Neil Pepe's guest appearances

Neil Pepe

Little Known Facts with Ilana Levine

The Producer's Perspective Podcast with Ken Davenport

ATW - Downstage Center

30 to Curtain

Kevin McCollum

Jordan Roth

Howard Sherman

Daryl Roth

Des McAnuff

Sergio Trujillo

Bill Irwin

Casey Nicholaw

David Henry Hwang

Jerry Mitchell

Kristin Chenoweth

Judy Kuhn

John Weidman

Laura Linney

Cynthia Nixon

OwlTail

Neil Pepe is an acclaimed director and has been the Artistic Director of Atlantic Theater Company since 1992. Neil has been a master teacher at the Atlantic Acting School at New York University Tisch School of the Arts and an associate adjunct professor of directing at Columbia University Graduate Film Division. He has been a guest at The O’Neill Playwrights Conference as well as the American Theatre Wing. Neil holds an Honorary Doctorate as well as a BA from Kenyon College in Ohio. He has served on the Board of ART/NY as well as the Selection Committee for Harold and Mimi Steinberg Playwriting Award as well as the Pew Charitable Trust in Philadelphia. As a director, Neil’s Broadway credits include David Mamet;s American Buffalo, Doug Wright, Trey Anastasio and Amanda Green’s musical Hands on a Hardbody, the acclaimed revival of David Mamet’s Speed-the-Plow, as well as Mamet’s A Life in the Theatre. At the Atlantic, Neil has most recently directed John Guare’s 3 Kinds of Exile, Moira Buffini’s Dying For It, Jez Butterworth’s Parlour Song, Mojo and The Night Heron. Other Off-Broadway and Regional credits include: Ethan Coen’s Happy Hour, Offices and Almost an Evening; Harold Pinter’s Celebration and The Room; Adam Rapp’s Dreams of Flying, Dreams of Falling; David Mamet’s American Buffalo (Donmar Warehouse, Atlantic); Romance, Keep Your Pantheon/School (Center Theatre Group, Atlantic); Zinnie Harris’ Further than the Furthest Thing (Manhattan Theater Club); Jessica Goldberg’s Refuge (Playwrights Horizons); Frank Gilroy’s The Subject Was Roses with Martin Sheen (CTG) and Eric Bogosian’s Red Angel (Williamstown Theater Festival). Learn more about your ad choices. Visit podcastchoices.com/adchoices

Neil Pepe is an acclaimed director and has been the Artistic Director of Atlantic Theater Company since 1992. Neil has been a master teacher at the Atlantic Acting School at New York University Tisch School of the Arts and an associate adjunct professor of directing at Columbia University Graduate Film Division. He has been a guest at The O’Neill Playwrights Conference as well as the American Theatre Wing. Neil holds an Honorary Doctorate as well as a BA from Kenyon College in Ohio. He has served on the Board of ART/NY as well as the Selection Committee for Harold and Mimi Steinberg Playwriting Award as well as the Pew Charitable Trust in Philadelphia. As a director, Neil’s Broadway credits include David Mamet;s American Buffalo, Doug Wright, Trey Anastasio and Amanda Green’s musical Hands on a Hardbody, the acclaimed revival of David Mamet’s Speed-the-Plow, as well as Mamet’s A Life in the Theatre. At the Atlantic, Neil has most recently directed John Guare’s 3 Kinds of Exile, Moira Buffini’s Dying For It, Jez Butterworth’s Parlour Song, Mojo and The Night Heron. Other Off-Broadway and Regional credits include: Ethan Coen’s Happy Hour, Offices and Almost an Evening; Harold Pinter’s Celebration and The Room; Adam Rapp’s Dreams of Flying, Dreams of Falling; David Mamet’s American Buffalo (Donmar Warehouse, Atlantic); Romance, Keep Your Pantheon/School (Center Theatre Group, Atlantic); Zinnie Harris’ Further than the Furthest Thing (Manhattan Theater Club); Jessica Goldberg’s Refuge (Playwrights Horizons); Frank Gilroy’s The Subject Was Roses with Martin Sheen (CTG) and Eric Bogosian’s Red Angel (Williamstown Theater Festival). Learn more about your ad choices. Visit <a href="https://podcastchoices.com/adchoices" rel="nofollow" target="_blank">podcastchoices.com/adchoices</a>

Episode 305 - Neil Pepe

Center Theatre Group’s Artistic Director Michael Ritchie hosts “30 to Curtain,” a podcast featuring 30-minute interviews with some of the theatre artists creating work across the stages of the Ahmanson Theatre, Mark Taper Forum, and Kirk Douglas Theatre in Los Angeles.Joining this episode of “30 to Curtain” is Neil Pepe, Artistic Director of the Atlantic Theater Company and also the director of "A Play Is a Poem," a new play by Ethan Coen currently making its World premiere at the Taper. He’s led the Atlantic Theater since 1992. He’s back with Center Theatre Group, having previously directed on David Mamet’s “Two Unrelated Plays” and “Romance” and later Frank Gilroy’s “The Subject Was Roses.”For more on Center Theatre Group and its upcoming productions, visit CenterTheatreGroup.org Learn more about your ad choices. Visit megaphone.fm/adchoices

Center Theatre Group’s Artistic Director Michael Ritchie hosts “30 to Curtain,” a podcast featuring 30-minute interviews with some of the theatre artists creating work across the stages of the Ahmanson Theatre, Mark Taper Forum, and Kirk Douglas Theatre in Los Angeles.Joining this episode of “30 to Curtain” is Neil Pepe, Artistic Director of the Atlantic Theater Company and also the director of "A Play Is a Poem," a new play by Ethan Coen currently making its World premiere at the Taper. He’s led the Atlantic Theater since 1992. He’s back with Center Theatre Group, having previously directed on David Mamet’s “Two Unrelated Plays” and “Romance” and later Frank Gilroy’s “The Subject Was Roses.”For more on Center Theatre Group and its upcoming productions, visit <a href="http://CenterTheatreGroup.org" rel="nofollow" target="_blank">CenterTheatreGroup.org</a> Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

Neil Pepe on "A Play Is a Poem"

Neil Pepe is an acclaimed director. His Broadway credits include Hands on a Hardbody, the acclaimed revival of Speed-the-Plow, and A Life in the Theatre. Off-Broadway and Regional credits include: Ethan Coen’s Happy Hour, Harold Pinter’s Celebration, David Mamet’s American Buffalo, Romance, Further than the Furthest Thing, Jessica Goldberg’s Refuge, The Subject Was Roses, and Eric Bogosian’s Red Angel. He has been a guest at The O’Neill Playwrights Conference as well as the American Theatre Wing. He has served on the Board of ART/NY as well as the Selection Committee for Harold and Mimi Steinberg Playwriting Award as well as the Pew Charitable Trust in Philadelphia. I grabbed Neil after a rehearsal for The Penitent, the latest Mamet play, which is premiering at The Atlantic in just a few days, and we chatted about what it’s like to run a major non-profit in the city, and . . . The definition of a Director’s job . . . and an Artistic Director’s job. Why he doesn’t fill one of his season’s slots on purpose. The test he uses to determine if he should book a show or not. How he finds new and emerging writing talent. What he worries about with our current political administration. Keep up with me: @KenDavenportBwaywww.theproducersperspective.com  Learn more about your ad choices. Visit megaphone.fm/adchoices

Neil Pepe is an acclaimed director. His Broadway credits include Hands on a Hardbody, the acclaimed revival of Speed-the-Plow, and A Life in the Theatre. Off-Broadway and Regional credits include: Ethan Coen’s Happy Hour, Harold Pinter’s Celebration, David Mamet’s American Buffalo, Romance, Further than the Furthest Thing, Jessica Goldberg’s Refuge, The Subject Was Roses, and Eric Bogosian’s Red Angel. He has been a guest at The O’Neill Playwrights Conference as well as the American Theatre Wing. He has served on the Board of ART/NY as well as the Selection Committee for Harold and Mimi Steinberg Playwriting Award as well as the Pew Charitable Trust in Philadelphia.  I grabbed Neil after a rehearsal for The Penitent, the latest Mamet play, which is premiering at The Atlantic in just a few days, and we chatted about what it’s like to run a major non-profit in the city, and . . .<ul> <li>The definition of a Director’s job . . . and an Artistic Director’s job.</li> <li>Why he doesn’t fill one of his season’s slots on purpose.</li> <li>The test he uses to determine if he should book a show or not.</li> <li>How he finds new and emerging writing talent.</li> <li>What he worries about with our current political administration.</li> </ul> Keep up with me: @<a href="https://www.instagram.com/kendavenportbway/" rel="nofollow" target="_blank">KenDavenportBway</a><a href="http://www.theproducersperspective.com/" rel="nofollow" target="_blank">www.theproducersperspective.com</a> Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

110 - Neil Pepe

Neil Pepe, artistic director of New York's Atlantic Theater Company, discusses the development of the company as an outgrowth of acting classes led by playwright David Mamet and actor William H. Macy; his own introduction to the company as both carpenter and actor; the Atlantic's acclaimed work with playwright Martin McDonagh on his American debut, "The Beauty Queen of Leenane", and -- almost a decade later -- "The Lieutenant of Inishmore"; and how the Atlantic came to produce its most expensive production and first-ever musical, "Spring Awakening". Original air date – March 16, 2007.