Sheila Hicks's guest appearances

Sheila Hicks

The Modern Art Notes Podcast

The Best of NET (video) | NET Television

Beyond the Paint with Bernadine

The Great Women Artists

Revbeladas

Pandemic Oral History Project

Lee Krasner

Eva Hesse

Helen Frankenthaler

Florine Stettheimer

Suzanne Valadon

Agnes Martin

Georgia O'Keeffe

Howardena Pindell

Ana Mendieta

Elizabeth Catlett

Alyce Mahon

Jackson Pollock

Brian Dettmer

Andy Warhol

Marina Warner

OwlTail

In episode 80 of The Great Women Artists Podcast, Katy Hessel interviews the legendary SHEILA HICKS!*BOOK NEWS!* I have written a book! Order The Story of Art without Men here: https://www.amazon.co.uk/Story-Art-without-Men/dp/1529151147/ref=tmm_hrd_swatch_0?_encoding=UTF8&amp;qid=1647348710&amp;sr=8-1 [This episode is brought to you by Alighieri jewellery: www.alighieri.co.uk | use the code TGWA at checkout for 10% off!]Working across textiles, fibre, colour and form, Sheila Hicks’s six-decade-and-counting-career has seen her work across multiple mediums, processes and disciplines. From her cascades of colour that pour out of museum ceilings to her smaller woven drawings – she likes to call ‘minimes’ – Hicks pushes all boundaries of fibre in all different environments.Born in 1934, Hicks was educated at Yale in the 50s, where she was taught by Josef Albers and George Kubler, whose teaching inspired her to venture to Chile to witness the weaving culture in the Andes. Moving to Mexico, then Paris, Hicks has designed film sets to a 1000 thread-based medallion sculpture for the Ford Foundation, NY.Recent international exhibitions include the 2020 exhibition at MAK Vienna, the 2017 Venice Biennale, the 2014 Whitney Biennial, plus a major solo presentation at the Pompidou in Paris!But! One of the reasons why we are speaking with Hicks today is because this spring she will unveil a major exhibition at the Hepworth Wakefield, a show featuring over seventy of her vibrant works which collapse all boundaries between art, architecture and design, breaking down all tensions, which in turn create environments where we can be at one with the work. Info about the Hepworth Wakefield show!!!https://hepworthwakefield.org/whats-on/sheila-hicks/Follow us: Katy Hessel: @thegreatwomenartists / @katy.hesselSound editing by Nada SmiljanicResearch assistant: Viva RuggiArtwork by @thisisaliceskinnerMusic by Ben Wetherfieldhttps://www.thegreatwomenartists.com/

In episode 80 of The Great Women Artists Podcast, Katy Hessel interviews the legendary SHEILA HICKS! *BOOK NEWS!* I have written a book! Order The Story of Art without Men here: <a href="https://www.amazon.co.uk/Story-Art-without-Men/dp/1529151147/ref=tmm_hrd_swatch_0?_encoding=UTF8&amp;qid=1647348710&amp;sr=8-1" rel="nofollow" target="_blank">https://www.amazon.co.uk/Story-Art-without-Men/dp/1529151147/ref=tmm_hrd_swatch_0?_encoding=UTF8&amp;qid=1647348710&amp;sr=8-1</a> [This episode is brought to you by Alighieri jewellery: <a href="http://www.alighieri.co.uk" rel="nofollow" target="_blank">www.alighieri.co.uk</a> | use the code TGWA at checkout for 10% off!] Working across textiles, fibre, colour and form, Sheila Hicks’s six-decade-and-counting-career has seen her work across multiple mediums, processes and disciplines. From her cascades of colour that pour out of museum ceilings to her smaller woven drawings – she likes to call ‘minimes’ – Hicks pushes all boundaries of fibre in all different environments. Born in 1934, Hicks was educated at Yale in the 50s, where she was taught by Josef Albers and George Kubler, whose teaching inspired her to venture to Chile to witness the weaving culture in the Andes. Moving to Mexico, then Paris, Hicks has designed film sets to a 1000 thread-based medallion sculpture for the Ford Foundation, NY. Recent international exhibitions include the 2020 exhibition at MAK Vienna, the 2017 Venice Biennale, the 2014 Whitney Biennial, plus a major solo presentation at the Pompidou in Paris! But! One of the reasons why we are speaking with Hicks today is because this spring she will unveil a major exhibition at the Hepworth Wakefield, a show featuring over seventy of her vibrant works which collapse all boundaries between art, architecture and design, breaking down all tensions, which in turn create environments where we can be at one with the work. Info about the Hepworth Wakefield show!!! <a href="https://hepworthwakefield.org/whats-on/sheila-hicks/" rel="nofollow" target="_blank">https://hepworthwakefield.org/whats-on/sheila-hicks/</a> Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Research assistant: Viva Ruggi Artwork by @thisisaliceskinner Music by Ben Wetherfield <a href="https://www.thegreatwomenartists.com/" rel="nofollow" target="_blank">https://www.thegreatwomenartists.com/</a>

Explore the visual world through the medium of colorful threads and fabrics in the miniature works by American textile artist Sheila Hicks. This podcast episode is dedicated to my friend  Wendy. :)Learn more at https://www.sheilahicks.com

Explore the visual world through the medium of colorful threads and fabrics in the miniature works by American textile artist Sheila Hicks. This podcast episode is dedicated to my friend Wendy. :) Learn more at <a href="https://www.sheilahicks.com" rel="noopener nofollow" target="_blank">https://www.sheilahicks.com</a>

Episode 63: Sheila Hicks: Painting with Thread

Menhir II hangs in a forest pattern of 23 separate fiber strands to compliment its Old French Breton definition "standing" stone. The long strands are hand-wrapped and spliced linen fibers, with bright colored wool and cotton used as binding elements. Draped from the ceiling, the linens gather and cascade onto the floor. Hicks' linear textile sculpture is an art treasure of Nebraska at the Museum of Nebraska Art. For more information about "Art Treasures of Nebraska," visit http://www.netnebraska.org/extras/nat/.

Menhir II hangs in a forest pattern of 23 separate fiber strands to compliment its Old French Breton definition "standing" stone. The long strands are hand-wrapped and spliced linen fibers, with bright colored wool and cotton used as binding elements. Draped from the ceiling, the linens gather and cascade onto the floor. Hicks' linear textile sculpture is an art treasure of Nebraska at the Museum of Nebraska Art. For more information about "Art Treasures of Nebraska," visit <a href="http://www.netnebraska.org/extras/nat/" rel="nofollow" target="_blank">http://www.netnebraska.org/extras/nat/</a>.

Art Treasures of Nebraska: Sheila Hicks