Juliana Huxtable's guest appearances

Juliana Huxtable

RA Podcast

Bodega Dollz

Women on the Line

Stance Podcast

Artists Space

The Warm Up

Red Scare

Dekmantel Podcast Series

Dekmantel Podcast

Talk About / Walk&Talk 9.5

Les rencontres de la MRL

John Talabot

Jon Rust

Suzanne Ciani

John Gómez

Inga Mauer

Jan van Kampen

Felix Dickinson

Tomás Urquieta

Nabihah Iqbal

Nick Klein

Mark Fell

Carlos Souffront

Tom Trago

Jex Opolis

Eva Geist

OwlTail

Juliana Huxtable et Joe Rinaldo Heffernan nous parlent de leurs pratiques. Podcast en anglais.Avec: Juliana Huxtable, Joe Rinaldo Heffernan, Jeanne GraffDate: 2 avril 2022

Juliana Huxtable et Joe Rinaldo Heffernan nous parlent de leurs pratiques. Podcast en anglais. Avec: Juliana Huxtable, Joe Rinaldo Heffernan, Jeanne Graff Date: 2 avril 2022

Juliana Huxtable & Joe Rinaldo Heffernan

Musings on recent readings, a steamy encounter in NYC as quarantine breaks, and musical interludes

Musings on recent readings, a steamy encounter in NYC as quarantine breaks, and musical interludes

Juliana Huxtable - Heat Wave Tongues

@julianahuxtable continually crosses boundaries and breaks down borders. Her multidisciplinary art takes in writing, performing, poetry, DJing and running the Shock Value nightlife project in New York, where the Texan currently lives. She explores themes of history, the body, the internet and much more, often with a strong sense of personal identity. Next to solo exhibitions she has authored two books, worked as a Visiting Artists Program lecturer at the School of the Art Institute of Chicago and is involved with a number of collectives that challenge gender norms, interrogate notions of race and engage with socio-political issues and sexuality, often in visceral ways. This week's mix is just as direct and physical. It is a sound college filled with rage and confrontation, where brutalist industrial textures and squealing synths crash into banging techno. Human voices are mangled into walls of white noise and uncontrollable machines run riot in what could be a soundtrack to the end of the world, or the start of a new one.

@julianahuxtable continually crosses boundaries and breaks down borders. Her multidisciplinary art takes in writing, performing, poetry, DJing and running the Shock Value nightlife project in New York, where the Texan currently lives. She explores themes of history, the body, the internet and much more, often with a strong sense of personal identity. Next to solo exhibitions she has authored two books, worked as a Visiting Artists Program lecturer at the School of the Art Institute of Chicago and is involved with a number of collectives that challenge gender norms, interrogate notions of race and engage with socio-political issues and sexuality, often in visceral ways. This week's mix is just as direct and physical. It is a sound college filled with rage and confrontation, where brutalist industrial textures and squealing synths crash into banging techno. Human voices are mangled into walls of white noise and uncontrollable machines run riot in what could be a soundtrack to the end of the world, or the start of a new one.

Dekmantel Podcast 288 - Juliana Huxtable

Support AllegedlyNYC: www.patreon.com/allegedlynycArtist, writer, DJ and performer Juliana Huxtable joined us from Berlin to discuss how Covid-19 is affecting the art world and how it can bring relationships to a new level of love. PLUS Rose McGowan VS Bill Maher, Tyra Banks gets called out for past ANTM episodes, Snoop Dogg Sex Tape?! And Kim &amp; Kanye are losing it under quarantine.

Support AllegedlyNYC: <a href="http://www.patreon.com/allegedlynyc" rel="nofollow" target="_blank">www.patreon.com/allegedlynyc</a> Artist, writer, DJ and performer Juliana Huxtable joined us from Berlin to discuss how Covid-19 is affecting the art world and how it can bring relationships to a new level of love. PLUS Rose McGowan VS Bill Maher, Tyra Banks gets called out for past ANTM episodes, Snoop Dogg Sex Tape?! And Kim &amp; Kanye are losing it under quarantine.

S06 E05 JULIANA HUXTABLE

Adjoa Andoh

Colin Self

Stance catches up with actor and director powerhouse Adjoa Andoh to find out more about her production of Shakespeare’s Richard II showing at the Globe Theatre in London. It’s the first UK show to be produced entirely by people of colour - front and backstage. Stance flew to Bergen in Norway to check out Borealis, an experimental music festival showcasing everything from music to performance art to dance. Voices featured include Last Yearz Interesting Negro, Juliana Huxtable, Colin Self, B L A C K I E and more. Stancepodcast.com @stancepodcast

Stance catches up with actor and director powerhouse Adjoa Andoh to find out more about her production of Shakespeare’s Richard II showing at the Globe Theatre in London. It’s the first UK show to be produced entirely by people of colour - front and backstage. Stance flew to Bergen in Norway to check out Borealis, an experimental music festival showcasing everything from music to performance art to dance. Voices featured include Last Yearz Interesting Negro, Juliana Huxtable, Colin Self, B L A C K I E and more. <a href="https://stancepodcast.com/" rel="nofollow" target="_blank">Stancepodcast.com</a> @stancepodcast

Episode 27: Actor & Director Adjoa Andoh; Norway’s Borealis Festival feat Juliana Huxtable; Colin Self; Last Yearz Interesting Negro + more

We hear a discussion between 3CR Tuesday Breakfast’s Ayan Shirwa and Juliana Huxtable. Juliana is a poet, DJ, model, academic and performance artist. Her work explores gender, race and socio political issues. She’s also the co-founder of Shock Value, a nightclub that fosters community and celebrates NYC’s kaleidoscopic nightlife. Lost One - Lauryn Hill

MoMA PS1 Associate Curator Jenny Schlenzka sits down with Juliana Huxtable to discuss Huxtable's interest in young rappers from Chicago, the dance party "Shock Value" she co-founded, and her gospel music influences.

Episode 3: Juliana Huxtable

Juliana Huxtable &amp; LaTasha N. Nevada DiggsReadingsFriday, October 9, 7pmArtists Space Books &amp; Talks55 Walker Street“Performance is a bothersome word for writerly poets” writes poet Nathaniel Mackey in his essay “Sight-Specific, Sound-Specific…” from 2005. Despite twentieth century poetry’s rich tradition of performance, Mackey notes that in poetry there is often an expectation for words do the performing, as opposed to people or things. Yet, language exists beyond just words, and functions in tandem with images, gestures, bodies and technologies. In this series of readings, distinctions between the language of performance and the performance of language are blurred. Foregrounded are writerly poets who embrace images, gestures, bodies and technologies in the presentation of their poetry – as elements that don’t overshadow their poetics, but are embraced as part of its liveliness, and of reading as a social experience.The series is structured via themes of sound, the body, technology, theater and comedy. These themes offer different formal histories for poets to explore the presentation of poetic language. Juliana Huxtable and LaTasha N. Nevada Diggs both experiment with the effects of audio distortion and sampling. Sophia Le Fraga, Ian Hatcher and Alejandro Miguel Justino Crawford all utilize different digital technologies to question the ground of their poetry. Whitney Claflin and Corina Copp present relational and formal theatrical environments out of which their poetics unfold.There is an invisible architecture often supporting   the surface of the poem, interrupting the progress of the poem. It reachesinto the poemin search for an identity with the poem,its object is to possess the poem for a brief time, even as an apparition appears.writes Barbara Guest in her poetic essay, “Invisible Architecture” (2000). In this she understands the formal and historical context of the poem as a material that contributes to its meaning – as both apart from and a part of poetic language. Reading functions similarly; it is not a neutral action, but contributes to the meaning of the text presented. In a moment when language and presentation of self alike are understood as multiple, and bound within wider, connected systems, performance becomes a means of making the “invisible architecture” of the poem visible, and activating it as a poetic material in itself.Juliana Huxtable is an artist, poet, performer, and DJ who often uses her own body, gender fluidity, and identity as her primary subject. Huxtable’s work was featured in the 2015 Triennial, Surround Audience at the New Museum, New York (2015), as well as at MoMA PS1, New York (2014); White Columns Annual, White Columns, New York (2014); Take Ecstasy with Me, Whitney Museum of American Art, New York (2014); and Frieze Projects, London (2014), among other venues. She lives and works in New York.For more information click here http://artistsspace.org/programs/huxtable-diggs

Juliana Huxtable &amp; LaTasha N. Nevada Diggs Readings Friday, October 9, 7pm Artists Space Books &amp; Talks 55 Walker Street “Performance is a bothersome word for writerly poets” writes poet Nathaniel Mackey in his essay “Sight-Specific, Sound-Specific…” from 2005. Despite twentieth century poetry’s rich tradition of performance, Mackey notes that in poetry there is often an expectation for words do the performing, as opposed to people or things. Yet, language exists beyond just words, and functions in tandem with images, gestures, bodies and technologies. In this series of readings, distinctions between the language of performance and the performance of language are blurred. Foregrounded are writerly poets who embrace images, gestures, bodies and technologies in the presentation of their poetry – as elements that don’t overshadow their poetics, but are embraced as part of its liveliness, and of reading as a social experience. The series is structured via themes of sound, the body, technology, theater and comedy. These themes offer different formal histories for poets to explore the presentation of poetic language. Juliana Huxtable and LaTasha N. Nevada Diggs both experiment with the effects of audio distortion and sampling. Sophia Le Fraga, Ian Hatcher and Alejandro Miguel Justino Crawford all utilize different digital technologies to question the ground of their poetry. Whitney Claflin and Corina Copp present relational and formal theatrical environments out of which their poetics unfold. There is an invisible architecture often supporting the surface of the poem, interrupting the progress of the poem. It reaches into the poem in search for an identity with the poem, its object is to possess the poem for a brief time, even as an apparition appears. writes Barbara Guest in her poetic essay, “Invisible Architecture” (2000). In this she understands the formal and historical context of the poem as a material that contributes to its meaning – as both apart from and a part of poetic language. Reading functions similarly; it is not a neutral action, but contributes to the meaning of the text presented. In a moment when language and presentation of self alike are understood as multiple, and bound within wider, connected systems, performance becomes a means of making the “invisible architecture” of the poem visible, and activating it as a poetic material in itself. Juliana Huxtable is an artist, poet, performer, and DJ who often uses her own body, gender fluidity, and identity as her primary subject. Huxtable’s work was featured in the 2015 Triennial, Surround Audience at the New Museum, New York (2015), as well as at MoMA PS1, New York (2014); White Columns Annual, White Columns, New York (2014); Take Ecstasy with Me, Whitney Museum of American Art, New York (2014); and Frieze Projects, London (2014), among other venues. She lives and works in New York. For more information click here <a href="http://artistsspace.org/programs/huxtable-diggs" rel="nofollow" target="_blank">http://artistsspace.org/programs/huxtable-diggs</a>