Tabita Rezaire's guest appearances

Tabita Rezaire

Future Lab Africa

e-flux podcast

Mirene Arsanios

Sohrab Mohebbi

Christian Nyampeta

Agnieszka Kurant

Tobias Rees

Elvia Wilk

Xiaoyu Weng

Brian Kuan Wood

McKenzie Wark

Keith Fullerton Whitman

Masha Gessen

Rachel Ichniowski

David Kim

Yazan Khalili

Fiona Connor

OwlTail

Shanghai Biennale

Aiwen Yin

Bodies exceed humanity. They remind us that we are part of something vaster—and smaller—more complex, more connected than our mere existence as an atomized species. Our bodies, and bodies in general, are comprised of heterogeneity and multitudes. All bodies are wet collective bodies defined by how they link to other bodies, places, environments, technologies. Think of breathing, clogging, decomposing, discharging, flushing, lubricating, melting, menstruating, transfusing. Bodies exist as trans- and extra-territorial beings. They live in hybridity. This porous condition produces a planetary wet-togetherness, a “commoning” force that constitutes all bodies as collective hydro-subjects. Wet-Togetherness is a collaboration between e-flux and the 13th Shanghai Biennale, Bodies of Water, curated by Andrés Jaque, Marina Otero Verzier, Lucia Pietroiusti, Filipa Ramos, and YOU Mi, and organized and promoted by the Power Station of Art. It consists of nine sound pieces in which 21 artists, activists, and researchers enact aqueousness through sound. The series has been edited by José Luis Espejo and Rubén Coll, with sound design by Tomoko Sauvage, coordination by Roberto González García, and locutions by Yang Yang. Episode 9: Lubricating. With two independent sound pieces by artists Tabita Rezaire and Yin Aiwen Smoothness drives contemporary technological regimes: frictionless experiences, immediate gratifications, a promise of a world of flows without disruption. We are enchanted by a slippery seamlessness, mediated by sleek surfaces. A visual order accommodating the idea that the world, and capital, run painlessly. An order enabling control over collective imaginations, bodies, and natural resources. One that oils the relentless infrastructural libido. Tabita Rezaire sends her blessings and wishes for a New Moon day. A new life cycle. An opportunity to create anew. A time for identity seeking and becoming a seeker of the depths of existence. The New Moon meddles to remind us that the possibilities for change are infinite. Aiwen Yin is member of the ReUnion Network collective, a group of people operating from different modes of engagement to both promote and speculate with non-familiar forms of kinship. In Yin’s words, support, mutual care, grief, healing, and affection are not exclusively allocated among blood-related beings, but instead become a fundamental feature of human associability and of social-making at large. Aligned with ReUnion Network’s engagement with the daily formation of social bonding, Aiwen Yin imagines her practice as providing a frame where non-normative forms of inclusivity can be nurtured.

Bodies exceed humanity. They remind us that we are part of something vaster—and smaller—more complex, more connected than our mere existence as an atomized species. Our bodies, and bodies in general, are comprised of heterogeneity and multitudes. All bodies are wet collective bodies defined by how they link to other bodies, places, environments, technologies. Think of breathing, clogging, decomposing, discharging, flushing, lubricating, melting, menstruating, transfusing. Bodies exist as trans- and extra-territorial beings. They live in hybridity. This porous condition produces a planetary wet-togetherness, a “commoning” force that constitutes all bodies as collective hydro-subjects. Wet-Togetherness is a collaboration between e-flux and the 13th Shanghai Biennale, Bodies of Water, curated by Andrés Jaque, Marina Otero Verzier, Lucia Pietroiusti, Filipa Ramos, and YOU Mi, and organized and promoted by the Power Station of Art. It consists of nine sound pieces in which 21 artists, activists, and researchers enact aqueousness through sound. The series has been edited by José Luis Espejo and Rubén Coll, with sound design by Tomoko Sauvage, coordination by Roberto González García, and locutions by Yang Yang. Episode 9: Lubricating. With two independent sound pieces by artists Tabita Rezaire and Yin Aiwen Smoothness drives contemporary technological regimes: frictionless experiences, immediate gratifications, a promise of a world of flows without disruption. We are enchanted by a slippery seamlessness, mediated by sleek surfaces. A visual order accommodating the idea that the world, and capital, run painlessly. An order enabling control over collective imaginations, bodies, and natural resources. One that oils the relentless infrastructural libido. Tabita Rezaire sends her blessings and wishes for a New Moon day. A new life cycle. An opportunity to create anew. A time for identity seeking and becoming a seeker of the depths of existence. The New Moon meddles to remind us that the possibilities for change are infinite. Aiwen Yin is member of the ReUnion Network collective, a group of people operating from different modes of engagement to both promote and speculate with non-familiar forms of kinship. In Yin’s words, support, mutual care, grief, healing, and affection are not exclusively allocated among blood-related beings, but instead become a fundamental feature of human associability and of social-making at large. Aligned with ReUnion Network’s engagement with the daily formation of social bonding, Aiwen Yin imagines her practice as providing a frame where non-normative forms of inclusivity can be nurtured.

Wet Togetherness [9]—Lubricating: Tabita Rezaire and Aiwen Yin presented by Shanghai Biennale