameras and lenses, and things to do to prepare them for the shooting season. From firmware upgrades to mode settings to dust and grease removal, there is a lot you can do in a short time to better understand your camera and to keep it functioning smoothly. In the second half of the show, we continue our serial “Dispatch,” with <a href="http://adrianeohanesian.com/" rel="nofollow" target="_blank">Adriane Ohanesian</a>. This ongoing segment takes an inside look at the life and work of a freelance photojournalist working in East Africa. In this episode, Ohanesian updates us on her coverage of the conflict in Somalia as she spends time embedded with African Union troops and travels north, to photograph the effects of the ongoing drought in Puntland. She discusses being contracted by the International Rescue Committee to document the refugees “flowing” from war-torn South Sudan to settlement camps in Uganda and, finally, analyzes the risks and expenses freelance photographers take on while working in conflict zones—and the often adverse objectives of news organizations and NGOs. Guests: Todd Vorenkamp and Adriane Ohanesian Photograph: Adriane Ohanesian

Spring Cleaning and Episode 2 of “Dispatch,” with Adriane Ohanesian

We start this week’s episode on a congenial and practical note with Frank Meo, aka “The PhotoCloser,” talking about what can be a very difficult aspect of photography for some—negotiating with clients and establishing a rate for your services. Meo, who has been a “rep” for many photographers, now concentrates on being a “collaborator.” His services include estimating and negotiating fees. Meo also speaks on the subject at many conferences and workshops, and he offers brainstorming sessions designed to empower, motivate, and inspire. On our show, he discusses business practices that will garner “clients for life,” and offers a few ideas on what you should consider when charging for your services. After a break, we take a dramatic turn and present the first segment of our serial, “Dispatch.” We begin this series with photojournalist Adriane Ohanesian, who introduces us to her work, discusses her life as a freelancer based in Nairobi, Kenya, and prepares us for her upcoming assignment in Somalia. Once a month, Ohanesian will offer us insight into the working life of a photographer in conflict zones. Since 2010, Adriane Ohanesian has covered crises in South Sudan, Darfur, and Somalia, and has been recognized as one of Magnum Photo’s top “30 under 30.” She has also received LensCulture’s Emerging Talent award. In 2016, she won a World Press Photo award for her work in Darfur, and the Anja Niedringhaus Courage in Photojournalism Award. This year Ohanesian was selected as one of PDN’s 30 new and emerging photographers. Guests: Frank Meo and Adriane Ohanesian Photograph: Adriane Ohanesian Caption:His caretaker holds the phone as Mohamed, age 4, speaks to his mother Amina from Eastleigh, Nairobi, Kenya, January 31, 2017. www.thephotocloser.com www.adrianeohanesian.com

We start this week’s episode on a congenial and practical note with Frank Meo, aka “<a href="https://www.thephotocloser.com/" rel="nofollow" target="_blank">The PhotoCloser</a>,” talking about what can be a very difficult aspect of photography for some—negotiating with clients and establishing a rate for your services. Meo, who has been a “rep” for many photographers, now concentrates on being a “collaborator.” His services include estimating and negotiating fees. Meo also speaks on the subject at many conferences and workshops, and he offers brainstorming sessions designed to empower, motivate, and inspire. On our show, he discusses business practices that will garner “clients for life,” and offers a few ideas on what you should consider when charging for your services. After a break, we take a dramatic turn and present the first segment of our serial, “Dispatch.” We begin this series with photojournalist <a href="http://adrianeohanesian.com/" rel="nofollow" target="_blank">Adriane Ohanesian</a>, who introduces us to her work, discusses her life as a freelancer based in Nairobi, Kenya, and prepares us for her upcoming assignment in Somalia. Once a month, Ohanesian will offer us insight into the working life of a photographer in conflict zones. Since 2010, Adriane Ohanesian has covered crises in South Sudan, Darfur, and Somalia, and has been recognized as one of Magnum Photo’s top “30 under 30.” She has also received LensCulture’s Emerging Talent award. In 2016, she won a World Press Photo award for her work in Darfur, and the Anja Niedringhaus Courage in Photojournalism Award. This year Ohanesian was selected as one of PDN’s 30 new and emerging photographers. Guests: Frank Meo and Adriane Ohanesian Photograph: Adriane Ohanesian Caption:His caretaker holds the phone as Mohamed, age 4, speaks to his mother Amina from Eastleigh, Nairobi, Kenya, January 31, 2017. <a href="http://www.thephotocloser.com" rel="nofollow" target="_blank">www.thephotocloser.com</a> <a href="http://www.adrianeohanesian.com" rel="nofollow" target="_blank">www.adrianeohanesian.com</a>

Talking Dollars and Sense with The PhotoCloser and Episode 1 of “Dispatch”, with Adriane Ohanesian

Not Believing in Roadblocks, Part II – The Making of a Photojournalist Photojournalist and 2016 World Press Photo award winner Adriane Ohanesian joins us for a captivating two-part conversation on her work in South Sudan, Darfur, and Burma, and describes how she made the transition from anthropology student to conflict and humanitarian photographer. This conversation is divided into two parts, but its themes of women in photojournalism and the difficult but fulfilling life of freelance work in war-torn areas permeates the entire conversation. With her confident and compassionate demeanor, Ohanesian relates how she was introduced to the cultures of East Africa, snuck into South Sudan to begin her career, faced down military commanders and navigated a month-long trek into Darfur to photograph displaced families living in a cave. She also talks about the challenges and advantages of being a female photojournalist and the amazing resilience of people living through years of war and abuse. Also joining us on this compelling episode is B&amp;H writer Jill Waterman. We’re proud to present the voice of a young photojournalist from whom we expect to hear a great deal in the years to come. Ohanesian’s World Press Photo award-winning photograph can be seen at http://www.worldpressphoto.org/collection/photo/2016/contemporary-issues/adriane-ohanesian Guest: Adriane Ohanesian

Not Believing in Roadblocks, Part II – The Making of a Photojournalist Photojournalist and 2016 World Press Photo award winner Adriane Ohanesian joins us for a captivating two-part conversation on her work in South Sudan, Darfur, and Burma, and describes how she made the transition from anthropology student to conflict and humanitarian photographer. This conversation is divided into two parts, but its themes of women in photojournalism and the difficult but fulfilling life of freelance work in war-torn areas permeates the entire conversation. With her confident and compassionate demeanor, Ohanesian relates how she was introduced to the cultures of East Africa, snuck into South Sudan to begin her career, faced down military commanders and navigated a month-long trek into Darfur to photograph displaced families living in a cave. She also talks about the challenges and advantages of being a female photojournalist and the amazing resilience of people living through years of war and abuse. Also joining us on this compelling episode is B&amp;H writer Jill Waterman. We’re proud to present the voice of a young photojournalist from whom we expect to hear a great deal in the years to come. Ohanesian’s World Press Photo award-winning photograph can be seen at <a href="http://www.worldpressphoto.org/collection/photo/2016/contemporary-issues/adriane-ohanesian" rel="nofollow" target="_blank">http://www.worldpressphoto.org/collection/photo/2016/contemporary-issues/adriane-ohanesian</a> Guest: Adriane Ohanesian

Not Believing in Roadblocks- A Conversation with Photojournalist Adriane Ohanesian, Part II

Not Believing in Roadblocks, Part I – Women and Photojournalism Photojournalist and 2016 World Press Photo award winner Adriane Ohanesian joins us for a captivating two-part conversation on her work in South Sudan, Darfur, and Burma, and describes how she made the transition from anthropology student to conflict and humanitarian photographer. This conversation is divided into two parts, but its themes of women in photojournalism and the difficult but fulfilling life of freelance work in war-torn areas permeates the entire conversation. With her confident and compassionate demeanor, Ohanesian relates how she was introduced to the cultures of East Africa, snuck into South Sudan to begin her career, faced down military commanders and navigated a month-long trek into Darfur to photograph displaced families living in a cave. She also talks about the challenges and advantages of being a female photojournalist and the amazing resilience of people living through years of war and abuse. Also joining us on this compelling episode is B&amp;H writer Jill Waterman. We’re proud to present the voice of a young photojournalist from whom we expect to hear a great deal in the years to come. Ohanesian’s World Press Photo award-winning photograph can be seen at http://www.worldpressphoto.org/collection/photo/2016/contemporary-issues/adriane-ohanesian Guest: Adriane Ohanesian

Not Believing in Roadblocks, Part I – Women and Photojournalism Photojournalist and 2016 World Press Photo award winner Adriane Ohanesian joins us for a captivating two-part conversation on her work in South Sudan, Darfur, and Burma, and describes how she made the transition from anthropology student to conflict and humanitarian photographer. This conversation is divided into two parts, but its themes of women in photojournalism and the difficult but fulfilling life of freelance work in war-torn areas permeates the entire conversation. With her confident and compassionate demeanor, Ohanesian relates how she was introduced to the cultures of East Africa, snuck into South Sudan to begin her career, faced down military commanders and navigated a month-long trek into Darfur to photograph displaced families living in a cave. She also talks about the challenges and advantages of being a female photojournalist and the amazing resilience of people living through years of war and abuse. Also joining us on this compelling episode is B&amp;H writer Jill Waterman. We’re proud to present the voice of a young photojournalist from whom we expect to hear a great deal in the years to come. Ohanesian’s World Press Photo award-winning photograph can be seen at <a href="http://www.worldpressphoto.org/collection/photo/2016/contemporary-issues/adriane-ohanesian" rel="nofollow" target="_blank">http://www.worldpressphoto.org/collection/photo/2016/contemporary-issues/adriane-ohanesian</a> Guest: Adriane Ohanesian