Paul Laster's guest appearances

Paul Laster

Beez And Honey

About Art

Brave New World

Kara Goldin

Richard Betts

David Glasser

Lance Armstrong

Xaviera Simmons

Hank WIllis Thomas

John Hickenlooper

Sanford Biggers

Paul Becker

Jerry Garcia

Brian Boucher

Pete McBride

Anthony Lee

Erica Keswin

Sarah Thornton

OwlTail

Paul Laster is a writer, editor, independent curator, artist, and lecturer.He is a New York desk editor at ArtAsiaPacific and a contributing editor at Whitehot Magazine of Contemporary Art. He was the founding editor of Artkrush and Artspace; started The Daily Beast's art section; and was previously art editor of Flavorpill and Russell Simmons OneWorld Magazine. He is a frequent contributor to Art &amp; Object, Time Out New York, Harper’s Bazaar Arabia, Galerie, Sculpture, Architectural Digest, Surface, Garage, New York Observer, Cultured, ArtPulse, Upstate Diary, Conceptual Fine Arts, and has written for Art in America, Artnet, Interview, Paper, Flash Art, Newsweek, Modern Painters, Bomb Magazine, Flatt Magazine, ArtInfo, Avenue, Tema Celeste, amNew York, 99 Percent, Two Coats of Paint and On-Verge.A former Adjunct Curator at New York’s P.S.1 Contemporary Art Center (now MoMA PS1), Laster has organized exhibitions for galleries and nonprofit institutions since 1985. His curatorial projects from the past five years include Santero: Sculptural Works by Jorge A Valdes (2015) at Corridor Gallery, Brooklyn; Adam Frezza &amp; Terri Chaio: Paper Islands (2015) at Humanities Gallery, LIU Brooklyn; A Weekend in the Country (2015) at Magnan Metz Gallery, New York; Maker, Maker (2017) at Children’s Museum of the Arts, New York; Mohamed Ahmed Ibrahim (2019) at Outsider Art Fair, Paris; Relishing the Raw: Contemporary Artists Collecting Outsider Art (2020) at Outsider Art Fair, New York; Five Artists, Five Mediums, Five Days – A Curated Selection for One Thing (2020) at Intersect Aspen; An Alternative Canon: Art Dealers Collecting Outsider Art (2020) at Andrew Edlin Gallery, New York; Now's the Time: Eight African Painters (2020) at Scope Immersive; and The Desire for Transparency: Contemporary Artists Working with Glass (2020) at Intersect Chicago.An exhibiting artist, Paul Laster has had 17 solo exhibitions in the United States and Europe, and participated in numerous group shows worldwide. His works are in many public and private collections, including the Art Institute of Chicago, Los Angeles County Art Museum, Smithsonian American Art Museum, National Gallery of Art, Philadelphia Art Museum and Whitney Museum of American Art.As a lecturer and visiting critic, Laster has spoken on art and curatorial practices and the use of the Internet and social media for building careers at Gerrit Rietveld Academy, Sandberg Institute, New York University, New York’s School of Visual Arts, Pratt Institute, California Institute of the Arts, Otis Art Institute, University of California in Riverside and Santa Barbara, Florida Atlantic University, Ewha Womans University in Seoul, Kutztown University of Pennsylvania, Brooklyn Museum, National Academy Museum, P.S.1 Contemporary Art Center, Cyan Museum of Art, Hudson Valley Center for Contemporary Art, Art Omi, Expo Chicago, the Armory Show, Art Chicago, Marc Straus Gallery, New York Academy of Art, Tyler School of Art, Residency Unlimited, Soho Beach House, Rizzoli Bookstore, Wave Hill, ESKFF at Mana Contemporary, Outsider Art Fair, Trestle Art Space, Pioneer Works, Intersect Aspen, Scope Art Fair and Intersect Chicago.Relatedly, Laster worked in Publications (1977-88) at the Museum of Modern Art, New York and was Publications Manager (1995-98) at Tony Shafrazi Gallery, New York.LINKS to writing online:https://www.artandobject.com/authors/paul-laster https://whitehotmagazine.com/contributors/paul-laster/750 https://www.galeriemagazine.com/author/paul-laster/ https://muckrack.com/paul-laster--- This episode is sponsored by · Anchor: The easiest way to make a podcast.  https://anchor.fm/app

Paul Laster is a writer, editor, independent curator, artist, and lecturer. He is a New York desk editor at ArtAsiaPacific and a contributing editor at Whitehot Magazine of Contemporary Art. He was the founding editor of Artkrush and Artspace; started The Daily Beast's art section; and was previously art editor of Flavorpill and Russell Simmons OneWorld Magazine. He is a frequent contributor to Art &amp; Object, Time Out New York, Harper’s Bazaar Arabia, Galerie, Sculpture, Architectural Digest, Surface, Garage, New York Observer, Cultured, ArtPulse, Upstate Diary, Conceptual Fine Arts, and has written for Art in America, Artnet, Interview, Paper, Flash Art, Newsweek, Modern Painters, Bomb Magazine, Flatt Magazine, ArtInfo, Avenue, Tema Celeste, amNew York, 99 Percent, Two Coats of Paint and On-Verge. A former Adjunct Curator at New York’s P.S.1 Contemporary Art Center (now MoMA PS1), Laster has organized exhibitions for galleries and nonprofit institutions since 1985. His curatorial projects from the past five years include Santero: Sculptural Works by Jorge A Valdes (2015) at Corridor Gallery, Brooklyn; Adam Frezza &amp; Terri Chaio: Paper Islands (2015) at Humanities Gallery, LIU Brooklyn; A Weekend in the Country (2015) at Magnan Metz Gallery, New York; Maker, Maker (2017) at Children’s Museum of the Arts, New York; Mohamed Ahmed Ibrahim (2019) at Outsider Art Fair, Paris; Relishing the Raw: Contemporary Artists Collecting Outsider Art (2020) at Outsider Art Fair, New York; Five Artists, Five Mediums, Five Days – A Curated Selection for One Thing (2020) at Intersect Aspen; An Alternative Canon: Art Dealers Collecting Outsider Art (2020) at Andrew Edlin Gallery, New York; Now's the Time: Eight African Painters (2020) at Scope Immersive; and The Desire for Transparency: Contemporary Artists Working with Glass (2020) at Intersect Chicago. An exhibiting artist, Paul Laster has had 17 solo exhibitions in the United States and Europe, and participated in numerous group shows worldwide. His works are in many public and private collections, including the Art Institute of Chicago, Los Angeles County Art Museum, Smithsonian American Art Museum, National Gallery of Art, Philadelphia Art Museum and Whitney Museum of American Art. As a lecturer and visiting critic, Laster has spoken on art and curatorial practices and the use of the Internet and social media for building careers at Gerrit Rietveld Academy, Sandberg Institute, New York University, New York’s School of Visual Arts, Pratt Institute, California Institute of the Arts, Otis Art Institute, University of California in Riverside and Santa Barbara, Florida Atlantic University, Ewha Womans University in Seoul, Kutztown University of Pennsylvania, Brooklyn Museum, National Academy Museum, P.S.1 Contemporary Art Center, Cyan Museum of Art, Hudson Valley Center for Contemporary Art, Art Omi, Expo Chicago, the Armory Show, Art Chicago, Marc Straus Gallery, New York Academy of Art, Tyler School of Art, Residency Unlimited, Soho Beach House, Rizzoli Bookstore, Wave Hill, ESKFF at Mana Contemporary, Outsider Art Fair, Trestle Art Space, Pioneer Works, Intersect Aspen, Scope Art Fair and Intersect Chicago. Relatedly, Laster worked in Publications (1977-88) at the Museum of Modern Art, New York and was Publications Manager (1995-98) at Tony Shafrazi Gallery, New York. LINKS to writing online: <a href="https://www.artandobject.com/authors/paul-laster" rel="nofollow" target="_blank">https://www.artandobject.com/authors/paul-laster</a> <a href="https://whitehotmagazine.com/contributors/paul-laster/750" rel="nofollow" target="_blank">https://whitehotmagazine.com/contributors/paul-laster/750</a> <a href="https://www.galeriemagazine.com/author/paul-laster/" rel="nofollow" target="_blank">https://www.galeriemagazine.com/author/paul-laster/</a> <a href="https://muckrack.com/paul-laster" rel="nofollow" target="_blank">https://muckrack.com/paul-laster</a> --- This episode is sponsored by · Anchor: The easiest way to make a podcast. <a href="https://anchor.fm/app" rel="nofollow" target="_blank">https://anchor.fm/app</a>

Paul Laster: A Wonderful Life In Art

Paul Laster is a writer, editor, curator, artist and lecturer. He is a contributing editor at ArtAsiaPacific and Whitehot Magazine of Contemporary Art and writer for Time Out New York, Harper’s Bazaar Arabia, Galerie Magazine, Sculpture, Cultured, Architectural Digest, Surface, and others. He started The Daily Beast’s art section, and was art editor of Russell Simmons’ OneWorld Magazine. We discuss the punk movement, MoMA’s film program, the business of being an artist, the global art scene, how to pitch story ideas, trust, and things we don’t like. This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to an art charity I’ve recommended per each qualified referral. This episode is brought to you by Best &amp; Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best &amp; Co. website.  If you are interested in creating a custom piece please email custom@bestandcoaspen.com and mention that you heard about Best &amp; Co. on my podcast to receive the special discount. Interested in sponsoring the podcast? Please email press@hiz.art *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests. Follow Heidi: Instagram: @heidizuckerman Twitter: @heidizuckerman LinkedIn: Heidi Zuckerman

Paul Laster is a writer, editor, curator, artist and lecturer. He is a contributing editor at ArtAsiaPacific and Whitehot Magazine of Contemporary Art and writer for Time Out New York, Harper’s Bazaar Arabia, Galerie Magazine, Sculpture, Cultured, Architectural Digest, Surface, and others. He started The Daily Beast’s art section, and was art editor of Russell Simmons’ OneWorld Magazine. We discuss the punk movement, MoMA’s film program, the business of being an artist, the global art scene, how to pitch story ideas, trust, and things we don’t like. This episode is brought to you by Kelly Klee private insurance . Please check out their website: <a href="http://kellyklee.com/Heidi" rel="nofollow" target="_blank">Kellyklee.com/Heidi</a> and they will make a $50 donation to an art charity I’ve recommended per each qualified referral. This episode is brought to you by Best &amp; Co. Please visit <a href="http://www.bestandcoaspen.com/" rel="nofollow" target="_blank">www.BestandCoAspen.com</a> and use discount code Heidi2020 to receive 5% off of any item on the Best &amp; Co. website.  If you are interested in creating a custom piece please email <a href="mailto:custom@bestandcoaspen.com">custom@bestandcoaspen.com</a> and mention that you heard about Best &amp; Co. on my podcast to receive the special discount. Interested in sponsoring the podcast? Please email <a href="mailto:press@hiz.art">press@hiz.art</a> *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests. Follow Heidi: Instagram: @heidizuckerman Twitter: @heidizuckerman LinkedIn: Heidi Zuckerman

26. Paul Laster

Paul Laster is a Brooklyn-based editor, critic, independent curator, artist and lecturer. Paul is the New York desk editor at ArtAsiaPacific and a contributing editor at Whitehot Magazine of Contemporary Art. He was the founding editor of Artkrush and Artspace, started TheDailyBeast's art section, and was the art editor of Flavorpill and Russell Simmons’ OneWorld Magazine.  He’s a contributor to Time Out New York, Harper’s Bazaar Arabia, Galerie Magazine, Art &amp; Object, Architectural Digest, Cultured Magazine, Art Review Asia, Ocula, Observer, ArtPulse, ConceptualFineArts and Glasstire. He has also written for Art in America, artBahrain, Interview, Modern Painters, Paper, Flash Art, Newsweek, Bomb Magazine, Avenue, Tema Celeste, amNew York, Artnet and ArtInfo. A former curator at P.S.1 Contemporary Art Center (now MoMA PS1), his recent curatorial projects include Relishing the Raw: Contemporary Artists Collecting Outsider Art at the Outsider Art Fair, New York; Mohamed Ahned Inrahim at the Outsider Art Fair, Paris; Maker, Maker (with Renée Riccardo) at the Children’s Museum of the Arts, New York; A Weekend in the Country at Magnan Metz Gallery, New York; Adam Frezza &amp; Terri Chaio: Paper Islands at Humanities Gallery, LIU Brooklyn; and The Garden at 4AM (with Renée Riccardo) at Gana Art New York.  Paul reflects on the changes he is navigating in a sudden halt to his many travels and seeing art in different platforms now. 

Paul Laster is a Brooklyn-based editor, critic, independent curator, artist and lecturer. Paul is the New York desk editor at ArtAsiaPacific and a contributing editor at Whitehot Magazine of Contemporary Art. He was the founding editor of Artkrush and Artspace, started TheDailyBeast's art section, and was the art editor of Flavorpill and Russell Simmons’ OneWorld Magazine.  He’s a contributor to Time Out New York, Harper’s Bazaar Arabia, Galerie Magazine, Art &amp; Object, Architectural Digest, Cultured Magazine, Art Review Asia, Ocula, Observer, ArtPulse, ConceptualFineArts and Glasstire. He has also written for Art in America, artBahrain, Interview, Modern Painters, Paper, Flash Art, Newsweek, Bomb Magazine, Avenue, Tema Celeste, amNew York, Artnet and ArtInfo. A former curator at P.S.1 Contemporary Art Center (now MoMA PS1), his recent curatorial projects include Relishing the Raw: Contemporary Artists Collecting Outsider Art at the Outsider Art Fair, New York; Mohamed Ahned Inrahim at the Outsider Art Fair, Paris; Maker, Maker (with Renée Riccardo) at the Children’s Museum of the Arts, New York; A Weekend in the Country at Magnan Metz Gallery, New York; Adam Frezza &amp; Terri Chaio: Paper Islands at Humanities Gallery, LIU Brooklyn; and The Garden at 4AM (with Renée Riccardo) at Gana Art New York.  Paul reflects on the changes he is navigating in a sudden halt to his many travels and seeing art in different platforms now.