Aliza Nisenbaum's guest appearances

Aliza Nisenbaum

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Episode No. 522 features artist Aliza Nisenbaum and curator Davide Gasparotto. Aliza Nisenbaum's work is on view at the Cleveland Museum of Art in  "Picturing Motherhood Now," a look at how contemporary artists represent motherhood. Curated by Emily Liebert, it is on view through March 13, 2022. The Kemper Museum of Contemporary Art in Kansas City is showing  "Aliza Nisenbaum: Aquí Se Puede (Here You Can)," an exhibition of large-scale portraits of individuals connected to Kansas City salsa music and dance communities. It was curated by Erin Dziedzic and is up through July 31, 2022. Tate Liverpool and the Minneapolis Institute of Arts are among the museums that have presented solo exhibitions of Nisenbaum's work. Gasparotto discusses the J. Paul Getty Museum's acquisition of Jacopo Bassano's 1554 The Miracle of the Quails. The picture goes on view at the Getty today. The nearly eight-foot-wide painting is a rare depiction of the Old Testament detailing of  the miracle of the quails. Bassano based his visual account from a single line in the Bible's story.

Episode No. 522 features artist Aliza Nisenbaum and curator Davide Gasparotto. <a href="https://alizanisenbaum.com/" rel="nofollow" target="_blank">Aliza Nisenbaum's</a> work is on view at the Cleveland Museum of Art in <a href="https://www.clevelandart.org/exhibitions/picturing-motherhood-now" rel="nofollow" target="_blank"> "Picturing Motherhood Now,"</a> a look at how contemporary artists represent motherhood. Curated by Emily Liebert, it is on view through March 13, 2022. The Kemper Museum of Contemporary Art in Kansas City is showing <a href="https://www.kemperart.org/exhibitions/aliza-nisenbaum-aqu%C3%AD-se-puede-here-you-can" rel="nofollow" target="_blank"> "Aliza Nisenbaum: Aquí Se Puede (Here You Can),"</a> an exhibition of large-scale portraits of individuals connected to Kansas City salsa music and dance communities. It was curated by Erin Dziedzic and is up through July 31, 2022. Tate Liverpool and the Minneapolis Institute of Arts are among the museums that have presented solo exhibitions of Nisenbaum's work. Gasparotto discusses the J. Paul Getty Museum's acquisition of Jacopo Bassano's 1554 The Miracle of the Quails. The picture goes on view at the Getty today. The nearly eight-foot-wide painting is a rare depiction of the Old Testament detailing of <a href="https://www.thetorah.com/article/the-double-quail-narratives-and-bekhor-shors-innovative-reading" rel="nofollow" target="_blank"> the miracle of the quails.</a> Bassano based his visual account from a single line in the Bible's story.

Aliza Nisenbaum, the Getty's new Bassano

Aliza Nisenbaum was born in 1977 in Mexico City, Mexico, and lives and works in Harlem, New York. Her early work consists of small, intensely painted still-lifes of flowers and large, delicate, yet colorful abstractions. In 2012, Nisenbaum began working as an art and English teacher at Tania Bruguera’s project, a community center called Immigrant Movement International (IMI); there, she painted intimate portraits of the Mexican and Central American immigrants who frequented the space. Patricia Treib was born in Saginaw, MI, and lives and works in Brooklyn. Solo exhibitions have been held at Kate MacGarry, London (2019); Galerie Nordenhake, Stockholm (2018); Bureau, New York (2017); Galería Marta Cervera, Madrid (2016). Recent group exhibitions include Le realtà ordinarie, curated by Davide Ferri, at the Palazzo de Toschi, Bologna (2020), and The Samovar, Overduin &amp; Co., Los Angeles (2019). She has participated in residencies at the American Academy in Rome (2017), the Dora Maar House (2014), MacDowell (2013), and was a recipient of the 2017 Artadia Award and a 2020 Guggenheim Fellowship.

Aliza Nisenbaum was born in 1977 in Mexico City, Mexico, and lives and works in Harlem, New York. Her early work consists of small, intensely painted still-lifes of flowers and large, delicate, yet colorful abstractions. In 2012, Nisenbaum began working as an art and English teacher at Tania Bruguera’s project, a community center called Immigrant Movement International (IMI); there, she painted intimate portraits of the Mexican and Central American immigrants who frequented the space. Patricia Treib was born in Saginaw, MI, and lives and works in Brooklyn. Solo exhibitions have been held at Kate MacGarry, London (2019); Galerie Nordenhake, Stockholm (2018); Bureau, New York (2017); Galería Marta Cervera, Madrid (2016). Recent group exhibitions include Le realtà ordinarie, curated by Davide Ferri, at the Palazzo de Toschi, Bologna (2020), and The Samovar, Overduin &amp; Co., Los Angeles (2019). She has participated in residencies at the American Academy in Rome (2017), the Dora Maar House (2014), MacDowell (2013), and was a recipient of the 2017 Artadia Award and a 2020 Guggenheim Fellowship.

Patricia Treib and Aliza Nisenbaum

Nisenbaum talks about painting as a mode of being present to others and, in those situations, confronting complex feelings as social beings.

Aliza Nisenbaum was born in Mexico City, and is currently based in New York. She received her BFA and her MFA from the Art Institute of Chicago. She is represented by Anton Kern gallery and is an Assistant Professor of Visual Arts at Columbia University School of the Arts.She has had recent shows at the Phillips Collection, Boston ICA, LA MOCA, The Minneapolis Institute of Art, the Whitney Biennial 2017; The Flag Art Foundation; The ICA at MECA; Biennial of the Americas, MCA, Denver; the Rufino Tamayo Painting Biennial, Museo Rufino Tamayo, Mexico City; She has a forthcoming exhibition at Anton Kern gallery 2019; and at Tate Liverpool in 2021. Her work has been covered by Artnet, The Brooklyn Rail, Artforum, Frieze, Vogue. ArtReview, The New Yorker and to name a few. Brian met up with Aliza at Anton Kern Gallery at the site of her solo show ‘Coreografias’ which is on view through November 2nd.

Aliza Nisenbaum was born in Mexico City, and is currently based in New York. She received her BFA and her MFA from the Art Institute of Chicago. She is represented by Anton Kern gallery and is an Assistant Professor of Visual Arts at Columbia University School of the Arts. She has had recent shows at the Phillips Collection, Boston ICA, LA MOCA, The Minneapolis Institute of Art, the Whitney Biennial 2017; The Flag Art Foundation; The ICA at MECA; Biennial of the Americas, MCA, Denver; the Rufino Tamayo Painting Biennial, Museo Rufino Tamayo, Mexico City; She has a forthcoming exhibition at Anton Kern gallery 2019; and at Tate Liverpool in 2021. Her work has been covered by Artnet, The Brooklyn Rail, Artforum, Frieze, Vogue. ArtReview, The New Yorker and to name a few. Brian met up with Aliza at Anton Kern Gallery at the site of her solo show ‘Coreografias’ which is on view through November 2nd.