Thomas Zera's guest appearances

Thomas Zera

Contrabass Conversations

David Allen

Paul Simon

Brian Johnson

Willie Nelson

Henry Chen

William Parker

Steve Metcalf

Scott Dixon

John Davis

Chris West

Leonard Bernstein

Paul Johnson

Miles Brown

Kevin Brown

Rick Jones

OwlTail

Thomas Zera has undertaken a fascinating project these past couple of years: play in the bass section of many of the United States’ major orchestras and learn the differences between how these sections approach their craft.  For this project, Tom performed with the Philadelphia Orchestra, St. Louis Symphony, Detroit Symphony, Oregon Symphony, San Francisco Symphony, Utah Symphony, and many others.   Tom and I dig into pizzicato placement, use of vibrato, how different halls influence the bass section, what bass sections sounds like out in the hall, and much more!   Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle! Contrabass Conversations is sponsored by: Robertson &amp; Sons Violins For more than four decades, Robertson &amp; Sons has specialized in providing the highest quality stringed instruments and bows to collectors, professional musicians, music educators, and students of all ages. Their modern facility is equipped with three instrument showrooms as well as a beautiful Recital Hall available to our clients to in their search for the perfect instrument and/or bow. Upton Bass String Instrument Company Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. D'Addario Strings This episode is brought to you by D’Addario Strings! Check out their Zyex strings, which are synthetic core strings that produce an extremely warm, rich sound. Get the sound and feel of gut strings with more evenness, projection and stability than real gut.   A440 Violin Shop An institution in the Roscoe Village neighborhood for over 20 years, A440's commitment to fairness and value means that we have many satisfied customers from the local, national, and international string playing communities. Our clients include major symphony orchestras, professional orchestra and chamber music players, aspiring students, amateur adult players, all kinds of fiddlers, jazz and commercial musicians, university music departments, and public schools. Contrabass Conversations production team:  Jason Heath, host Michael Cooper and Steve Hinchey, audio editing Mitch Moehring, audio engineer  Trevor Jones, publication and promotion  Subscribe to the podcast to get these interviews delivered to you automatically!

<a href="http://www.utahsymphony.org/insight/200-thomas-zera" rel="nofollow" target="_blank">Thomas Zera</a> has undertaken a fascinating project these past couple of years: play in the bass section of many of the United States’ major orchestras and learn the differences between how these sections approach their craft.  For this project, Tom performed with the Philadelphia Orchestra, St. Louis Symphony, Detroit Symphony, Oregon Symphony, San Francisco Symphony, Utah Symphony, and many others. Tom and I dig into pizzicato placement, use of vibrato, how different halls influence the bass section, what bass sections sounds like out in the hall, and much more! <a href="http://contrabassconversations.com/app" rel="nofollow" target="_blank">Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle!</a> Contrabass Conversations is sponsored by: <a href="http://contrabassconversations.com/robertson" rel="nofollow" target="_blank">Robertson &amp; Sons Violins</a> For more than four decades, Robertson &amp; Sons has specialized in providing the highest quality stringed instruments and bows to collectors, professional musicians, music educators, and students of all ages. Their modern facility is equipped with three instrument showrooms as well as a beautiful Recital Hall available to our clients to in their search for the perfect instrument and/or bow. <a href="http://contrabassconversations.com/uptonbass" rel="nofollow" target="_blank">Upton Bass String Instrument Company</a> Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. <a href="http://contrabassconversations.com/strings" rel="nofollow" target="_blank">D'Addario Strings</a> This episode is brought to you by D’Addario Strings! Check out their <a href="http://contrabassconversations.com/daddario2" rel="nofollow" target="_blank">Zyex strings</a>, which are synthetic core strings that produce an extremely warm, rich sound. Get the sound and feel of gut strings with more evenness, projection and stability than real gut. <a href="http://contrabassconversations.com/a440" rel="nofollow" target="_blank">A440 Violin Shop</a> An institution in the Roscoe Village neighborhood for over 20 years, <a href="http://contrabassconversations.com/a440" rel="nofollow" target="_blank">A440</a>'s commitment to fairness and value means that we have many satisfied customers from the local, national, and international string playing communities. Our clients include major symphony orchestras, professional orchestra and chamber music players, aspiring students, amateur adult players, all kinds of fiddlers, jazz and commercial musicians, university music departments, and public schools. Contrabass Conversations production team: <ul> <li><a href="http://doublebassblog.org" rel="nofollow" target="_blank">Jason Heath</a>, host</li> <li>Michael Cooper and Steve Hinchey, audio editing</li> <li><a href="http://mitchmoehring.com" rel="nofollow" target="_blank">Mitch Moehring</a>, audio engineer</li> <li><a href="http://contrabassconversations.com/2016/04/20/cbc-205-trevor-jones-on-musical-pit-work-scheduling-creativity-and-finding-balance/" rel="nofollow" target="_blank"> Trevor Jones,</a> publication and promotion</li> </ul> <a href="http://contrabassconversations.com/subscribe" rel="nofollow" target="_blank">Subscribe to the podcast</a> to get these interviews delivered to you automatically!

490: Thomas Zera on orchestral bass section differences