Sean Gabriel's guest appearances

Sean Gabriel

Lightmap - Conversations with video game creators

Hang With Us

Chris Lee

David Clark

Robert Bruce

Tim Colwill

Lara Croft

John Romero

Jason Imms

Nick McDonnell

Phil Harrison

James Cook

David Lloyd

John Robertson

Matt Kelly

Jason Bakker

Nick Smith

OwlTail

In this episode we Hang With Sean Gabriel. Sean Gabriel is a Warrant Officer in the United States Coast Guard. Sean shares his reasons for becoming a Coastie, he dispels some misunderstandings about the Coast Guard, and much more. Sean is a all around good guy and we really enjoyed talking to him. Sean is an example on why we we do this podcast... to get to hear good people share their stories. Enjoy!--- Send in a voice message: https://anchor.fm/hangwithuspod/message

In this episode we Hang With Sean Gabriel. Sean Gabriel is a Warrant Officer in the United States Coast Guard. Sean shares his reasons for becoming a Coastie, he dispels some misunderstandings about the Coast Guard, and much more. Sean is a all around good guy and we really enjoyed talking to him. Sean is an example on why we we do this podcast... to get to hear good people share their stories. Enjoy!--- Send in a voice message: <a href="https://anchor.fm/hangwithuspod/message" rel="nofollow" target="_blank">https://anchor.fm/hangwithuspod/message</a>

Episode 11: Hanging With Sean Gabriel

Travis Avery

Travis Avery and Sean Gabriel from THE FOREGONE SYNDICATE spoke to us about their latest game DESYNC. A set in digital world laced with neon and classic 80s style geometry DESYNC forces players to think on their feet be quick on the trigger and more importantly, improvise. We’re also tackling the “Frustum Culling” conundrum. Last week when Kotaku gave their readers a peek under the hood of PS4 flagship title Horizon Zero Dawn they included a GIF that demonstrated how Frustum Culling works, and it's fair to say people were fascinated by the process. However some indie developers were quick to flippantly point out that the technique is neither new nor unique and that a big deal was being made out of nothing. We'll be chatting about the nuts and bolts that make up games behind the scenes and whether or not more or less of this sort of discussion needs to happen between developers and players. Games mean different things to different people, but interactivity is one thing that games do better than most other mediums. But does giving players too many choices, limit story telling potential? Is it better to have a tailor narrative experience or let the players make the story for themselves? Also Scott says something that may have ended his podcasting career… You can find us on social media, Twitter, Facebook, Instagram, Twitch, YouTube and Steam. Just search for "pixelsift"!Support the show: https://sifter.store

<a href="https://twitter.com/foregone_" rel="nofollow" target="_blank">Travis Avery and Sean Gabriel from THE FOREGONE SYNDICATE</a> spoke to us about their latest game DESYNC. A set in digital world laced with neon and <a href="http://www.desync-game.com/" rel="nofollow" target="_blank">classic 80s style geometry DESYNC forces</a> players to think on their feet be quick on the trigger and more importantly, improvise. We’re also tackling the “<a href="https://en.wikipedia.org/wiki/Viewing_frustum" rel="nofollow" target="_blank">Frustum Culling</a>” conundrum. Last week when <a href="https://www.kotaku.com.au/2017/04/horizon-zero-dawn-uses-all-sorts-of-clever-tricks-to-look-so-good/" rel="nofollow" target="_blank">Kotaku gave their readers a peek under the hood</a> of PS4 flagship title Horizon Zero Dawn they included a GIF that demonstrated how Frustum Culling works, and it's fair to say people were fascinated by the process. However some indie developers were <a href="http://www.polygon.com/2017/4/18/15340296/horizon-zero-dawn-kotaku-developer-backlash" rel="nofollow" target="_blank">quick to flippantly point out that the technique</a> is neither new nor unique and that a big deal was being made out of nothing. We'll be chatting about the nuts and bolts that make up games behind the scenes and whether or not more or less of this sort of discussion needs to happen between developers and players. <a href="https://www.theatlantic.com/technology/archive/2017/04/video-games-stories/524148/" rel="nofollow" target="_blank">Games mean different things to different people</a>, but interactivity is one thing that games do better than most other mediums. But does giving players too many choices, limit story telling potential? <a href="https://waypoint.vice.com/en_us/article/video-games-dont-have-a-choice-but-to-tell-stories?utm_source=wptwitterus" rel="nofollow" target="_blank">Is it better to have a tailor narrative experience</a> or let the players make the story for themselves? Also Scott says something that may have ended his podcasting career… You can find us on social media, <a href="http://www.twitter.com/pixelsift" rel="nofollow" target="_blank">Twitter</a>, <a href="http://www.facebook.com/pixelsift" rel="nofollow" target="_blank">Facebook</a>, <a href="http://www.instagram.com/pixelsift" rel="nofollow" target="_blank">Instagram</a>, <a href="http://www.twitch.tv/pixelsift" rel="nofollow" target="_blank">Twitch</a>, <a href="http://www.youtube.com/pixelsiftau" rel="nofollow" target="_blank">YouTube</a> and <a href="https://steamcommunity.com/groups/pixelsift" rel="nofollow" target="_blank">Steam</a>. Just search for "pixelsift"!<a href="https://sifter.store" rel="nofollow" target="_blank">Support the show: https://sifter.store</a>

Sean Gabriel & Travis Avery (Desync), customisation vs story & frustum culling frustration