Carol Littleton's guest appearances

Carol Littleton

Fitness In Post

GoodTrash GenreCast

Optimize Yourself

Mark Sisson

Ben Greenfield

Jayson Calton

Tony Horton

Jeffrey Ford

Walter Murch

Maxim Jago

Alan Bell

Darin Olien

James Clear

Shawn Stevenson

Mike Michalowicz

Liston Witherill

Wong Foo

Julie Newmar

OwlTail

It’s an understatement to say Hollywood is undergoing major changes right now, but are these circumstances unprecedented? I argue things have changed a lot less than we want to believe over the last few months, the major difference is our level of awareness. And what we’ve become keenly aware of is how badly none of us want to go back to normal.There’s no question the pandemic has caused upheaval and instability, leaving us all wondering if we’ll weather the storm or sink with the ship. As the industry attempts to reopen, we grapple with difficult changes like working from home, safety protocols for returning to set or to the office, and setting boundaries for the health and sanity of ourselves and families.Though the change and uncertainty we’re all experiencing might feel new, it’s surprising how little things in our industry have actually changed over the last several decades, specifically in regards to the working conditions and the insane demands put upon our time.Today’s guest, Oscar nominated editor Carol Littleton, ACE, who has edited such legendary films as E.T., The Big Chill, Silverado, The Accidental Tourist, Grand Canyon, Benny &amp; Joon, and The Manchurian Candidate, has endured many changes in her long career in Hollywood. She worked her way into commercials, to indie films, all the way up the ranks to working with some of the best directors in the industry.She successfully made the transition from film to digital, but it was that change that required a greater focus on her movement habits and healthy lifestyle choices to sustain her career and well-being. These habits have contributed to her vitality for her work and her zest for life that you will hear throughout our conversation.This is the second in our series of archive conversations from the ‘Fitness in Post’ days with hollywood film legends where we clearly see that living a healthy lifestyle, weathering major industry changes, and enjoying a long and successful career are not mutually exclusive (pandemic or otherwise). Learn from the cream of the crop how to be resilient and gracious in the face of adversity, no matter how uncomfortable the circumstances.Want to Hear More Episodes Like This One?» Click here to subscribe and never miss another episodeHere's What You'll Learn:Carol got her first feature film because...she spoke French?How she went from working on small independent features to working with big Hollywood directors like Stephen Spielberg and Lawrence KasdanThe big question: How did she get her break cutting E.T.???What the biggest creative challenge was in making E.T. a successful story.The biggest difference between editing on film to editing on an NLE system (and what has been lost in the process).How Carolapproaches a day of dailies and cuts a scene.How the physicality of working on film kept her in shape and active all day long.The switch to Avid drove her crazy because she was so sedentary!!!The difference between your mental agility and acuity is immense when you are sedentary vs being mobile.Sleep, diet, and exercise are her top priorities to stay sharp and creative.How to fight the fear of thinking that if you stop to take a break from work you won’t get everything done (it’s real, but you can overcome it).Turn your work into your exercise to tax your body just enough that it will free your mind to work at its optimal performance level.KEY TAKEAWAY: Eating healthy will make you resilient and capable of handling the ups and downs of the industry.KEY TAKEAWAY: Eating intentionally, mindfully, and with others is the secret to staying energized throughout the day and keeping morale high.Carol’s passion for long walks has taken her through cities and countries across the globe. Useful Resources Mentioned:Ep60: Legendary Film Editor Walter Murch On Surviving 50+ Years In PostEp50: EditFest 2018 Panel “The Extended Cut: How to Survive and Thrive In Editorial”Our Generous Sponsors:Struggling With Real-Time Remote Collaboration? Meet EvercastAs work begins to slowly trickle in again, perhaps the most pressing challenge we as creative professionals face in our post-pandemic reality is real-time collaboration. Zoom is great for meetings, but it sure doesn't work for streaming video. Luckily this problem has now been solved for all of us. If you haven't heard of Evercast, it's time to become acquainted. Because Evercast's real-time remote collaboration technology is CHANGING. THE. GAME.» Click here to be the first to gain early access to the new EvercastP.S. It's (finally) priced for freelancers and indie creatives like us!This episode is made possible for you by Ergodriven, the makers of the Topo Mat, my #1 recommendation for anyone who stands at their workstation. The Topo is super comfortable, an awesome conversation starter, and it’s also scientifically proven to help you move more throughout the day which helps reduce discomfort and also increase your focus and productivity. Click here to learn more and get your Topo Mat.Guest Bio:Carol Littleton, A.C.E. is one of Hollywood’s most talented and successful film editors. Her editing career spans 40 years, with more than 40 feature films to her credit. Ms. Littleton began a close collaboration with writer-director Lawrence Kasdan in 1981 with his directorial debut, BODY HEAT. She continued her collaboration with Kasdan on eight more films, including THE BIG CHILL, SILVERADO, GRAND CANYON, and their last collaboration on DARLING COMPANION in 2011. Ms. Littleton has also collaborated with director Jonathan Demme on four films, including, THE MANCHURIAN CANDIDATE.Littleton received an Academy Award nomination in 1982 for Steven Spielberg’s E.T.: THE EXTRATERRESTIAL. Other films she has edited include PLACES IN THE HEART, TUESDAYS WITH MORRIE (Emmy Award for editing) and the restoration of Erich Von Stoheim’s 1926 classic, GREED. In 1994, she edited CHINA MOON, the directorial debut of her husband, noted cinematographer John Bailey, A.S.C.More recently, the 2015 release of A WALK IN THE WOODS was Littleton’s second collaboration with director Ken Kwapis. In 2016, Littleton edited her first collaboration with director Jay Roach on ALL THE WAY, a political film dramatizing the first 11 months of President Lyndon Johnson’s presidency after Kennedy’s assassination in 1963.In 1988, Littleton was elected President of the Editors Guild and served two terms and later in 1998, two terms as Vice President. The Editors Guild honored Ms. Littleton in 2010 with the Fellowship and Service Award. In 2016, the American Cinema Editors honored Ms. Littleton with its Career Achievement Award. Littleton is presently serving on the Board of Governors for AMPAS and on the Board of Directors for ACE.Ms. Littleton has two other passions in life: music and nature. Throughout her college years, she played oboe in various chamber groups and orchestras and still has an abiding love of concert music. Her formative years growing up in rural Oklahoma, gave her an intimate love of nature. Healthy, hands-in-the-dirt gardening and lug-soled hiking are the perfect antidotes for the dark editing room.Show Credits:This episode was edited by Curtis Fritsch, and the show notes were prepared by Debby Germino and published by Glen McNiel.The original music in the opening and closing of the show is courtesy of Joe Trapanese (who is quite possibly one of the most talented composers on the face of the planet).

It’s an understatement to say Hollywood is undergoing major changes right now, but are these circumstances unprecedented? I argue things have changed a lot less than we want to believe over the last few months, the major difference is our level of awareness. And what we’ve become keenly aware of is <a href="https://optimizeyourself.me/dear-hollywood-normal-wasnt-working/" rel="nofollow" target="_blank">how badly none of us want to go back to normal</a>.There’s no question the pandemic has caused upheaval and instability, leaving us all wondering if we’ll weather the storm or sink with the ship. As the industry attempts to reopen, we grapple with difficult changes like working from home, safety protocols for returning to set or to the office, and setting boundaries for the health and sanity of ourselves and families.Though the change and uncertainty we’re all experiencing might feel new, it’s surprising how little things in our industry have actually changed over the last several decades, specifically in regards to the working conditions and the insane demands put upon our time.Today’s guest, Oscar nominated editor Carol Littleton, ACE, who has edited such legendary films as E.T., The Big Chill, Silverado, The Accidental Tourist, Grand Canyon, Benny &amp; Joon, and The Manchurian Candidate, has endured many changes in her long career in Hollywood. She worked her way into commercials, to indie films, all the way up the ranks to working with some of the best directors in the industry.She successfully made the transition from film to digital, but it was that change that required a greater focus on her movement habits and healthy lifestyle choices to sustain her career and well-being. These habits have contributed to her vitality for her work and her zest for life that you will hear throughout our conversation.This is the second in our series of archive conversations from the ‘Fitness in Post’ days with hollywood film legends where we clearly see that living a healthy lifestyle, weathering major industry changes, and enjoying a long and successful career are not mutually exclusive (pandemic or otherwise). Learn from the cream of the crop how to be resilient and gracious in the face of adversity, no matter how uncomfortable the circumstances.<h3>Want to Hear More Episodes Like This One?</h3><a href="https://optimizeyourself.me/subscribe/" rel="nofollow" target="_blank">» Click here to subscribe and never miss another episode</a><a href="https://www.evercast.us/demo?utm_campaign=interview&amp;utm_medium=banner&amp;utm_source=optimize+yourself+interview" rel="nofollow" target="_blank"></a><h3>Here's What You'll Learn:</h3><ul><li>Carol got her first feature film because...she spoke French?</li><li>How she went from working on small independent features to working with big Hollywood directors like Stephen Spielberg and Lawrence Kasdan</li><li>The big question: How did she get her break cutting E.T.???</li><li>What the biggest creative challenge was in making E.T. a successful story.</li><li>The biggest difference between editing on film to editing on an NLE system (and what has been lost in the process).</li><li>How Carolapproaches a day of dailies and cuts a scene.</li><li>How the physicality of working on film kept her in shape and active all day long.</li><li>The switch to Avid drove her crazy because she was so sedentary!!!</li><li>The difference between your mental agility and acuity is immense when you are sedentary vs being mobile.</li><li>Sleep, diet, and exercise are her top priorities to stay sharp and creative.</li><li>How to fight the fear of thinking that if you stop to take a break from work you won’t get everything done (it’s real, but you can overcome it).</li><li>Turn your work into your exercise to tax your body just enough that it will free your mind to work at its optimal performance level.</li><li>KEY TAKEAWAY: Eating healthy will make you resilient and capable of handling the ups and downs of the industry.</li><li>KEY TAKEAWAY: Eating intentionally, mindfully, and with others is the secret to staying energized throughout the day and keeping morale high.</li><li>Carol’s passion for long walks has taken her through cities and countries across the globe.</li></ul><h3> </h3><h3> Useful Resources Mentioned:</h3><a href="https://optimizeyourself.me/60/" rel="nofollow" target="_blank">Ep60: Legendary Film Editor Walter Murch On Surviving 50+ Years In Post</a><a href="https://optimizeyourself.me/editfest-2018-extended-cut-panel/" rel="nofollow" target="_blank">Ep50: EditFest 2018 Panel “The Extended Cut: How to Survive and Thrive In Editorial”</a><h3>Our Generous Sponsors:</h3>Struggling With Real-Time Remote Collaboration? <a href="https://optimizeyourself.me/work-remotely-in-real-time-evercast/" rel="nofollow" target="_blank">Meet Evercast</a>As work begins to slowly trickle in again, perhaps the most pressing challenge we as creative professionals face in our post-pandemic reality is real-time collaboration. Zoom is great for meetings, but it sure doesn't work for streaming video. Luckily this problem has now been solved for all of us. If you haven't heard of <a href="https://optimizeyourself.me/work-remotely-in-real-time-evercast/" rel="nofollow" target="_blank">Evercast</a>, it's time to become acquainted. Because Evercast's real-time remote collaboration technology is CHANGING. THE. GAME.<a href="https://www.evercast.us/demo?utm_campaign=interview&amp;utm_medium=sponsoredlink&amp;utm_source=optimize+yourself+interview" rel="nofollow" target="_blank">» Click here to be the first to gain early access to the new Evercast</a>P.S. It's (finally) priced for freelancers and indie creatives like us!This episode is made possible for you by Ergodriven, the makers of the <a href="https://optimizeyourself.me/topo-mat-review/" rel="nofollow" target="_blank">Topo Mat</a>, my #1 recommendation for anyone who stands at their workstation. The Topo is super comfortable, an awesome conversation starter, and it’s also scientifically proven to help you move more throughout the day which helps reduce discomfort and also increase your focus and productivity. <a href="https://optimizeyourself.me/topo-mat-review/" rel="nofollow" target="_blank">Click here to learn more and get your Topo Mat</a>.<h3>Guest Bio:</h3>Carol Littleton, A.C.E. is one of Hollywood’s most talented and successful film editors. Her editing career spans 40 years, with more than 40 feature films to her credit. Ms. Littleton began a close collaboration with writer-director Lawrence Kasdan in 1981 with his directorial debut, BODY HEAT. She continued her collaboration with Kasdan on eight more films, including THE BIG CHILL, SILVERADO, GRAND CANYON, and their last collaboration on DARLING COMPANION in 2011. Ms. Littleton has also collaborated with director Jonathan Demme on four films, including, THE MANCHURIAN CANDIDATE.Littleton received an Academy Award nomination in 1982 for Steven Spielberg’s E.T.: THE EXTRATERRESTIAL. Other films she has edited include PLACES IN THE HEART, TUESDAYS WITH MORRIE (Emmy Award for editing) and the restoration of Erich Von Stoheim’s 1926 classic, GREED. In 1994, she edited CHINA MOON, the directorial debut of her husband, noted cinematographer John Bailey, A.S.C.More recently, the 2015 release of A WALK IN THE WOODS was Littleton’s second collaboration with director Ken Kwapis. In 2016, Littleton edited her first collaboration with director Jay Roach on ALL THE WAY, a political film dramatizing the first 11 months of President Lyndon Johnson’s presidency after Kennedy’s assassination in 1963.In 1988, Littleton was elected President of the Editors Guild and served two terms and later in 1998, two terms as Vice President. The Editors Guild honored Ms. Littleton in 2010 with the Fellowship and Service Award. In 2016, the American Cinema Editors honored Ms. Littleton with its Career Achievement Award. Littleton is presently serving on the Board of Governors for AMPAS and on the Board of Directors for ACE.Ms. Littleton has two other passions in life: music and nature. Throughout her college years, she played oboe in various chamber groups and orchestras and still has an abiding love of concert music. Her formative years growing up in rural Oklahoma, gave her an intimate love of nature. Healthy, hands-in-the-dirt gardening and lug-soled hiking are the perfect antidotes for the dark editing room.<h3>Show Credits:</h3>This episode was edited by <a href="https://www.imdb.com/name/nm4660321/" rel="nofollow" target="_blank">Curtis Fritsch</a>, and the show notes were prepared by <a href="https://optimizeyourself.me/author/dgermino/" rel="nofollow" target="_blank">Debby Germino</a> and published by <a href="https://www.linkedin.com/in/zenglen/" rel="nofollow" target="_blank">Glen McNiel</a>.The original music in the opening and closing of the show is courtesy of <a href="https://www.joecomposer.com/" rel="nofollow" target="_blank">Joe Trapanese</a> (who is quite possibly one of the most talented composers on the face of the planet).

Ep117: The Secret to Surviving 40+ Years Working In Hollywood | with Carol Littleton, ACE

Academy Award nominated film editor Carol Littleton has edited such legendary films as E.T., The Big Chill, Silverado, The Accidental Tourist, Grand Canyon, Benny &amp; Joon, and The Manchurian Candidate...just to name a very select few. She has watched the Hollywood post-production industry evolve from the days of film editing until today's reliance on 100% digital technology. Not only has Carol lived through the evolution of technology, but she has also lived through over 40 years of working long hours under intense deadlines on some of the biggest films in the history of cinema, and she has not only survived but thrived. She is vibrant, positive, energetic, and still incredibly healthy at this stage in her career. And in this episode we chat extensively about the choices that Carol has made throughout her career to place her health &amp; well-being first, and how that has translated to better performance in the edit suite. Show Sponsor: G-Technology Topics of Conversation:  Carol's journey into the film industry Working with Steven Spielberg and editing E.T. The evolution of the editing process from film to digital How being thorough with dailies can save you time in the long run Adapting the physicality of film editing to the digital work space in order to enhance cognitive functions How to combat the artificial "busy-ness" of the film industry Learning to avoid being sedentary and use your energy efficiently Mentally tying your diet to you productive output Finding small ways to physically tax your body and refresh your mind Turning your work into exercise Making healthier choices with the 80/20 rule Why leaving your computer for meals can greatly improve creative output  Useful Links: Enjoying The Show? Leave A Rating And Review HERE Carol Littleton IMDB Optimize Yourself Program Fitness in Post Amazon Link FiP Question Submission Athletic Greens Guest Bio: Carol Littleton, A.C.E. is one of Hollywood’s most talented and successful film editors. Her editing career spans 40 years, with more than 40 feature films to her credit. Littleton received an Academy Award nomination in 1982 for Steven Spielberg’s E.T.: the Extraterrestrial. Other films she has edited include Places in the Heart, Tuesdays With Morrie (Emmy Award for editing) and the restoration of Erich Von Stoheim’s 1926 classic, Greed.  In 1994, she edited CHINA MOON, the directorial debut of her husband, noted cinematographer John Bailey, A.S.C. Ms. Littleton has two other passions in life: music and nature.  Throughout her college years, she played oboe in various chamber groups and orchestras and still has an abiding love of concert music.  Her formative years growing up in rural Oklahoma, gave her an intimate love of nature. Healthy, hands-in-the-dirt gardening and lug-soled hiking are the perfect antidotes for the dark editing room.  Show Credits: This episode was edited by Curtis Fritsch, the show notes were prepared by Jakin Rintelman, and this show is executive produced by Kanen Flowers. We are a member of theTHAT STUDIO podcast network. The music in the opening and closing of the show is courtesy of  Dorian Cheah from his brilliant album ARA.

Academy Award nominated film editor Carol Littleton has edited such legendary films as E.T., The Big Chill, Silverado, The Accidental Tourist, Grand Canyon, Benny &amp; Joon, and The Manchurian Candidate...just to name a very select few. She has watched the Hollywood post-production industry evolve from the days of film editing until today's reliance on 100% digital technology. Not only has Carol lived through the evolution of technology, but she has also lived through over 40 years of working long hours under intense deadlines on some of the biggest films in the history of cinema, and she has not only survived but thrived. She is vibrant, positive, energetic, and still incredibly healthy at this stage in her career. And in this episode we chat extensively about the choices that Carol has made throughout her career to place her health &amp; well-being first, and how that has translated to better performance in the edit suite. Show Sponsor: <a href="http://fitnessinpost.com/gtech" rel="nofollow" target="_blank">G-Technology</a> Topics of Conversation: <ul> <li>Carol's journey into the film industry</li> <li>Working with Steven Spielberg and editing E.T.</li> <li>The evolution of the editing process from film to digital</li> <li>How being thorough with dailies can save you time in the long run</li> <li>Adapting the physicality of film editing to the digital work space in order to enhance cognitive functions</li> <li>How to combat the artificial "busy-ness" of the film industry</li> <li>Learning to avoid being sedentary and use your energy efficiently</li> <li>Mentally tying your diet to you productive output</li> <li>Finding small ways to physically tax your body and refresh your mind</li> <li>Turning your work into exercise</li> <li>Making healthier choices with the 80/20 rule</li> <li>Why leaving your computer for meals can greatly improve creative output</li> </ul> Useful Links: <a href="http://fitnessinpost.com/itunes" rel="nofollow" target="_blank">Enjoying The Show? Leave A Rating And Review HERE</a> <a href="http://www.imdb.com/name/nm0514746/?ref_=fn_al_nm_1" rel="nofollow" target="_blank">Carol Littleton IMDB</a> <a href="http://optimizeyourself.me" rel="nofollow" target="_blank">Optimize Yourself Program</a> <a href="http://fitnessinpost.com/amazon" rel="nofollow" target="_blank">Fitness in Post Amazon Link</a> <a href="http://fitnessinpost.com/questions" rel="nofollow" target="_blank">FiP Question Submission</a> <a href="http://fitnessinpost.com/greens" rel="nofollow" target="_blank">Athletic Greens</a> Guest Bio: Carol Littleton, A.C.E. is one of Hollywood’s most talented and successful film editors. Her editing career spans 40 years, with more than 40 feature films to her credit. Littleton received an Academy Award nomination in 1982 for Steven Spielberg’s E.T.: the Extraterrestrial. Other films she has edited include Places in the Heart, Tuesdays With Morrie (Emmy Award for editing) and the restoration of Erich Von Stoheim’s 1926 classic, Greed.  In 1994, she edited CHINA MOON, the directorial debut of her husband, noted cinematographer John Bailey, A.S.C. Ms. Littleton has two other passions in life: music and nature.  Throughout her college years, she played oboe in various chamber groups and orchestras and still has an abiding love of concert music.  Her formative years growing up in rural Oklahoma, gave her an intimate love of nature. Healthy, hands-in-the-dirt gardening and lug-soled hiking are the perfect antidotes for the dark editing room.  Show Credits: This episode was edited by <a href="http://www.fitnessinpost.com/about/#curtis" rel="nofollow" target="_blank">Curtis Fritsch</a>, the show notes were prepared by Jakin Rintelman, and this show is executive produced by <a href="http://www.twitter.com/iamkanen" rel="nofollow" target="_blank">Kanen Flowers</a>. We are a member of the<a href="http://www.fitnessinpost.com/thatstudio" rel="nofollow" target="_blank">THAT STUDIO</a> podcast network. The music in the opening and closing of the show is courtesy of <a href="https://itunes.apple.com/us/artist/dorian-cheah/id31855401?uo=4&amp;at=1l3vpEw" rel="nofollow" target="_blank"> Dorian Cheah</a> from his brilliant album <a href="https://itunes.apple.com/us/album/ara/id271319213" rel="nofollow" target="_blank">ARA</a>.

Ep97: Legendary Editor Carol Littleton on Surviving 40+ Years In Post

How do you describe a film editor whose career spans decades? Who has worked with the biggest names in the industry? Interviewing Carol Littleton for GoodTrash Media was a complete honor, and I am thankful for the staff at deadCenter honoring her for her service to the film industry to invite Littleton to I sat in on the panel that Littleton was interviewed on. She described how she broke into making movies after receiving her English B.A. (like most of GoodTrash Media). She also talked about her experiences with working on E.T. with Stephen Spielberg and John Williams, working Bryan Cranston, and many more big names of past and present. Her genuine self shone through, as it was clear that she retained her Oklahoma Spirit, despite working with some of the film greats of our time. Littleton also graciously granted me an interview after her panel. We discussed how it is being a woman in the male-dominated film industry, the best advice for people wanting to break into the film industry in crew, and how to be a better sound designer. Also, it just so happened that Nick Sanford and Andrew MacDonald from the local indie feature The Harvesters were hanging out as well. Sanford regularly stated on the inaugural episode of The People's History of Film how he is in love with E.T., as it is his favorite movie. Both Sanford and McDonald ask some excellent questions from the movie making perspective. Their questions gave keen insight into her editing processes and gave invaluable advice to up-and-coming film makers. If you have any questions about Littleton and her experiences, we can release the raw audio file of a portion of the the panel. If you still cannot get enough film editing stories, check out a book she's featured in entitled First Cut: Conversations with Film Editors edited/compiled by Gabrielle Oldham.

How do you describe a film editor whose career spans decades? Who has worked with the biggest names in the industry? Interviewing <a href="https://en.wikipedia.org/wiki/Carol_Littleton" rel="nofollow" target="_blank">Carol Littleton</a> for GoodTrash Media was a complete honor, and I am thankful for the staff at <a href="http://www.deadcenterfilm.org/" rel="nofollow" target="_blank">deadCenter</a> honoring her for her service to the film industry to invite Littleton to I sat in on the panel that Littleton was interviewed on. She described how she broke into making movies after receiving her English B.A. (like most of GoodTrash Media). She also talked about her experiences with working on E.T. with Stephen Spielberg and John Williams, working Bryan Cranston, and many more big names of past and present. Her genuine self shone through, as it was clear that she retained her Oklahoma Spirit, despite working with some of the film greats of our time. Littleton also graciously granted me an interview after her panel. We discussed how it is being a woman in the male-dominated film industry, the best advice for people wanting to break into the film industry in crew, and how to be a better sound designer. Also, it just so happened that Nick Sanford and Andrew MacDonald from the local indie feature <a href="http://theharvestersmovie.com/" rel="nofollow" target="_blank">The Harvesters</a> were hanging out as well. Sanford regularly stated on the inaugural episode of <a href="http://www.goodtrashmedia.com/director-nick-sanford-the-peoples-history-of-film-1/" rel="nofollow" target="_blank">The People's History of Film </a>how he is in love with E.T., as it is his favorite movie. Both Sanford and McDonald ask some excellent questions from the movie making perspective. Their questions gave keen insight into her editing processes and gave invaluable advice to up-and-coming film makers. If you have any questions about Littleton and her experiences, we can release the raw audio file of a portion of the the panel. If you still cannot get enough film editing stories, check out a book she's featured in entitled <a href="https://www.amazon.com/gp/product/0520075889/ref=ox_sc_act_title_2?ie=UTF8&amp;psc=1&amp;smid=A29G165BTNNM2Z" rel="nofollow" target="_blank">First Cut: Conversations with Film Editors</a> edited/compiled by Gabrielle Oldham.

Carol Littleton: Oklahoma Native, Living Legend - A dCFF16 Interview