Amelia Barikin's guest appearances

Amelia Barikin

ACMI Podcasts

Liquid Architecture

Jason Scott

Sandy Powell

Teresa Wong

Errol Morris

Robin Hunicke

Xiuhtezcatl Martinez

Jim Jarmusch

Michael Green

William Kentridge

John Safran

Archie Barry

Veronica Mars

Jason Hill

Paul Dini

Tony Woods

OwlTail

As a material index of acoustic activity, the term ‘sound fossil’ has gained currency in the fields of paleosonics and contemporary art both as a means of accounting for the appearance of the past in the present, and as an embodiment of cosmic time. Drawing upon audible and not so audible projects, art historian Amelia Barikin presents her lecture: Sound Fossils and Arche-Fossils: Towards a mineral ontology of contemporary art.https://liquidarchitecture.org.au/events/sound-fossilsHistories and Theories of Sound22 October, 2015Gertrude Contemporary, FitzroyPresented by Liquid Architecture, Discipline and Gertrude Contemporary.Audio: Mara SchwerdtfegerFinancial support from patrons at any level has a resounding impact on our work. You can support Liquid Architecture’s weekly podcast and our online journal Disclaimer, for new thinking and writing on listening and sound through a Patreon subscription, for as little as $5 a month. https://www.patreon.com/liquidarchitectureFor the past 20 years, Liquid Architecture has been Australia’s leading organisation for artists working with sound and listening. LA investigates the sounds themselves, but also the ideas communicated about, and the meaning of, sound and listening.

As a material index of acoustic activity, the term ‘sound fossil’ has gained currency in the fields of paleosonics and contemporary art both as a means of accounting for the appearance of the past in the present, and as an embodiment of cosmic time. Drawing upon audible and not so audible projects, art historian Amelia Barikin presents her lecture: Sound Fossils and Arche-Fossils: Towards a mineral ontology of contemporary art. <a href="https://liquidarchitecture.org.au/events/sound-fossils" rel="nofollow" target="_blank">https://liquidarchitecture.org.au/events/sound-fossils</a> Histories and Theories of Sound 22 October, 2015 Gertrude Contemporary, Fitzroy Presented by Liquid Architecture, Discipline and Gertrude Contemporary. Audio: Mara Schwerdtfeger Financial support from patrons at any level has a resounding impact on our work. You can support Liquid Architecture’s weekly podcast and our online journal Disclaimer, for new thinking and writing on listening and sound through a Patreon subscription, for as little as $5 a month. <a href="https://www.patreon.com/liquidarchitecture" rel="nofollow" target="_blank">https://www.patreon.com/liquidarchitecture</a> For the past 20 years, Liquid Architecture has been Australia’s leading organisation for artists working with sound and listening. LA investigates the sounds themselves, but also the ideas communicated about, and the meaning of, sound and listening.

Amelia Barikin: Sound Fossils and Arche-Fossils - Towards a Mineral Ontology of Contemporary Art (Histories and Theories of Sound)

Emma McRae

Philippe Parreno

Since 1988, when his first film Fleurs (1987) was presented as a background for a weather broadcast on French television, Philippe Parreno has sought to redefine the exhibition experience. Working with the exhibition itself as a medium, Parreno explores its possibilities beyond the presentation of individual works to create scripted spaces within which a series of events unfolds.Parreno is a collaborative artist whose practice encompasses film, sculpture, drawing, and text. The dialogic nature of his work is evident in the films and exhibitions that have been produced through collaboration with artists, architects, musicians, composers and philosophers. Through work that draws on cinema, science fiction, architecture, the phantasmagorical, and the natural, Parreno merges reality and fiction to produce exhibitions that radically challenge our notions of reality, memory and the passage of time.

Since 1988, when his first film Fleurs (1987) was presented as a background for a weather broadcast on French television, Philippe Parreno has sought to redefine the exhibition experience. Working with the exhibition itself as a medium, Parreno explores its possibilities beyond the presentation of individual works to create scripted spaces within which a series of events unfolds. Parreno is a collaborative artist whose practice encompasses film, sculpture, drawing, and text. The dialogic nature of his work is evident in the films and exhibitions that have been produced through collaboration with artists, architects, musicians, composers and philosophers. Through work that draws on cinema, science fiction, architecture, the phantasmagorical, and the natural, Parreno merges reality and fiction to produce exhibitions that radically challenge our notions of reality, memory and the passage of time.

Philippe Parreno Thenabouts: Conversation with Amelia Barikin & Emma McRae