Rahul Da Cunha's guest appearances

Rahul Da Cunha

Audiogyan

This Round Is On Me with Gauri Devidayal

Kavita Rajwade

Chiki Sarkar

Matt Abrahams

Payal Gupta

Leo Burnett

Ambi Parameswaran

Siddharth Roy Kapur

Dilip Prabhavalkar

Vidya Balan

Anthony Burrill

Conde Nast

Sunit Singh

Ajay Shah

Rohan Shivkumar

Uday Kumar

OwlTail

If you live, or have even just spent time, in India, there's no way you've not seen one of the famous Amul ads. This week, Gauri is joined by the immensely creative man behind these adored ads, Rahul da Cunha, MD and Creative Head - daCunha Communications. Rahul also writes, directs and produces theatre, as well as dividing his time with photography, among the myriad of things that he does.Gauri and Rahul talk about how his days in advertising aided his career in theatre, the need for passion in all of us, his agency working on the Amul campaign for close to 60 years and how it has evolved over the years, the effects of the lockdown on creative minds, the importance of research and understanding your outreach, some key traits of successful entrepreneurs, and lots more. Tune in for a truly insightful conversation.Follow Rahul on Twitter &amp; Instagram @RahuldaCunhaYou can reach out to and follow Gauri @gdevidayal on Instagram / @gauridetails on Twitter.You can listen to this show and other awesome shows on the IVM Podcasts app on Android: https://ivm.today/android or iOS: https://ivm.today/ios, or any other podcast app.You can check out our website at http://www.ivmpodcasts.com/See omnystudio.com/listener for privacy information.

If you live, or have even just spent time, in India, there's no way you've not seen one of the famous Amul ads. This week, Gauri is joined by the immensely creative man behind these adored ads, Rahul da Cunha, MD and Creative Head - daCunha Communications. Rahul also writes, directs and produces theatre, as well as dividing his time with photography, among the myriad of things that he does.Gauri and Rahul talk about how his days in advertising aided his career in theatre, the need for passion in all of us, his agency working on the Amul campaign for close to 60 years and how it has evolved over the years, the effects of the lockdown on creative minds, the importance of research and understanding your outreach, some key traits of successful entrepreneurs, and lots more. Tune in for a truly insightful conversation.Follow Rahul on Twitter &amp; Instagram @RahuldaCunhaYou can reach out to and follow Gauri @gdevidayal on Instagram / @gauridetails on Twitter.You can listen to this show and other awesome shows on the IVM Podcasts app on Android: <a href="https://ivm.today/android" rel="noopener noreferrer nofollow" target="_blank">https://ivm.today/android</a> or iOS: <a href="https://ivm.today/ios" rel="noopener noreferrer nofollow" target="_blank">https://ivm.today/ios</a>, or any other podcast app.You can check out our website at <a href="http://www.ivmpodcasts.com/" rel="noopener noreferrer nofollow" target="_blank">http://www.ivmpodcasts.com/</a>See <a href="https://omnystudio.com/listener" rel="nofollow" target="_blank">omnystudio.com/listener</a> for privacy information.

How to Create Iconic Brands feat. Rahul da Cunha

Rahul daCunha divides his time between advertising, theatre and travel. On one hand he is running his ad agency, da Cunha Communications where he produces the famous Amul hoardings that have made India smile for 47 years. On the other side he writes, directs and produces plays like CLASS OF 84, PUNE HIGHWAY and ME, KASH &amp; CRUISE. He is one of the founders of Rage Production and has been writing and directing plays for past 25 years. He is an extensive traveller and passionate photographer,1\. I am not Bajirao and Class of 84 are two milestones in Bombay. Please tell our listeners about these two plays2\. In one of your interviews with Hindustan Times, you mentioned “We didn’t have a voice of our own.” In the context of English theatre in Mumbai. What was the process of finding your voice?3\. Why do you think an English play in India is not as popular as the Amul girl hoarding. What are the learnings theatrewallahs can glean from the Amul hoardings?4\. Can you quickly tell us about, what the genesis of “Writer’s Bloc” and the playwrights to look out for?5\. 36 Ghante and the project of school children writing plays have been recent highlights. What next for you and Rage?

Rahul daCunha divides his time between advertising, theatre and travel. On one hand he is running his ad agency, da Cunha Communications where he produces the famous Amul hoardings that have made India smile for 47 years. On the other side he writes, directs and produces plays like CLASS OF 84, PUNE HIGHWAY and ME, KASH &amp; CRUISE. He is one of the founders of Rage Production and has been writing and directing plays for past 25 years. He is an extensive traveller and passionate photographer, 1\. I am not Bajirao and Class of 84 are two milestones in Bombay. Please tell our listeners about these two plays 2\. In one of your interviews with Hindustan Times, you mentioned “We didn’t have a voice of our own.” In the context of English theatre in Mumbai. What was the process of finding your voice? 3\. Why do you think an English play in India is not as popular as the Amul girl hoarding. What are the learnings theatrewallahs can glean from the Amul hoardings? 4\. Can you quickly tell us about, what the genesis of “Writer’s Bloc” and the playwrights to look out for? 5\. 36 Ghante and the project of school children writing plays have been recent highlights. What next for you and Rage?

29: Insights into English theatre with Rahul Da Cunha