Clare Wyatt's guest appearances

Clare Wyatt

Broad-WHAT?

From The Pit Podcast

Kevin Woo

Amy King

Hannah Williams

David Cohen

Sharon Crandall

Andrew Cohen

Sweeney Todd

Jennifer Lynch

Jill Perkins

Julie Tomaino

Alex Lowe

Tegan Verheul

Andrew Wade

Erin Walker

Josh Epstein

OwlTail

Welcome back to this week's episode of @broadwhatpodcast! Today in our Broad-WHAT Toronto series. On today’s episode we get to learn more about Clare Wyatt. I’ve been the biggest fan of Clare for the longest time. Everyone who knows her know’s that she is at the top of her game. An extremely talented music director, accompanist, basically a jack of all trades, her skills know no bounds. She is currently studying at University of Toronto working towards her M.Mus in Music Technology and Digital Media. Clare is honestly an icon, and I enjoyed every second talking to her in her environment. I’m so glad to know her. You can follow Clare on instagram at @clareewyatt As always, please like and subscribe to our show, and check out Broad-WHAT? Podcast on any podcast provider or at our website www.broadwhatpodcast.com @broadwhatpodcastAlso please check out @emilienunez Etsy page https://www.etsy.com/ca/shop/emilienunezart

Welcome back to this week's episode of @broadwhatpodcast! Today in our Broad-WHAT Toronto series. On today’s episode we get to learn more about Clare Wyatt. I’ve been the biggest fan of Clare for the longest time. Everyone who knows her know’s that she is at the top of her game. An extremely talented music director, accompanist, basically a jack of all trades, her skills know no bounds. She is currently studying at University of Toronto working towards her M.Mus in Music Technology and Digital Media. Clare is honestly an icon, and I enjoyed every second talking to her in her environment. I’m so glad to know her. You can follow Clare on instagram at @clareewyatt As always, please like and subscribe to our show, and check out Broad-WHAT? Podcast on any podcast provider or at our website <a href="http://www.broadwhatpodcast.com" rel="nofollow" target="_blank">www.broadwhatpodcast.com</a> @broadwhatpodcast Also please check out @emilienunez Etsy page <a href="https://www.etsy.com/ca/shop/emilienunezart" rel="nofollow" target="_blank">https://www.etsy.com/ca/shop/emilienunezart</a>

Clare Wyatt – Episode 95 – Broad-WHAT? Takes Toronto Part 2

What is the Broadway sound?During the "Golden Age" of Broadway, it was easy to say:  Big and brassy, 18 to 25 players at least.  But now, money is tight, musical styles have changed, and shows now tour a lot. Money isbeing made by the rights companies like MTI, Tams Whitmark and Sam French renting out the rights to Broadway shows to high schools and local theatre companies. But how can you find the quality of player locally, and money to pay for the orchestra sizes of the past?Most producers just simply don't budget enough and want to spend money on musicians.I think as a music director I spend 50% of my time stressing about how to make the music maintain the original feel and intention by using less then half the allotted players, sometimes even less then that.Some of the rights companies have reductions available for rent for some shows, but they are still too large for many producers to want to use?So we reduce, and reduce and a music director becomes, pianist, arranger and orchestrator all in one, and that's what the public thinks we do now.But..Should we do it?Are there better solutions?When we do have to do it, how do we do it?On today's episode my guests and I will discussthese questions and more.  So let's reduce the pit… from the pit.

What is the Broadway sound?During the "Golden Age" of Broadway, it was easy to say:  Big and brassy, 18 to 25 players at least.  But now, money is tight, musical styles have changed, and shows now tour a lot. Money isbeing made by the rights companies like MTI, Tams Whitmark and Sam French renting out the rights to Broadway shows to high schools and local theatre companies. But how can you find the quality of player locally, and money to pay for the orchestra sizes of the past? Most producers just simply don't budget enough and want to spend money on musicians.I think as a music director I spend 50% of my time stressing about how to make the music maintain the original feel and intention by using less then half the allotted players, sometimes even less then that.Some of the rights companies have reductions available for rent for some shows, but they are still too large for many producers to want to use?So we reduce, and reduce and a music director becomes, pianist, arranger and orchestrator all in one, and that's what the public thinks we do now.But.. Should we do it? Are there better solutions? When we do have to do it, how do we do it? On today's episode my guests and I will discussthese questions and more.  So let's reduce the pit… from the pit.

(1.07) Reducing The Pit - Clare Wyatt & Kevin Woo