Quinn Kelsey's guest appearances

Quinn Kelsey

Opera Box Score

Destination Santa Fe Opera

The CVH Podcast

OwlTail

Who’ll serve the infamous jolly knight his just desserts? The list of candidates is long, and their scheme is hilarious. All will be revealed when Falstaff, Giuseppe Verdi’s classic farce, arrives on the Santa Fe Opera stage. Host Jane Trembley speaks with Hawai’i native Quinn Kelsey about embodying the larger-than-life titular character and learns why comedy is more challenging to play than tragedy. Quinn also answers the million-dollar question: what would the celebrated Verdi baritone ask the great composer if given a chance?  If you think you know Verdi, think again. “[Falstaff] behaves like a totally different animal,” says Quinn. The final opera of Verdi’s storied career is a comedic masterpiece propelled by complex wit, outsized swagger, and vibrant music. “John Falstaff is at that age where life is beginning to pass him by,” Quinn explains. “He still thinks he can charm the ladies, and you have to give him credit for having a huge amount of confidence.”  It doesn’t take long for that swagger to get the jolly knight into riotous trouble. “I don't normally get to play comedic characters,” Quinn says. Although pompous Falstaff is more serious than his fellow characters, all the fizzy stage antics are in response to his self-delusion. In a role he’s played in different ways since 2014, Quinn is more than up to the vocal and emotional challenge, fully embracing Falstaff’s hubris, hedonism, and gullibility for Sir David McVicar’s sparkling new production. “The fact that I finally get to do something with Sir David from scratch? I'm looking forward to a really fun summer.” FEATURING Quinn Kelsey - Baritone Website Instagram Facebook CREDITS Destination Santa Fe Opera is a Santa Fe Opera podcast, produced and edited by Andrea Klunder at  The Creative Impostor Studios. Post-Production Audio: Edwin R. Ruiz Hosted by: Jane Trembley Show Notes by: Lisa Widder *** Learn more about the Santa Fe Opera and plan your visit at https://www.santafeopera.org. We'd love for you to join us on Instagram, Twitter, Facebook, and TikTok @santafeopera.

Who’ll serve the infamous jolly knight his just desserts? The list of candidates is long, and their scheme is hilarious. All will be revealed when <a href="https://www.santafeopera.org/whats-on/falstaff/" rel="nofollow" target="_blank">Falstaff</a>, Giuseppe Verdi’s classic farce, arrives on the Santa Fe Opera stage. Host Jane Trembley speaks with Hawai’i native Quinn Kelsey about embodying the larger-than-life titular character and learns why comedy is more challenging to play than tragedy. Quinn also answers the million-dollar question: what would the celebrated Verdi baritone ask the great composer if given a chance?  If you think you know Verdi, think again. “[Falstaff] behaves like a totally different animal,” says Quinn. The final opera of Verdi’s storied career is a comedic masterpiece propelled by complex wit, outsized swagger, and vibrant music. “John Falstaff is at that age where life is beginning to pass him by,” Quinn explains. “He still thinks he can charm the ladies, and you have to give him credit for having a huge amount of confidence.”  It doesn’t take long for that swagger to get the jolly knight into riotous trouble. “I don't normally get to play comedic characters,” Quinn says. Although pompous Falstaff is more serious than his fellow characters, all the fizzy stage antics are in response to his self-delusion. In a role he’s played in different ways since 2014, Quinn is more than up to the vocal and emotional challenge, fully embracing Falstaff’s hubris, hedonism, and gullibility for Sir David McVicar’s sparkling new production. “The fact that I finally get to do something with Sir David from scratch? I'm looking forward to a really fun summer.” FEATURING Quinn Kelsey - Baritone <a href="http://www.quinnkelsey.com/bio_new.asp" rel="nofollow" target="_blank">Website</a> <a href="https://www.instagram.com/therealquinnkelsey/?hl=en" rel="nofollow" target="_blank">Instagram</a> <a href="https://www.facebook.com/FANSofQUINNKELSEY/" rel="nofollow" target="_blank">Facebook</a> CREDITS Destination Santa Fe Opera is a Santa Fe Opera podcast, produced and edited by Andrea Klunder at <a href="https://www.thecreativeimposter.com" rel="nofollow" target="_blank"> The Creative Impostor Studios.</a> Post-Production Audio: Edwin R. Ruiz Hosted by: Jane Trembley Show Notes by: Lisa Widder *** Learn more about the Santa Fe Opera and plan your visit at <a href="https://www.santafeopera.org" rel="nofollow" target="_blank">https://www.santafeopera.org</a>. We'd love for you to join us on <a href="https://www.instagram.com/santafeopera/" rel="nofollow" target="_blank">Instagram</a>, <a href="https://twitter.com/santafeopera" rel="nofollow" target="_blank">Twitter</a>, <a href="https://twitter.com/santafeopera" rel="nofollow" target="_blank">Facebook</a>, and TikTok @santafeopera.

Larger Than Life: Verdi’s Falstaff with Quinn Kelsey

2 hours of laughs with my brother Quinn.

QUINN KELSEY II

[@ 4 min] Verdi baritone and gentle giant Quinn Kelsey goes ‘Inside the Huddle’ with Ashlee and Oliver to talk about singing traditional Hawai’ian music for an operatic kanikapila and preparing for Scarpia at Opera Philadelphia...[@ 30 min] In ‘Chalk Talk’…. One year into the pandemic, the OBS team look at some of the most striking innovations in opera, including new media, do-it-yourself music-making, alternative, pandemic-resistant venues, and… trucks…?[@ 37 min] Plus, in the ‘Two Minute Drill’… The Dude goes to conduct in Paris, and the city of Madrid awards its Medal of Gold to an opera administrator...operaboxscore.com dallasopera.org/tdo_network_show/opera-box-score facebook.com/obschi1@operaboxscoreIG operaboxscore

[@ 4 min] Verdi baritone and gentle giant Quinn Kelsey goes ‘Inside the Huddle’ with Ashlee and Oliver to talk about singing traditional Hawai’ian music for an operatic kanikapila and preparing for Scarpia at Opera Philadelphia... [@ 30 min] In ‘Chalk Talk’…. One year into the pandemic, the OBS team look at some of the most striking innovations in opera, including new media, do-it-yourself music-making, alternative, pandemic-resistant venues, and… trucks…? [@ 37 min] Plus, in the ‘Two Minute Drill’… The Dude goes to conduct in Paris, and the city of Madrid awards its Medal of Gold to an opera administrator... <a href="http://operaboxscore.com" rel="nofollow" target="_blank">operaboxscore.com</a> <a href="http://dallasopera.org/tdo_network_show/opera-box-score" rel="nofollow" target="_blank">dallasopera.org/tdo_network_show/opera-box-score</a> <a href="http://facebook.com/obschi1" rel="nofollow" target="_blank">facebook.com/obschi1</a> @operaboxscore IG operaboxscore