Bridget Bose's guest appearances

Bridget Bose

Studio Small Talk - Conversations with Dancers

This Wooden O

Kristen Pepper

Calvin Royal III

Danny Davalos

Michael Ortiz

Kelly Stevens

Adam Martino

Megan Peterson

Louis Reyes

Melissa McCann

Dani Albertina

David Norsworthy

Sara Slagle

Stephanie Visconti

Marika Matuszak

Andrea Palesh

OwlTail

WE HAVE MERCH! Official This Wooden O coffee mugs and baseball tees are available on our website. Get yours at http://www.thiswoodeno.com/shop today!This week Daniel (@thedanielkemper) and Monty (@montgomerysutto) sit down with Rude Grooms' Master of Movement Bridget Bose (@bridgetbose on Instagram). Bridget has choreographed dances, jigs, and creepy death movement pieces for all Rude Grooms productions. Listen to her talk about her journey from Colorado to New York, starting and running Guilty Pleasures Cabaret, and much more.Topics include:Rude Grooms’ Secret Shakespeare Hunt (possibly returning in 2020)Performing at Lincoln Center with Bridget’s cabaret troupe, Guilty PleasuresDancing in a circus in the Middle EastTouring the world in a Bollywood dance company, and becoming a tourist attraction by rehearsing in Central ParkThe happenstance creation of Guilty Pleasures in a tiny UWS barDefying expectations at The Duplex by making dance that functions in a non-traditional spaceThe power of appealing to the 11pm timeslot nicheHow Guilty Pleasures alters shows from late-night to mainstage, from smaller venues to larger venues, and from 1.0 to 11.0 versionsRepurposing successful material to fit in different showsParallels between creating frequent cabaret content and the incredibly prolific rate of new plays in Shakespeare’s LondonKeeping all of her creative work in notebooks and having an archive dating back to high schoolThe importance of overplanning and yet being able to throw it all out in the moment when none of it works for the bodies in the roomCue Scripts and the power of muscle memory from writing down, going back to the beginning until you make no mistakes, or just repeating things over and overThe difficulty of dancing someone else’s choreography vs. what comes naturally to your own bodyThe importance of letting dancers write choreography down in the performer’s own vocabulary because there’s no standardized form of notationHow to navigate the balance choreographing for character and for an individual actorIs there a point at which a piece is “done” for Guilty Pleasures?Music is by Kara Arena, Master of Music for Rude Grooms. Share your thoughts and questions with us @thiswoodeno on Twitter and Instagram, email audio responses to thiswoodeno@rudegrooms.com, visit us on the web at thiswoodeno.com, like us at facebook.com/thiswoodenopod/, or support us on Patreon (patreon.com/rudegrooms) to join the conversation during livestream broadcasts of every episode.This week’s shoutouts, recommendations, &amp; further reading include:Guilty Pleasure Cabaret | email: info@guiltypleasurescabaret.com; website guiltypleasurescabaret.com; twitter/instagram: @gpcabaretThe Duplex54 BelowLineLearner App, available on the App Store or Google PlayKast App: kastapp.coThe Show Must Go Online, produced by Rob Myles (@robmyles)This Wooden O is a production of Rude Grooms. Learn more at rudegrooms.com or follow us @rudegrooms on Twitter, Instagram, and Facebook.Support this podcast at — https://redcircle.com/this-wooden-o/donations

WE HAVE MERCH! Official This Wooden O coffee mugs and baseball tees are available on our website. Get yours at <a href="http://www.thiswoodeno.com/shop" rel="nofollow" target="_blank">http://www.thiswoodeno.com/shop</a> today! This week <a href="http://danielkemperacts.com/" rel="nofollow" target="_blank">Daniel</a> (<a href="http://www.twitter.com/thedanielkemper" rel="nofollow" target="_blank">@thedanielkemper</a>) and <a href="http://montgomerysutton.com/" rel="nofollow" target="_blank">Monty</a> (<a href="http://www.twitter.com/montgomerysutto" rel="nofollow" target="_blank">@montgomerysutto</a>) sit down with Rude Grooms' Master of Movement Bridget Bose (<a href="http://www.instagram.com/bridgetbose/" rel="nofollow" target="_blank">@bridgetbose</a> on Instagram). Bridget has choreographed dances, jigs, and creepy death movement pieces for all Rude Grooms productions. Listen to her talk about her journey from Colorado to New York, starting and running Guilty Pleasures Cabaret, and much more. Topics include:<ul><li>Rude Grooms’ Secret Shakespeare Hunt (possibly returning in 2020)</li><li>Performing at Lincoln Center with Bridget’s cabaret troupe, Guilty Pleasures</li><li>Dancing in a circus in the Middle East</li><li>Touring the world in a Bollywood dance company, and becoming a tourist attraction by rehearsing in Central Park</li><li>The happenstance creation of Guilty Pleasures in a tiny UWS bar</li><li>Defying expectations at The Duplex by making dance that functions in a non-traditional space</li><li>The power of appealing to the 11pm timeslot niche</li><li>How Guilty Pleasures alters shows from late-night to mainstage, from smaller venues to larger venues, and from 1.0 to 11.0 versions</li><li>Repurposing successful material to fit in different shows</li><li>Parallels between creating frequent cabaret content and the incredibly prolific rate of new plays in Shakespeare’s London</li><li>Keeping all of her creative work in notebooks and having an archive dating back to high school</li><li>The importance of overplanning and yet being able to throw it all out in the moment when none of it works for the bodies in the room</li><li>Cue Scripts and the power of muscle memory from writing down, going back to the beginning until you make no mistakes, or just repeating things over and over</li><li>The difficulty of dancing someone else’s choreography vs. what comes naturally to your own body</li><li>The importance of letting dancers write choreography down in the performer’s own vocabulary because there’s no standardized form of notation</li><li>How to navigate the balance choreographing for character and for an individual actor</li><li>Is there a point at which a piece is “done” for Guilty Pleasures?</li></ul> Music is by <a href="https://www.karaarena.com/" rel="nofollow" target="_blank">Kara Arena</a>, Master of Music for Rude Grooms. Share your thoughts and questions with us @thiswoodeno on <a href="http://twitter.com/thiswoodeno" rel="nofollow" target="_blank">Twitter</a> and <a href="http://instagram.com/thiswoodeno/" rel="nofollow" target="_blank">Instagram</a>, email audio responses to <a href="mailto:thiswoodeno@rudegrooms.com" rel="nofollow">thiswoodeno@rudegrooms.com</a>, visit us on the web at <a href="http://thiswoodeno.com/" rel="nofollow" target="_blank">thiswoodeno.com</a>, like us at <a href="http://facebook.com/thiswoodenopod/" rel="nofollow" target="_blank">facebook.com/thiswoodenopod/</a>, or support us on Patreon (<a href="http://patreon.com/rudegrooms" rel="nofollow" target="_blank">patreon.com/rudegrooms</a>) to join the conversation during livestream broadcasts of every episode. This week’s shoutouts, recommendations, &amp; further reading include:<ul><li>Guilty Pleasure Cabaret | email: <a href="mailto:info@guiltypleasurescabaret.com" rel="nofollow">info@guiltypleasurescabaret.com</a>; website <a href="http://www.guiltypleasurescabaret.com" rel="nofollow" target="_blank">guiltypleasurescabaret.com</a>; twitter/instagram: <a href="http://www.instagram.com/gpcabaret" rel="nofollow" target="_blank">@gpcabaret</a></li><li><a href="https://www.theduplex.com/site/" rel="nofollow" target="_blank">The Duplex</a></li><li><a href="https://54below.com/" rel="nofollow" target="_blank">54 Below</a></li><li><a href="https://alldayapps.wordpress.com/home/linelearner/" rel="nofollow" target="_blank">LineLearner App</a>, available on the App Store or Google Play</li><li>Kast App: <a href="https://www.kastapp.co/#firstPage" rel="nofollow" target="_blank">kastapp.co</a></li><li><a href="http://robmyles.co.uk/theshowmustgoonline" rel="nofollow" target="_blank">The Show Must Go Online</a>, produced by Rob Myles (<a href="http://www.twitter.com/robmyles" rel="nofollow" target="_blank">@robmyles</a>)</li></ul> This Wooden O is a production of Rude Grooms. Learn more at <a href="http://rudegrooms.com/" rel="nofollow" target="_blank">rudegrooms.com</a> or follow us @rudegrooms on <a href="http://twitter.com/rudegrooms" rel="nofollow" target="_blank">Twitter</a>, <a href="http://instagram.com/rudegrooms" rel="nofollow" target="_blank">Instagram</a>, and <a href="http://facebook.com/rudegrooms" rel="nofollow" target="_blank">Facebook</a>.Support this podcast at — <a href="https://redcircle.com/this-wooden-o/donations" rel="payment nofollow" target="_blank">https://redcircle.com/this-wooden-o/donations</a>

Gettin Jiggy With It (with Bridget Bose)

This week, we sit down with the founders and directors of Guilty Pleasure Cabaret, Bridget Bose and Andrea Palesh. These two ladies have been dancing and working together for their whole lives. From their years growing up in Colorado to presenting a monthly cabaret show in the Big Apple, they have created their own opportunities and gained new skills to take the New York City dance world by storm.  @StudioSmallTalk @gpcabaret

This week, we sit down with the founders and directors of Guilty Pleasure Cabaret, Bridget Bose and Andrea Palesh. These two ladies have been dancing and working together for their whole lives. From their years growing up in Colorado to presenting a monthly cabaret show in the Big Apple, they have created their own opportunities and gained new skills to take the New York City dance world by storm.  @StudioSmallTalk @gpcabaret

Ep. 35: Bridget Bose & Andrea Palesh - Guilty Pleasures Cabaret