Caren Florance's guest appearances

Caren Florance

Poetry on the Move podcast

FavourEconomy Vol 1. 2015 - 2016

The WestWords Podcast

Glyn Maxwell

Vahni Capildeo

Simon Armitage

Alvin Pang

Kei Miller

Kate Brown

Alison Whittaker

Sarah Holland

Judith Beveridge

Stephen Edgar

Kent MacCarter

Michele Elliot

Yvette Watt

Phillip Hall

Ali Cobby Eckerman

OwlTail

Caren Florance (a.k.a. Ampersand Duck) is a letterpress artist who is currently residing in the  house formerly owned by the late Mike Hudson and Jadwiga Jarvis, who were the duo behind the famed Wayzgoose Press, a letterpress publisher in Katoomba. In this conversation with James Roy, Caren talks about letterpress art (a form of printmaking), materiality, zines, and her research into collaborative art.www.carenflorance.com*** Note: Opinions expressed in this podcast are not necessarily those of the WestWords organisation.

Caren Florance (a.k.a. Ampersand Duck) is a letterpress artist who is currently residing in the house formerly owned by the late Mike Hudson and Jadwiga Jarvis, who were the duo behind the famed Wayzgoose Press, a letterpress publisher in Katoomba. In this conversation with James Roy, Caren talks about letterpress art (a form of printmaking), materiality, zines, and her research into collaborative art.<a href="http://www.carenflorance.com" rel="nofollow" target="_blank">www.carenflorance.com</a>*** Note: Opinions expressed in this podcast are not necessarily those of the WestWords organisation.

LETTERPRESS - THE "SLOW FOOD MOVEMENT" OF PRINTING with Caren Florance (a.k.a Ampersand Duck)

Caren Florance : Artist - print mediaFavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced.  *female identifying and non-binary inclusive      http://www.favoureconomy.com

Caren Florance : Artist - print media FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive <a href="http://www.favoureconomy.com" rel="nofollow" target="_blank">http://www.favoureconomy.com</a>