Gary Arbuthnot's guest appearances

Gary Arbuthnot

Cabaret Secrets Podcast

The Flute View

Kelly Mental Health

Michael Feinstein

Sarah Jackson

John Evans

Chris Peters

Steve Ross

Marilyn Maye

Eric Schneider

Michael Quinn

Christina Bianco

Laura Davis

Barb Jungr

Michael Riedel

Tom O'Connor

Maria Friedman

James Galway

OwlTail

Viviana Guzman interviews Gary Arbuthnot. International Virtuoso Gary Arbuthnot presents a show that will thrill and delight all audiences. Now seen by over a million people worldwide, his shows highlight great Celtic tunes, incredible musical scores from contemporary movies, Broadway, and opera to some of the biggest rock and pop groups of the modern era. Gary has been voted Entertainer of the Year, a Prize-winner at both the Markneukirchen and Carl Nielsen International Flute Competitions, and was awarded the Meaker Fellowship from the Royal Academy of Music, London. Other prizes include the BBC Radio Three Young Artists Forum, an English-Speaking Union Scholarship, and awards from the Hattori Foundation, Countess of Munster Musical Trust, Claudio Abbado European Young Musicians Trust and the Foundation for Sport and the Arts. Gary Arbuthnot shares his experiences as a globe trotting flutist. Topics Covered: 🌟Favorite country 🌟Favorite airport 🌟Best part of traveling 🌟Requirements for becoming a cruise ship entertainer 🌟More opportunities now than ever to carve out a career in music The Flute View Podcast is sponsored by Flute World, Haynes Flutes, Flute Hoot and University of California Santa Cruz.

Viviana Guzman interviews Gary Arbuthnot. International Virtuoso Gary Arbuthnot presents a show that will thrill and delight all audiences. Now seen by over a million people worldwide, his shows highlight great Celtic tunes, incredible musical scores from contemporary movies, Broadway, and opera to some of the biggest rock and pop groups of the modern era. Gary has been voted Entertainer of the Year, a Prize-winner at both the Markneukirchen and Carl Nielsen International Flute Competitions, and was awarded the Meaker Fellowship from the Royal Academy of Music, London. Other prizes include the BBC Radio Three Young Artists Forum, an English-Speaking Union Scholarship, and awards from the Hattori Foundation, Countess of Munster Musical Trust, Claudio Abbado European Young Musicians Trust and the Foundation for Sport and the Arts. <a href="https://www.instagram.com/garyarbuthnot/" rel="nofollow" target="_blank">G</a>ary Arbuthnot shares his experiences as a globe trotting flutist. Topics Covered: 🌟Favorite country 🌟Favorite airport 🌟Best part of traveling 🌟Requirements for becoming a cruise ship entertainer 🌟More opportunities now than ever to carve out a career in music <a href="http://www.thefluteview.com/" rel="nofollow" target="_blank">The Flute View</a> Podcast is sponsored by <a href="http://www.fluteworld.com/" rel="nofollow" target="_blank">Flute World</a>, <a href="https://www.wmshaynes.com/" rel="nofollow" target="_blank">Haynes Flutes</a>, <a href="https://flutehoot.com/" rel="nofollow" target="_blank">Flute Hoot</a> and <a href="https://music.ucsc.edu/faculty/viviana-guzman" rel="nofollow" target="_blank">University of California Santa Cruz</a>.

Gary Arbuthnot Interview

In this episode, Gary Arbuthnot shares his perspective as a 24-year veteran of the police force in Belfast, Ireland, where he worked with the K9 unit searching for missing persons and explosive devices, and connecting with families that had lost loved ones to suicide. He discusses his reaction to being a first responder to the death scene of a known terrorist, and how he eventually retired from his career due to longstanding issues with PTSD. He shares how he went on to become a counsellor and advocate for mental health, providing clients with his unique perspective on the matters that contribute to traumatic stress. Special focus in this episode is on the stereotypes and barriers that prevent men from seeking help.  CONTENT WARNING: Discussion of suicide, death, and traumatic incidents. Please note that the Kelly Mental Health Podcast is for informational purposes only and is not a substitute for the services of a licensed therapist. If you’d like to speak to someone about counselling for yourself, visit us at kellymentalhealth.com.  For more information on Gary Arbuthnot and his clinical practice, follow him on Instagram: @counsellingtherapybelfast

In this episode, Gary Arbuthnot shares his perspective as a 24-year veteran of the police force in Belfast, Ireland, where he worked with the K9 unit searching for missing persons and explosive devices, and connecting with families that had lost loved ones to suicide. He discusses his reaction to being a first responder to the death scene of a known terrorist, and how he eventually retired from his career due to longstanding issues with PTSD. He shares how he went on to become a counsellor and advocate for mental health, providing clients with his unique perspective on the matters that contribute to traumatic stress. Special focus in this episode is on the stereotypes and barriers that prevent men from seeking help. CONTENT WARNING: Discussion of suicide, death, and traumatic incidents. Please note that the Kelly Mental Health Podcast is for informational purposes only and is not a substitute for the services of a licensed therapist. If you’d like to speak to someone about counselling for yourself, visit us at <a href="http://kellymentalhealth.com" rel="nofollow" target="_blank">kellymentalhealth.com</a>. For more information on Gary Arbuthnot and his clinical practice, follow him on Instagram: @counsellingtherapybelfast

The Aftermath of Suicide: Cadaver Dogs and PTSD in the Police Force with Gary Arbuthnot

Cruise

In 2001, after studying at London's Royal Academy and spending years as a principle flautist with orchestras across the world, Gary Arbuthnot decided to turn his back on the prestige of the concert platform. He created his own show for luxury cruise liners and he's never looked back.Attitudes towards working on cruise ships have changed. At one time they were seen as the place to go if you couldn't get “proper” work on land. Not any more. If you're thinking about creating your own show for cruise ships, this interview is packed with wonderful advice.Gary has become one of the most respected and highly rated performers at sea. Lucky for us, he is very candid about how he got there and generously shares the secrets of his success. We cover everything from putting the show together, choosing repertoire, getting musical arrangements, scripting patter and what to wear. What to wear on stageHow smart or casual should we look for our shows? Should be more smart when we're performing on a formal night? As performers we need to be mindful of how we dress off stage as well as on. The more formal cruise lines expect entertainers to be dressed at least at smartly as the guests as all time. Some ban blue jeans altogether. Gary has some great advice on what to wear, including his own flirtation with leather pants...How to talk to your audienceWhen it comes to patter Gary says your stating point should be writing your own script. Once you know what you're trying to say, it's all about practise. “Think of yourself like an actor,” he told me, “How does any actor deliver their lines in a movie without it sounding as if it comes off a script? Practise. Eventually with practise that formal script will sound like a one-on-one conversation. Pick someone in the audience and talk to them even though there are 2000 other people in the hall. At the end of the day we are actors. Take some acting lessons. Find a mentor. Get coaching. Just because we talk every day doesn't mean to say we can talk on stage. That element takes just as much work as learning to sing or play an instrument.”Make 'em laugh (or don't)Trying to be funny can be stressful for some acts. Gary says you shouldn't worry about it, “Be true to yourself. Your show needs to represent you. There's nothing worse than trying to get someone who isn't funny telling jokes because they think they have to.” Collect funny lines, anecdotes that suit you. Try them out on friends. Get comfortable with them.Keep the energy upGary has carefully constructed the end of his show to build the energy right till the finale. We discuss in detail the final build, when to segue, whether to get the audience to clap along and why it's importance to read the audience.Gary's tips:Always go see every other show you can. You never know what you might learn.Whatever you choose to wear on stage, make sure you feel comfortable.Have plenty of spare material so you can change your act depending on the guests on board.Don't worry too much about guest ratings. The bookers look for consistency and will understand if you have the odd tough night.Not all cruise lines will be right for you. Try to find the right fit for your act.Be genuine.Don't lecture the audience. Connect with them by talking naturally, like you're in their living room.Ask for feedback and be open to criticism from colleagues you respect.Be aware of who you audience is and what they want.You can connect with Gary on Twitter here or find his web page here.Recorded onboard Crystal Symphony, 12th December 2013.You can read more about creating your own show and how to talk to an audience in Cabaret Secrets. It's available in paperback or click to download your copy now from Amazon, iTunes, Nook or other formats. 

In 2001, after studying at London's Royal Academy and spending years as a principle flautist with orchestras across the world, <a href="http://www.reverbnation.com/garyarbuthnot" rel="nofollow" target="_blank">Gary Arbuthnot</a> decided to turn his back on the prestige of the concert platform. He created his own show for luxury cruise liners and he's never looked back. Attitudes towards working on cruise ships have changed. At one time they were seen as the place to go if you couldn't get “proper” work on land. Not any more. If you're thinking about creating your own show for cruise ships, this interview is packed with wonderful advice.Gary has become one of the most respected and highly rated performers at sea. Lucky for us, he is very candid about how he got there and generously shares the secrets of his success. We cover everything from putting the show together, choosing repertoire, getting musical arrangements, scripting patter and what to wear. <h3>What to wear on stage</h3>How smart or casual should we look for our shows? Should be more smart when we're performing on a formal night? As performers we need to be mindful of how we dress off stage as well as on. The more formal cruise lines expect entertainers to be dressed at least at smartly as the guests as all time. Some ban blue jeans altogether. Gary has some great advice on what to wear, including his own flirtation with leather pants...<h3>How to talk to your audience</h3>When it comes to patter Gary says your stating point should be writing your own script. Once you know what you're trying to say, it's all about practise. “Think of yourself like an actor,” he told me, “How does any actor deliver their lines in a movie without it sounding as if it comes off a script? Practise. Eventually with practise that formal script will sound like a one-on-one conversation. Pick someone in the audience and talk to them even though there are 2000 other people in the hall. At the end of the day we are actors. Take some acting lessons. Find a mentor. Get coaching. Just because we talk every day doesn't mean to say we can talk on stage. That element takes just as much work as learning to sing or play an instrument.”<h3>Make 'em laugh (or don't)</h3>Trying to be funny can be stressful for some acts. Gary says you shouldn't worry about it, “Be true to yourself. Your show needs to represent you. There's nothing worse than trying to get someone who isn't funny telling jokes because they think they have to.” Collect funny lines, anecdotes that suit you. Try them out on friends. Get comfortable with them.<h3>Keep the energy up</h3>Gary has carefully constructed the end of his show to build the energy right till the finale. We discuss in detail the final build, when to segue, whether to get the audience to clap along and why it's importance to read the audience.<h3>Gary's tips:</h3><ul><li>Always go see every other show you can. You never know what you might learn.</li><li>Whatever you choose to wear on stage, make sure you feel comfortable.</li><li>Have plenty of spare material so you can change your act depending on the guests on board.</li><li>Don't worry too much about guest ratings. The bookers look for consistency and will understand if you have the odd tough night.</li><li>Not all cruise lines will be right for you. Try to find the right fit for your act.</li><li>Be genuine.</li><li>Don't lecture the audience. Connect with them by talking naturally, like you're in their living room.</li><li>Ask for feedback and be open to criticism from colleagues you respect.</li><li>Be aware of who you audience is and what they want.</li></ul>You can connect with Gary on Twitter <a href="https://twitter.com/garyarbuthnot" rel="nofollow" target="_blank">here</a> or find his web page <a href="http://www.reverbnation.com/garyarbuthnot" rel="nofollow" target="_blank">here</a>.Recorded onboard Crystal Symphony, 12th December 2013.You can read more about creating your own show and how to talk to an audience in Cabaret Secrets. It's available in <a href="http://www.amazon.co.uk/Cabaret-Secrets-Gary-Williams/dp/0957610424/" rel="nofollow" target="_blank">paperback</a> or click to download your copy now from <a href="http://www.amazon.co.uk/Cabaret-Secrets-ebook/dp/B00C96AL0C/" rel="nofollow" target="_blank">Amazon</a>, <a href="https://itunes.apple.com/gb/book/cabaret-secrets/id640354322?mt=11" rel="nofollow" target="_blank">iTunes</a>, <a href="http://www.barnesandnoble.com/w/cabaret-secrets-gary-williams/1115218823?ean=2940044497733" rel="nofollow" target="_blank">Nook</a> or <a href="https://www.smashwords.com/books/view/307893" rel="nofollow" target="_blank">other</a> formats.

From the concert platform to cruise ship headliner - flautist Gary Arbuthnot on how to be a star at sea