Tomaso Binga's guest appearances

Tomaso Binga

Dior Talks

Robin Morgan

Katy Hessel

Tracey Emin

Felicity Jones

Judy Chicago

Vicki Noble

Bharti Kher

Janette Beckman

Marinella Senatore

Sharon Eyal

Justine Picardie

Penny Slinger

Pamela Hanson

Gisela Colon

Paola Ugolini

OwlTail

Benvenuti a questo quinto episodio di Dior Talks. Questa serie esplora la relazione tra  il Direttore Creativo delle collezioni donna, Maria Grazia Chiuri, e artiste e curatrici contemporanee. In questo episodio, Katy Hessel, una curatrice, scrittrice e storica dell’arte con base a Londra, parla con Tomaso Binga dell’inizio della sua carriera come artista concettuale femminista in occasione dell’apertura della sua mostra alla Galleria Il Mascherino di Roma.  Tomaso Binga è lo pseudonimo di Bianca Pucciarelli, nata a Salerno nel 1931. A 18 anni lascia la sua città natale per spostarsi a Roma dove, negli anni 60, inizia la sua carriera artistica. Le viene chiesto di esporre le sue opere nel 1971, dopo un attimo di esitazione, inizia a creare ed esporre una serie di opere considerate controverse e provocanti dalla società dell’epoca. Il suo alter ego nasce negli anni 70 quando decide di adottare un nome maschile per denunciare il sessismo del mondo dell’arte e della società italiana. L’unione tra Bianca e Tomaso viene celebrata tramite la performance del 1977, Oggi Spose, dove Bianca Pucciarelli sposa il suo alter ego maschile. Il nome è un omaggio al celebre esponente del Futurismo, Tommaso Marinetti, una fonte di ispirazione per Binga. Il nome Tomaso Binga viene creato come sfida al controllo egemonico degli uomini. Una delle opere più celebri dell’artista è il suo Alfabeto creato negli anni 70, dove il corpo nudo di Binga forma le lettere dell’alfabeto. È questo stesso alfabeto che viene reinterpretato per la scenografia della sfilata Dior Autunno-Inverno 2019. Bianca Pucciarelli è professoressa all’Accademia di Belle Arti di Frosinone e vice presidente della Fondazione Filiberto Menna a Salerno. Le sue opere sono state esposte sia in Itali che all’estero in occasione della 38esima edizione della Biennale di Venezia, la 14esima edizione della Biennale di San Paolo e la Biennale di Lione.   Le opere discusse in questo episodio includono:   Tomaso Binga, Feminist Works, 1970-1980, Galleria Mascherino (March – April 2020), Rome https://flash---art.it/2020/03/tomaso-binga-feminist-works-1970-1980-galleria-mascherino-roma/  Tomaso Binga: A Silenced Victory, Mimosa House, London (September- December 2019) https://mimosahouse.co.uk/tomaso-binga-2  Romana Loda, curator (-2010) http://dspace-unipr.cineca.it/bitstream/1889/3265/1/PERNA-mostre.pdf  Mirella Bentivoglio, poet and curator (1922-2017) https://nmwa.org/explore/artist-profiles/mirella-bentivoglio https://www.centrepompidou.fr/cpv/ressource.action?param.id=FR_R-86fcbd9ef0ef89d5cca5d787204b4d91&amp;param.idSource=FR_P-86fcbd9ef0ef89d5cca5d787204b4d91  Verita Monselles, photographer (1929-2005) https://www.centrephotogeneve.ch/en/artist/verita-monselles/ https://archivioraam.org/en/artist/verita-monselles  Verita Monselles, Ecce Homo, 1976 https://www.artribune.com/attualita/2016/02/dialoghi-di-estetica-raffaella-perna/attachment/verita-monselles-ecce-homo-ii-serie-1976/   Tomaso Binga, Dior Autumn-Winter 2019-2020, February 2019 https://www.youtube.com/watch?v=IQNTDiPoN7g

Benvenuti a questo quinto episodio di Dior Talks. Questa serie esplora la relazione tra  il Direttore Creativo delle collezioni donna, Maria Grazia Chiuri, e artiste e curatrici contemporanee. In questo episodio, Katy Hessel, una curatrice, scrittrice e storica dell’arte con base a Londra, parla con Tomaso Binga dell’inizio della sua carriera come artista concettuale femminista in occasione dell’apertura della sua mostra alla Galleria Il Mascherino di Roma.  Tomaso Binga è lo pseudonimo di Bianca Pucciarelli, nata a Salerno nel 1931. A 18 anni lascia la sua città natale per spostarsi a Roma dove, negli anni 60, inizia la sua carriera artistica. Le viene chiesto di esporre le sue opere nel 1971, dopo un attimo di esitazione, inizia a creare ed esporre una serie di opere considerate controverse e provocanti dalla società dell’epoca. Il suo alter ego nasce negli anni 70 quando decide di adottare un nome maschile per denunciare il sessismo del mondo dell’arte e della società italiana. L’unione tra Bianca e Tomaso viene celebrata tramite la performance del 1977, Oggi Spose, dove Bianca Pucciarelli sposa il suo alter ego maschile. Il nome è un omaggio al celebre esponente del Futurismo, Tommaso Marinetti, una fonte di ispirazione per Binga. Il nome Tomaso Binga viene creato come sfida al controllo egemonico degli uomini. Una delle opere più celebri dell’artista è il suo Alfabeto creato negli anni 70, dove il corpo nudo di Binga forma le lettere dell’alfabeto. È questo stesso alfabeto che viene reinterpretato per la scenografia della sfilata Dior Autunno-Inverno 2019. Bianca Pucciarelli è professoressa all’Accademia di Belle Arti di Frosinone e vice presidente della Fondazione Filiberto Menna a Salerno. Le sue opere sono state esposte sia in Itali che all’estero in occasione della 38esima edizione della Biennale di Venezia, la 14esima edizione della Biennale di San Paolo e la Biennale di Lione.  Le opere discusse in questo episodio includono:   Tomaso Binga, Feminist Works, 1970-1980, Galleria Mascherino (March – April 2020), Rome <a href="https://flash---art.it/2020/03/tomaso-binga-feminist-works-1970-1980-galleria-mascherino-roma/" rel="nofollow" target="_blank">https://flash---art.it/2020/03/tomaso-binga-feminist-works-1970-1980-galleria-mascherino-roma/</a>  Tomaso Binga: A Silenced Victory, Mimosa House, London (September- December 2019) <a href="https://mimosahouse.co.uk/tomaso-binga-2" rel="nofollow" target="_blank">https://mimosahouse.co.uk/tomaso-binga-2</a>  Romana Loda, curator (-2010) <a href="http://dspace-unipr.cineca.it/bitstream/1889/3265/1/PERNA-mostre.pdf" rel="nofollow" target="_blank">http://dspace-unipr.cineca.it/bitstream/1889/3265/1/PERNA-mostre.pdf</a>  Mirella Bentivoglio, poet and curator (1922-2017) <a href="https://nmwa.org/explore/artist-profiles/mirella-bentivoglio" rel="nofollow" target="_blank">https://nmwa.org/explore/artist-profiles/mirella-bentivoglio</a> <a href="https://www.centrepompidou.fr/cpv/ressource.action?param.id=FR_R-86fcbd9ef0ef89d5cca5d787204b4d91&amp;param.idSource=FR_P-86fcbd9ef0ef89d5cca5d787204b4d91" rel="nofollow" target="_blank">https://www.centrepompidou.fr/cpv/ressource.action?param.id=FR_R-86fcbd9ef0ef89d5cca5d787204b4d91&amp;param.idSource=FR_P-86fcbd9ef0ef89d5cca5d787204b4d91</a>  Verita Monselles, photographer (1929-2005) <a href="https://www.centrephotogeneve.ch/en/artist/verita-monselles/" rel="nofollow" target="_blank">https://www.centrephotogeneve.ch/en/artist/verita-monselles/</a> <a href="https://archivioraam.org/en/artist/verita-monselles" rel="nofollow" target="_blank">https://archivioraam.org/en/artist/verita-monselles</a>  Verita Monselles, Ecce Homo, 1976 <a href="https://www.artribune.com/attualita/2016/02/dialoghi-di-estetica-raffaella-perna/attachment/verita-monselles-ecce-homo-ii-serie-1976/" rel="nofollow" target="_blank">https://www.artribune.com/attualita/2016/02/dialoghi-di-estetica-raffaella-perna/attachment/verita-monselles-ecce-homo-ii-serie-1976/</a>   Tomaso Binga, Dior Autumn-Winter 2019-2020, February 2019 <a href="https://www.youtube.com/watch?v=IQNTDiPoN7g" rel="nofollow" target="_blank">https://www.youtube.com/watch?v=IQNTDiPoN7g</a>

[Feminist Art Italian version ]Tomaso Binga, la rivoluzionaria performer femminista, parla della sua carriera dal 1970 ad oggi

Welcome to this fifth episode of Dior Talks. This podcast series will explore the connections between Creative Director of Women’s collections Maria Grazia Chiuri and contemporary women artists and curators.  In this episode, series host Katy Hessel, a London-based curator, writer and art-historian, talks to Tomaso Binga about her long and influential career as a feminist conceptual artist, in the wonderful setting of the seminal Galleria Il Mascherino in Rome. Tomaso Binga was born Bianca Pucciarelli in Salerno, southern Italy, in 1931. At the age of 18 she left her hometown and moved to Rome and she started making art in the 1960s. She was first asked to exhibit her work in a gallery setting in 1971 and was initially wary of exposure, preferring to leave art world recognition to her critic husband. However, she overcame her reticence and proceeded to create and exhibit a series of highly controversial and provocative works. The alter ego came about in the early 70s, when she decided to take a man’s name as a statement about the deeply ingrained sexism of the art world and indeed the world at large. The name was an homage to Marinetti, the surrealist poet whose work has been a lifelong inspiration for Binga. ‘Tomaso Binga’ was created as a challenge to men and their hegemonic status. Binga is best known for her seminal Alphabet works of the 1970s, in which she used her own naked body to form the letters of the alphabet – which was used as part of the scenography of the Dior Autumn-Winter 2019 show – and her 1977 performance, Just Married, when Bianca Menna married her male pseudonym Tomaso Binga.  She has been a major influence on generations of women artists. She was a Professor at the prestigious Academy of Fine Arts in Frosinone and is a vice president of the Filiberto Menna Foundation in Salerno. She has had exhibitions and participated in festivals and performances throughout Italy and internationally, including the 38th Venice Biennale, the 14th São Paulo Biennial, and the Biennale de Lyon. Discover a selection of works: Tomaso Binga, Feminist Works, 1970-1980, Galleria Mascherino (March – April 2020), Rome https://flash---art.it/2020/03/tomaso-binga-feminist-works-1970-1980-galleria-mascherino-roma/ Tomaso Binga: A Silenced Victory, Mimosa House, London (September- December 2019) https://mimosahouse.co.uk/tomaso-binga-2 Romana Loda, curator (-2010) http://dspace-unipr.cineca.it/bitstream/1889/3265/1/PERNA-mostre.pdf Mirella Bentivoglio, poet and curator (1922-2017) https://nmwa.org/explore/artist-profiles/mirella-bentivoglio https://www.centrepompidou.fr/cpv/ressource.action?param.id=FR_R-86fcbd9ef0ef89d5cca5d787204b4d91&amp;param.idSource=FR_P-86fcbd9ef0ef89d5cca5d787204b4d91 Verita Monselles, photographer (1929-2005) https://www.centrephotogeneve.ch/en/artist/verita-monselles/ https://archivioraam.org/en/artist/verita-monselles Verita Monselles, Ecce Homo, 1976 https://www.artribune.com/attualita/2016/02/dialoghi-di-estetica-raffaella-perna/attachment/verita-monselles-ecce-homo-ii-serie-1976/  Tomaso Binga, Dior Autumn-Winter 2019-2020, February 2019 https://www.youtube.com/watch?v=IQNTDiPoN7g

Welcome to this fifth episode of Dior Talks. This podcast series will explore the connections between Creative Director of Women’s collections Maria Grazia Chiuri and contemporary women artists and curators.  In this episode, series host Katy Hessel, a London-based curator, writer and art-historian, talks to Tomaso Binga about her long and influential career as a feminist conceptual artist, in the wonderful setting of the seminal Galleria Il Mascherino in Rome. Tomaso Binga was born Bianca Pucciarelli in Salerno, southern Italy, in 1931. At the age of 18 she left her hometown and moved to Rome and she started making art in the 1960s. She was first asked to exhibit her work in a gallery setting in 1971 and was initially wary of exposure, preferring to leave art world recognition to her critic husband. However, she overcame her reticence and proceeded to create and exhibit a series of highly controversial and provocative works. The alter ego came about in the early 70s, when she decided to take a man’s name as a statement about the deeply ingrained sexism of the art world and indeed the world at large. The name was an homage to Marinetti, the surrealist poet whose work has been a lifelong inspiration for Binga. ‘Tomaso Binga’ was created as a challenge to men and their hegemonic status. Binga is best known for her seminal Alphabet works of the 1970s, in which she used her own naked body to form the letters of the alphabet – which was used as part of the scenography of the Dior Autumn-Winter 2019 show – and her 1977 performance, Just Married, when Bianca Menna married her male pseudonym Tomaso Binga.  She has been a major influence on generations of women artists. She was a Professor at the prestigious Academy of Fine Arts in Frosinone and is a vice president of the Filiberto Menna Foundation in Salerno. She has had exhibitions and participated in festivals and performances throughout Italy and internationally, including the 38th Venice Biennale, the 14th São Paulo Biennial, and the Biennale de Lyon. Discover a selection of works: Tomaso Binga, Feminist Works, 1970-1980, Galleria Mascherino (March – April 2020), Rome <a href="https://urldefense.proofpoint.com/v2/url?u=https-3A__flash-2D-2D-2Dart.it_2020_03_tomaso-2Dbinga-2Dfeminist-2Dworks-2D1970-2D1980-2Dgalleria-2Dmascherino-2Droma_&amp;d=DwMFaQ&amp;c=uSEuY5DFUpK1tHJgduTViA&amp;r=ZoeRpUxF1WoTBmmViDtGtcGdrSzNU_CAXXCpWvrvP6g&amp;m=6mcnrf6svvMl_PNc21uxcfE5J1BgKPyBw9Zw3SRlie0&amp;s=MS4H8G13tYIe46CoeoMlwd4gr0OPWQeFaG79NdpbsM4&amp;e=" rel="nofollow" target="_blank">https://flash---art.it/2020/03/tomaso-binga-feminist-works-1970-1980-galleria-mascherino-roma/</a> Tomaso Binga: A Silenced Victory, Mimosa House, London (September- December 2019) <a href="https://urldefense.proofpoint.com/v2/url?u=https-3A__mimosahouse.co.uk_tomaso-2Dbinga-2D2&amp;d=DwMFaQ&amp;c=uSEuY5DFUpK1tHJgduTViA&amp;r=ZoeRpUxF1WoTBmmViDtGtcGdrSzNU_CAXXCpWvrvP6g&amp;m=6mcnrf6svvMl_PNc21uxcfE5J1BgKPyBw9Zw3SRlie0&amp;s=6g1sfuGcOrjqlYyxLpQSNOfIctzyxk0iqZwqf4bsbUc&amp;e=" rel="nofollow" target="_blank">https://mimosahouse.co.uk/tomaso-binga-2</a> Romana Loda, curator (-2010) <a href="https://urldefense.proofpoint.com/v2/url?u=http-3A__dspace-2Dunipr.cineca.it_bitstream_1889_3265_1_PERNA-2Dmostre.pdf&amp;d=DwMFaQ&amp;c=uSEuY5DFUpK1tHJgduTViA&amp;r=ZoeRpUxF1WoTBmmViDtGtcGdrSzNU_CAXXCpWvrvP6g&amp;m=6mcnrf6svvMl_PNc21uxcfE5J1BgKPyBw9Zw3SRlie0&amp;s=IQmhEBNQyMV-vJX2-d38zgQFGwSdQ_zTfyGeOkUyY0c&amp;e=" rel="nofollow" target="_blank">http://dspace-unipr.cineca.it/bitstream/1889/3265/1/PERNA-mostre.pdf</a> Mirella Bentivoglio, poet and curator (1922-2017) <a href="https://urldefense.proofpoint.com/v2/url?u=https-3A__nmwa.org_explore_artist-2Dprofiles_mirella-2Dbentivoglio&amp;d=DwMFaQ&amp;c=uSEuY5DFUpK1tHJgduTViA&amp;r=ZoeRpUxF1WoTBmmViDtGtcGdrSzNU_CAXXCpWvrvP6g&amp;m=6mcnrf6svvMl_PNc21uxcfE5J1BgKPyBw9Zw3SRlie0&amp;s=Rcg15H4gUmr1X8beuD7nRwAqZ6CF65Z49E5W5WtdmcM&amp;e=" rel="nofollow" target="_blank">https://nmwa.org/explore/artist-profiles/mirella-bentivoglio</a> <a href="https://urldefense.proofpoint.com/v2/url?u=https-3A__www.centrepompidou.fr_cpv_ressource.action-3Fparam.id-3DFR-5FR-2D86fcbd9ef0ef89d5cca5d787204b4d91-26param.idSource-3DFR-5FP-2D86fcbd9ef0ef89d5cca5d787204b4d91&amp;d=DwMFaQ&amp;c=uSEuY5DFUpK1tHJgduTViA&amp;r=ZoeRpUxF1WoTBmmViDtGtcGdrSzNU_CAXXCpWvrvP6g&amp;m=6mcnrf6svvMl_PNc21uxcfE5J1BgKPyBw9Zw3SRlie0&amp;s=7olH960h0bcnesw4tdrJPUf6thg8De6cBCwPrCTOKhs&amp;e=" rel="nofollow" target="_blank">https://www.centrepompidou.fr/cpv/ressource.action?param.id=FR_R-86fcbd9ef0ef89d5cca5d787204b4d91&amp;param.idSource=FR_P-86fcbd9ef0ef89d5cca5d787204b4d91</a> Verita Monselles, photographer (1929-2005) <a href="https://urldefense.proofpoint.com/v2/url?u=https-3A__www.centrephotogeneve.ch_en_artist_verita-2Dmonselles_&amp;d=DwMFaQ&amp;c=uSEuY5DFUpK1tHJgduTViA&amp;r=ZoeRpUxF1WoTBmmViDtGtcGdrSzNU_CAXXCpWvrvP6g&amp;m=6mcnrf6svvMl_PNc21uxcfE5J1BgKPyBw9Zw3SRlie0&amp;s=rgtPpC63Jt8sDAUrJ2xRJLxLzVzpVSExq_464uv4TC8&amp;e=" rel="nofollow" target="_blank">https://www.centrephotogeneve.ch/en/artist/verita-monselles/</a> <a href="https://urldefense.proofpoint.com/v2/url?u=https-3A__archivioraam.org_en_artist_verita-2Dmonselles&amp;d=DwMFaQ&amp;c=uSEuY5DFUpK1tHJgduTViA&amp;r=ZoeRpUxF1WoTBmmViDtGtcGdrSzNU_CAXXCpWvrvP6g&amp;m=6mcnrf6svvMl_PNc21uxcfE5J1BgKPyBw9Zw3SRlie0&amp;s=bJuYL5a9Ir7lDXGA9mvP2Z8q1F3llzmXCo833fYV-jk&amp;e=" rel="nofollow" target="_blank">https://archivioraam.org/en/artist/verita-monselles</a> Verita Monselles, Ecce Homo, 1976 <a href="https://urldefense.proofpoint.com/v2/url?u=https-3A__www.artribune.com_attualita_2016_02_dialoghi-2Ddi-2Destetica-2Draffaella-2Dperna_attachment_verita-2Dmonselles-2Decce-2Dhomo-2Dii-2Dserie-2D1976_&amp;d=DwMFaQ&amp;c=uSEuY5DFUpK1tHJgduTViA&amp;r=ZoeRpUxF1WoTBmmViDtGtcGdrSzNU_CAXXCpWvrvP6g&amp;m=6mcnrf6svvMl_PNc21uxcfE5J1BgKPyBw9Zw3SRlie0&amp;s=lHraW78XoPAGrVOQiH-6cMYfGT_Lew049bs_5RFq7-c&amp;e=" rel="nofollow" target="_blank">https://www.artribune.com/attualita/2016/02/dialoghi-di-estetica-raffaella-perna/attachment/verita-monselles-ecce-homo-ii-serie-1976/</a> Tomaso Binga, Dior Autumn-Winter 2019-2020, February 2019 <a href="https://urldefense.proofpoint.com/v2/url?u=https-3A__www.youtube.com_watch-3Fv-3DIQNTDiPoN7g&amp;d=DwMFaQ&amp;c=uSEuY5DFUpK1tHJgduTViA&amp;r=ZoeRpUxF1WoTBmmViDtGtcGdrSzNU_CAXXCpWvrvP6g&amp;m=6mcnrf6svvMl_PNc21uxcfE5J1BgKPyBw9Zw3SRlie0&amp;s=Sq4K3PHzCZSd4UFii9m1UBS-Rm-Cq_BR4eeI7mJBUiI&amp;e=" rel="nofollow" target="_blank">https://www.youtube.com/watch?v=IQNTDiPoN7g</a>

[Feminist Art] Tomaso Binga, the groundbreaking feminist performance artist speaks about her remarkable career, from the 1970s to today