James Voorhies's guest appearances

James Voorhies

Bad at Sports

Scratching the Surface

Aggie Toppins

Johanna Drucker

Amanda Williams

Mark Allen

Kurt Andersen

Gavin Turk

David Shrigley

Chris Walla

Chris Lee

John Jennings

Jenn Smith

Michael Parker

Rob Walker

Holly Hanessian

Scott McCloud

OwlTail

James Voorhies is a curator, art historian, writer, and educator. James is currently the chair of the Graduate Program in Curatorial Practice and a professor of fine arts at California College of Arts. He’s the director of the Curatorial Research Bureau, a bookshop, learning site, and exhibition space in San Francisco and is the author of Beyond Objecthood: The Exhibition as a Critical Form since 1968. In this episode, Jarrett and James talk about curation as a mix of mediation, caretaking, and administration, institutional critique, and how to balance teaching theory and practice in creative disciplines. Links from this episode can be found at scratchingthesurface.fm.

James Voorhies is a curator, art historian, writer, and educator. James is currently the chair of the Graduate Program in Curatorial Practice and a professor of fine arts at California College of Arts. He’s the director of the Curatorial Research Bureau, a bookshop, learning site, and exhibition space in San Francisco and is the author of Beyond Objecthood: The Exhibition as a Critical Form since 1968. In this episode, Jarrett and James talk about curation as a mix of mediation, caretaking, and administration, institutional critique, and how to balance teaching theory and practice in creative disciplines. Links from this episode can be found at <a href="http://scratchingthesurface.fm" rel="nofollow" target="_blank">scratchingthesurface.fm</a>.

138. James Voorhies

This week: Duncan, Brian, and Abigail Satinsky in conversation with James Voorhies at the Open Engagement conference, which took place from May 13 to 15, 2011 at Portland State University. Open Engagement is an initiative of PSU’s Art and Social Practice MFA program that encourages discussion on various perspectives in social practice. In this conversation, Voorhies, who was a featured presenter at this year’s conference, talks about the origin, evolution, and activities of the Bureau for Open Culture, which he founded.   The Bureau for Open Culture is a curatorial and pedagogic institution for the contemporary arts. It works intentionally to re-imagine the art exhibition as a discursive form of education that creates a kind of new public sphere or new institution. Exhibitions take shape as installations, screenings, informal talks, and performances; they occur in parking lots, storefronts, libraries, industrial sites, country roads, gardens, and galleries. In doing so, the Bureau generates platforms for learning and knowledge production that make ideas accessible, relevant, and inviting for diverse audiences. This model encourages overlaps of art, science, ecology, the built environment, philosophy, and design. Form, content and site are underlining points of critical inquiry for Bureau for Open Culture.   This  interview is part of the ongoing collaboration between Bad at Sports and Art Practical. You can read an abridged transcript of the conversation here: http://www.artpractical.com/feature/interview_with_james_voorhies/

This week: Duncan, Brian, and Abigail Satinsky in conversation with James Voorhies at the Open Engagement conference, which took place from May 13 to 15, 2011 at Portland State University. Open Engagement is an initiative of PSU’s Art and Social Practice MFA program that encourages discussion on various perspectives in social practice. In this conversation, Voorhies, who was a featured presenter at this year’s conference, talks about the origin, evolution, and activities of the Bureau for Open Culture, which he founded. The Bureau for Open Culture is a curatorial and pedagogic institution for the contemporary arts. It works intentionally to re-imagine the art exhibition as a discursive form of education that creates a kind of new public sphere or new institution. Exhibitions take shape as installations, screenings, informal talks, and performances; they occur in parking lots, storefronts, libraries, industrial sites, country roads, gardens, and galleries. In doing so, the Bureau generates platforms for learning and knowledge production that make ideas accessible, relevant, and inviting for diverse audiences. This model encourages overlaps of art, science, ecology, the built environment, philosophy, and design. Form, content and site are underlining points of critical inquiry for Bureau for Open Culture. This  interview is part of the ongoing collaboration between Bad at Sports and Art Practical. You can read an abridged transcript of the conversation here: <a href="http://www.artpractical.com/feature/interview_with_james_voorhies/" rel="nofollow" target="_blank">http://www.artpractical.com/feature/interview_with_james_voorhies/</a>

Bad at Sports Episode 318:James Voorhies