Jillian Steinhauer's guest appearances

Jillian Steinhauer

Hyperallergic

The Modern Art Notes Podcast

Dr. Lisa Gives a Sh*t

Marilyn Minter

Antwaun Sargent

Shahzia Sikander

Michael Rakowitz

Christopher Knight

Nayland Blake

Deborah Kass

Myq Kaplan

Chris Gethard

Paola Antonelli

LaToya Ruby Frazier

Christian Finnegan

Xaviera Simmons

David Wojnarowicz

Linda Nochlin

OwlTail

John Yau

On Tuesday, June 23, 2015, Hyperallergic hosted our first-ever live reading event, which took place at Housing Works Bookstore and Cafe in Manhattan’s SoHo neighborhood. Hyperallergic Weekend Editors John Yau and Albert Mobilio read their poetry, writers Marisa Crawford (“Crying for Ana Mendieta at the Carl Andre Retrospective”) and Ryan Wong (“I Am Joe Scanlan”) read pieces that were among our favorites from that year, while two Hyperallergic veterans Allison Meier and Jillian Steinhauer (“Wading in Matthew Barney’s River of Shit”) read some of their own writing.The event also included a wacky comments section, where Hyperallergic staff and contributors Tiernan Morgan, Jennifer Samet, and Elisa Wouk Almino read some of our zaniest comment threads that were percolating on the website at the time — my favorite involves Shakespeare truthers. There’s even a short Q&amp;A at the end with Hyperallergic Weekend Editor Thomas Micchelli.I know you’ll get a kick out of this time capsule from what feels like a bygone age, back when Obama was still president and “fake news” wasn’t the ubiquitous term it is today.The music in this episode is titled “A Boy and a Makeshift Toy.” It’s performed by violist Michael Hall, pianist Stephanie Titus, and composed by Mary Kouyoumdjian. The piece is inspired by the war photography of Chris Hondros, particularly a photo of Albanian refugees from Kosovo waiting at a train station.Subscribe to Hyperallergic’s Podcast on iTunes, or anywhere else you listen to podcasts.

On Tuesday, June 23, 2015, Hyperallergic hosted <a href="https://hyperallergic.com/215072/join-hyperallergic-for-readings-flame-wars-and-more-at-housing-works-on-june-23/" rel="nofollow" target="_blank">our first-ever live reading event</a>, which took place at Housing Works Bookstore and Cafe in Manhattan’s SoHo neighborhood. Hyperallergic Weekend Editors John Yau and Albert Mobilio read their poetry, writers Marisa Crawford (“<a href="https://hyperallergic.com/189315/crying-for-ana-mendieta-at-the-carl-andre-retrospective/" rel="nofollow" target="_blank">Crying for Ana Mendieta at the Carl Andre Retrospective</a>”) and Ryan Wong (“<a href="https://hyperallergic.com/131687/i-am-joe-scanlan/" rel="nofollow" target="_blank">I Am Joe Scanlan</a>”) read pieces that were among our favorites from that year, while two Hyperallergic veterans Allison Meier and Jillian Steinhauer (“<a href="https://hyperallergic.com/109237/wading-in-matthew-barneys-river-of-shit/" rel="nofollow" target="_blank">Wading in Matthew Barney’s River of Shit</a>”) read some of their own writing.The event also included a wacky comments section, where Hyperallergic staff and contributors Tiernan Morgan, Jennifer Samet, and Elisa Wouk Almino read some of our zaniest comment threads that were percolating on the website at the time — my favorite involves Shakespeare truthers. There’s even a short Q&amp;A at the end with Hyperallergic Weekend Editor Thomas Micchelli.I know you’ll get a kick out of this time capsule from what feels like a bygone age, back when Obama was still president and “fake news” wasn’t the ubiquitous term it is today.The music in this episode is titled “<a href="https://www.eamdc.com/psny/composers/mary-kouyoumdjian/works/a-boy-and-a-makeshift-toy-from-the-children-of-conflict-series-2/" rel="nofollow" target="_blank">A Boy and a Makeshift Toy</a>.” It’s performed by violist Michael Hall, pianist Stephanie Titus, and composed by Mary Kouyoumdjian. The piece is inspired by the war photography of Chris Hondros, particularly a <a href="https://uk.finance.yahoo.com/photos/retrospective-photojournalist-chris-hondros-slideshow-wp-174940203/" rel="nofollow" target="_blank">photo of Albanian refugees from Kosovo waiting at a train station</a>.Subscribe to Hyperallergic’s Podcast on <a href="https://itunes.apple.com/us/podcast/hyperallergic/id1112233641?mt=2" rel="nofollow" target="_blank">iTunes</a>, or <a href="https://hyperallergic.simplecast.com/" rel="nofollow" target="_blank">anywhere else</a> you listen to podcasts.

John Yau, Jillian Steinhauer, and Others at Hyperallergic's First-ever Public Reading

Episode No. 450 of is a listener Q&amp;A episode with critic Jillian Steinhauer. Steinhauer is a New York City-based critic who writes for a range of publications, including the New York Times, The New Republic and The Nation.

Episode No. 450 of is a listener Q&amp;A episode with critic Jillian Steinhauer. Steinhauer is a New York City-based critic who writes for a range of publications, including the New York Times, The New Republic and The Nation.

Listener Q&A with Jillian Steinhauer

Christopher Stout

00.00-00.30: Art critic/writer and now curator, Jillian Steinhauer hit a collective nerve with a powerfully meaningful exhibition she’s curated at the Elizabeth Foundation for the Arts titled In the Presence of Absence. The show is described briefly here by Mary Louise Schumacher, "When it comes to grief, our culture values the stiff upper lip. But stoic composure comes with a price. It keeps the realities at arm’s length, including truths about the erasure, enslavement and slaughter of Native Americans and Africans. A small show in New York, “In the Presence of Absence,” suggests that mourning may be a means of empowerment and a way through. It is a show that requires a certain openness, a bit of courage even, to experience." — Picking up on a line in exhibition statement from Jillian, it says, This exhibition is dedicated to Henrietta, Suzanne, and Bronia. We learn that two of these women are Jillian's grandmothers, and the third is her partners mother, who have all passed away in the past three years. Jillian takes us on an examination of how she activated her own interest in art, artists and art writing to take her on a journey of healing and understanding grief and death as a personal, as well as a universal level. Talking about these topics and the exhibition helps demonstrate that facing grief is of course sad, but also can be comforting, uplifting and helps us recognize each other as human across all boundaries. A true demonstration that art is healing.00.30-00.59A long term art world teammate of mine, close friend, artist and former gallerist Christopher Stout talks about his latest work at Lichtunfire and his interest and exploration of the concept of Gay Abstraction in his work. It’s a fascinating topic because it is an emerging term, one that Christopher is helping to define. Stout also gives us a hint about the new project he is commandeering to catalogue the past and present of art in Bushwick from 2010 on. 

00.00-00.30: Art critic/writer and now curator, <a href="http://jilliansteinhauer.com/" rel="nofollow" target="_blank">Jillian Steinhauer</a> hit a collective nerve with a powerfully meaningful exhibition she’s curated at the<a href="http://www.efanyc.org/" rel="nofollow" target="_blank"> Elizabeth Foundation for the Arts</a> titled In the Presence of Absence. The show is described briefly here by Mary Louise Schumacher, "When it comes to grief, our culture values the stiff upper lip. But stoic composure comes with a price. It keeps the realities at arm’s length, including truths about the erasure, enslavement and slaughter of Native Americans and Africans. A small show in New York, “In the Presence of Absence,” suggests that mourning may be a means of empowerment and a way through. It is a show that requires a certain openness, a bit of courage even, to experience." — Picking up on a line in exhibition statement from Jillian, it says, This exhibition is dedicated to Henrietta, Suzanne, and Bronia. We learn that two of these women are Jillian's grandmothers, and the third is her partners mother, who have all passed away in the past three years. Jillian takes us on an examination of how she activated her own interest in art, artists and art writing to take her on a journey of healing and understanding grief and death as a personal, as well as a universal level. Talking about these topics and the exhibition helps demonstrate that facing grief is of course sad, but also can be comforting, uplifting and helps us recognize each other as human across all boundaries. A true demonstration that art is healing.00.30-00.59A long term art world teammate of mine, close friend, artist and former gallerist <a href="http://www.christopherstout.com/" rel="nofollow" target="_blank">Christopher Stout</a> talks about his latest work at <a href="http://www.lichtundfire.com/" rel="nofollow" target="_blank">Lichtunfire</a> and his interest and exploration of the concept of Gay Abstraction in his work. It’s a fascinating topic because it is an emerging term, one that Christopher is helping to define. Stout also gives us a hint about the new project he is commandeering to catalogue the past and present of art in Bushwick from 2010 on.

DLG195A A two-part episode: Curator/writer, Jillian Steinhauer discusses a show she's curated, THEN artist Christopher Stout talks queer abstraction.