Bosley Gravel's guest appearances

Bosley Gravel

The Dunesteef Audio Fiction Magazine

CONVERSATIONS with RENÉE

Tupac Shakur

Cory Doctorow

Michael Anthony

Sam Schreiber

William Meikle

Kevin Anderson

Matt Arnold

Scott Sigler

Michael Stone

Harris Tobias

Aeryn Rudel

Aaron Paul

Tobias Buckell

Robert Lowell

David Anderson

OwlTail

Meet Bosley Gravel, author of Cannibal Lesbian Zombies from Outer Space vs. Doctor Clockwork and his Furious Plastic Surgeons of Doom: THE MOVIE. Synopsis: Stewart A. Smithee lives in a small town but he thinks big. Behind the counter of the local grocery store, he plans to break into the movie business by writing, directing, producing and filming his masterpiece Sci Fi flick. Bosley Gravel claims to be an eclectic hack writer, was born in the Midwest, and came of age in Texas and southern New Mexico. He writes in a variety of genres. His fiction focuses on the absurdly tragic, and the tragically absurd. He likes good black coffee, nightmares, Billie Holiday, and that hour just before the sun comes up. Join us for an interesting conversation about writing, publishing, and all the things in between!

A Conversation with Author Bosley Gravel 

Javi Jelcor has lost his young wife.  He can either accept it and moveon with his life, or give in to despair.  But there's a third choice:take the body to Mars, and see if the stories of resurrection aretrue.  What would you do?Also, Rish and Big talkabout the unusual circumstances behind this story's ending.  Was thisending more satisfying than it might have been?  Is a writer obligatedto change his ending?  Is an editor out of line to ask for changes ormake them on his own?  What would you do?

Javi Jelcor has lost his young wife.  He can either accept it and move on with his life, or give in to despair.  But there's a third choice: take the body to Mars, and see if the stories of resurrection are true.  What would you do?Also, Rish and Big talk about the unusual circumstances behind this story's ending.  Was this ending more satisfying than it might have been?  Is a writer obligated to change his ending?  Is an editor out of line to ask for changes or make them on his own?  What would you do?

Page 78:  With Mars In His Hand by Bosley Gravel