Ian Pettigrew's guest appearances

Ian Pettigrew

THEME-ADDICTS

The Phoblographer

David Osborn

Sammy Davis Jr

Earl Grey

Chris Gampat

Nicole Struppert

Matthew Jordan Smith

Jamel Shabazz

Bruce Gilden

Lisa Cummings

Brittany Smith

Frank Jackson

Joseph Jackson

Stephanie Rogers

Ryan Mitchell

Alex Miller

OwlTail

“I’ve actually noticed my images becoming a lot bolder, louder, over the last couple of years,” says photographer Ian Pterrigew. “I’m not sure how you’d subconsciously analyse that.” Ian is a fascinating photographer who has measurably evolved over the years. We initially featured him when talking about the Salty Girls photo project. Then there was Salty Kids, and we saw his Floating Dogs photo project. Today, we’re spotlighting his recent Quarantine project. The Canada-based creative always has some of the most fascinating stories. And this one is no exception.You can view this article and much more with minimal banner ads in our brand new app for iOS, iPadOS, and Android. And for $24.99/year, you can have a banner ad-free experience.The Essential Camera Gear of Ian PettigrewSony a7r IILeica SLLeica SL2Sigma Art 35mmSigma Art 50mmPCB DigibeeRotalux deep octabox16” MacBook Pro using Capture OneThe earliest 2 were the Nun and Queens gambit, that was Sony A7rII, after that I switched to the Leica SL for the Audrey Hepburn and the the Leica SL2 for the rest of the images. The Sony I used a Sigma Art 35mm, and for the all the Leica shots the Sigma Art 50mm. I was a 35mm shooter for years and just decided to switch it up to 50mm. All the pics except for the Dorothy pic qere 1 light: PCB Digibee with large Rotalux deep octabox. The Dorothy pic had 2 lights, using the large octabox and a strip light for the legs. I always shoot tethered with a 16” MacBook Pro using Capture One.Phoblographer: Right before the pandemic hit, how do you feel you were changing creatively, and how do you feel the quarantine changed you creatively?Ian Pettigrew: Maybe in the months leading up I was struggling to find the next thing. I was dealing with some personal stuff, and was maybe feeling uninspired. Necessity is the mother of invention, as it says. Being in a lockdown situation, and luckily enough being with your girlfriend/muse/model gave us lots of opportunity to explore creatively.The Queen’s Gambit is the obvious lockdown one, but also exploring Wizard of Oz and Breakfast at Tiffanys. We also moved in the middle of the first lockdown, into a much nicer space with great high ceilings. I can’t begin to tell you – as a portrait photographer – how awesome and inspiring high ceilings are.Phoblographer: These images are of your partner, Nicole. They’ve got themes and centered around certain colors. Where did the idea for this series come from?Ian Pettigrew: Orange or yellow might have been our first shoot, I can’t remember now. I have an old Fisherman’s yellow raincoat I thought would be a good idea for a monochromatic shoot, but it morphed into using foods that corresponded with the colour we chose. There were a few colours I wasn’t 100% happy with that I am still planning to reshoot. Maybe it was the food, or maybe the outfit didn’t work well. Pink was one colour that I wasn’t happy with. Lockdown was maybe good for inspiring creativity but not always great for shopping for stuff you need. Once we got going, after 2-3 colours both of us were like ‘Damn, this looks pretty good. Whats next???”Phoblographer: We’ve featured you a few times. Overall these images feel very “Ian Pettigrew” but there’s been an evolution as well. With Salty Girls, you centered on placing the women with Cystic Fibrosis at the fore. Then with the Floating Dogs project, you worked with pastels. This Quarantine project is very bold and bright. Have you personally thought about colors differently?Ian Pettigrew: I’ve actually noticed my images becoming a lot bolder, louder, over the last couple of years. I’m not sure how you’d subconsciously analyse that. SaltyGirls was certainly a very heavy and emotional project, and right after that I also started one (but never expanded on fully) with veterans of various conflicts (WW2, Korea, Vietnam). The Floating Dogs was supposed to be a mental antidote to that heaviness – the dogs were only meant to put a smile on your ...

“I’ve actually noticed my images becoming a lot bolder, louder, over the last couple of years,” says photographer Ian Pterrigew. “I’m not sure how you’d subconsciously analyse that.” Ian is a fascinating photographer who has measurably evolved over the years. We initially featured him when talking about the Salty Girls photo project. Then there was Salty Kids, and we saw his Floating Dogs photo project. Today, we’re spotlighting his recent Quarantine project. The Canada-based creative always has some of the most fascinating stories. And this one is no exception. You can view this article and much more with minimal banner ads in our brand new app for iOS, iPadOS, and Android. And for $24.99/year, you can have a banner ad-free experience. The Essential Camera Gear of Ian Pettigrew Sony a7r II Leica SL Leica SL2 Sigma Art 35mm Sigma Art 50mm PCB Digibee Rotalux deep octabox 16” MacBook Pro using Capture One The earliest 2 were the Nun and Queens gambit, that was Sony A7rII, after that I switched to the Leica SL for the Audrey Hepburn and the the Leica SL2 for the rest of the images. The Sony I used a Sigma Art 35mm, and for the all the Leica shots the Sigma Art 50mm. I was a 35mm shooter for years and just decided to switch it up to 50mm. All the pics except for the Dorothy pic qere 1 light: PCB Digibee with large Rotalux deep octabox. The Dorothy pic had 2 lights, using the large octabox and a strip light for the legs. I always shoot tethered with a 16” MacBook Pro using Capture One. Phoblographer: Right before the pandemic hit, how do you feel you were changing creatively, and how do you feel the quarantine changed you creatively? Ian Pettigrew: Maybe in the months leading up I was struggling to find the next thing. I was dealing with some personal stuff, and was maybe feeling uninspired. Necessity is the mother of invention, as it says. Being in a lockdown situation, and luckily enough being with your girlfriend/muse/model gave us lots of opportunity to explore creatively. The Queen’s Gambit is the obvious lockdown one, but also exploring Wizard of Oz and Breakfast at Tiffanys. We also moved in the middle of the first lockdown, into a much nicer space with great high ceilings. I can’t begin to tell you – as a portrait photographer – how awesome and inspiring high ceilings are. Phoblographer: These images are of your partner, Nicole. They’ve got themes and centered around certain colors. Where did the idea for this series come from? Ian Pettigrew: Orange or yellow might have been our first shoot, I can’t remember now. I have an old Fisherman’s yellow raincoat I thought would be a good idea for a monochromatic shoot, but it morphed into using foods that corresponded with the colour we chose. There were a few colours I wasn’t 100% happy with that I am still planning to reshoot. Maybe it was the food, or maybe the outfit didn’t work well. Pink was one colour that I wasn’t happy with. Lockdown was maybe good for inspiring creativity but not always great for shopping for stuff you need. Once we got going, after 2-3 colours both of us were like ‘Damn, this looks pretty good. Whats next???” Phoblographer: We’ve featured you a few times. Overall these images feel very “Ian Pettigrew” but there’s been an evolution as well. With Salty Girls, you centered on placing the women with Cystic Fibrosis at the fore. Then with the Floating Dogs project, you worked with pastels. This Quarantine project is very bold and bright. Have you personally thought about colors differently? Ian Pettigrew: I’ve actually noticed my images becoming a lot bolder, louder, over the last couple of years. I’m not sure how you’d subconsciously analyse that. SaltyGirls was certainly a very heavy and emotional project, and right after that I also started one (but never expanded on fully) with veterans of various conflicts (WW2, Korea, Vietnam). The Floating Dogs was supposed to be a mental antidote to that heaviness – the dogs were only meant to put a smile on your ...

Ian Pettigrew Shares Whimsy in His Wonderful Quarantine Project

Ian Pettigrew provides us with a unique outlook on Strengths-based development. As a coach, Ian has created a 7 step process he leverages to help others become the best version of themselves and bounce back from setbacks. As part of his True Strengths discovery process, Ian developed the acronym S.W.I.M.A.R.T. Strength Weakness Intent Mindset Action […]

Ian Pettigrew | Look Where You Want to Go TA032