Brigita Ozolins's guest appearances

Brigita Ozolins

What are you looking at?

Books and Arts - Separate stories podcast

FavourEconomy Vol 1. 2015 - 2016

Jim Everett

Kate Brown

Michele Elliot

Yvette Watt

Fiona Hamilton

Ruth Langford

Caren Florance

Tian Zhang

Lucreccia Quintanilla

Pam Thorne

Sarah Mashman

Alex Pedley

OwlTail

Our final episode for 2018 is also the second episode of our "Stories from the Inside" sub-series.  Our original cal-out for this series was intended to be a snappy single episode of stories from arts workers and artists about their work and careers. Instead we received some personal, thoughtful interviews that deserved their own episodes. In this episode we hear from artist and lecturer Brigita Ozolins and in 2019 we look forward to bringing you further stories from the inside.What are you looking at? is produced by Lisa Campbell-Smith and Pip Stafford for Contemporary Art Tasmania. Mixdown by Brendan Walls and soundtrack by Josh Santospirito.For more information about Contemporary Art Tasmania head to our website: www.contemporaryarttasmania.org

Our final episode for 2018 is also the second episode of our "Stories from the Inside" sub-series. Our original cal-out for this series was intended to be a snappy single episode of stories from arts workers and artists about their work and careers. Instead we received some personal, thoughtful interviews that deserved their own episodes. In this episode we hear from artist and lecturer Brigita Ozolins and in 2019 we look forward to bringing you further stories from the inside. What are you looking at? is produced by Lisa Campbell-Smith and Pip Stafford for Contemporary Art Tasmania. Mixdown by Brendan Walls and soundtrack by Josh Santospirito. For more information about Contemporary Art Tasmania head to our website: <a href="http://www.contemporaryarttasmania.org" rel="nofollow" target="_blank">www.contemporaryarttasmania.org</a>

Episode #14: Stories from the Inside - Brigita Ozolins

Brigita Ozolins : Multidisciplinary Artist - large scale installation, sculpture &amp; text / Academic FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced.  *female identifying and non-binary inclusive      http://www.favoureconomy.com

Brigita Ozolins : Multidisciplinary Artist - large scale installation, sculpture &amp; text / Academic FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive <a href="http://www.favoureconomy.com" rel="nofollow" target="_blank">http://www.favoureconomy.com</a>