Dody Dorn's guest appearances

Dody Dorn

Optimize Yourself

Art of the Frame

Art of the Cut

Stephanie Filo

Louise Ford

Amelia Allwarden

Walter Murch

Chris Patterson

Kelley Dixon

Myron Kerstein

Peter Sciberras

Tom Cross

Monty DeGraff

Fred Raskin

Dean Zimmerman

Zack Arnold

Michelle Tesoro

Eileen Meyer

OwlTail

Carlos Castillon

Today we are excited to bring Glenn Garland on to host an audio version of his ever popular series "Editors on Editing." This new podcast, in partnership with the fantastic folks over at American Cinema Editors (ACE), will bring conversations with your favorite editors into your car, living room, editing suite and beyond.  On this episode we have editors Dody Dorn, ACE and first assistant editor Carlos Castillon to talk about the Zach Snyder film "Army of the Dead." Dody is an Oscar nominated editor who has had a long career in the industry with credits such as “Memento”, “The Abyss”, “Fury” and Zach Snyder’s cut of “Justice League.” Carlos was the first assistant editor on “Justice League” and “Aquaman” and an assistant editor on “Spider-Man: Far from Home” and “300: Rise of an Empire.” Make sure to check out "Army of the Dead" on Netflix! Huge thanks to ACE for partnering with us on this podcast, check out their website for more. Want to see more interviews from Glenn? Check out "Editors on Editing" here. The Art of the Frame podcast is available on Apple Podcasts, Spotify, Google Podcasts, Anchor and many more platforms. If you like the podcast, make sure to subscribe so you don't miss future episodes.--- Support this podcast: https://podcasters.spotify.com/pod/show/artofthecut/support

Today we are excited to bring Glenn Garland on to host an audio version of his ever popular series "Editors on Editing." This new podcast, in partnership with the fantastic folks over at American Cinema Editors (ACE), will bring conversations with your favorite editors into your car, living room, editing suite and beyond.  On this episode we have editors Dody Dorn, ACE and first assistant editor Carlos Castillon to talk about the Zach Snyder film "Army of the Dead." Dody is an Oscar nominated editor who has had a long career in the industry with credits such as “Memento”, “The Abyss”, “Fury” and Zach Snyder’s cut of “Justice League.” Carlos was the first assistant editor on “Justice League” and “Aquaman” and an assistant editor on “Spider-Man: Far from Home” and “300: Rise of an Empire.” Make sure to check out "Army of the Dead" on Netflix! Huge thanks to ACE for partnering with us on this podcast, <a href="https://americancinemaeditors.org" rel="nofollow" target="_blank">check out their website for more</a>. Want to see more interviews from Glenn? Check out "Editors on Editing" <a href="https://editfestglobal.com/category/video/editors-on-editing/" rel="nofollow" target="_blank">here</a>. The Art of the Frame podcast is available on Apple Podcasts, Spotify, Google Podcasts, Anchor and many more platforms. If you like the podcast, make sure to subscribe so you don't miss future episodes.--- Support this podcast: <a href="https://podcasters.spotify.com/pod/show/artofthecut/support" rel="payment nofollow" target="_blank">https://podcasters.spotify.com/pod/show/artofthecut/support</a>

Editors on Editing w/ "Army of the Dead" Editors Dody Dorn, ACE & Carlos Castillon

On today's episode of Art of the Cut, Steve talks with Oscar-nominated editor Dody Dorn, ACE, and first assistant editor Carlos M, Castillón. They both have a long list of high-profile projects under their respective belts, including Iron Man, Memento, and Fury, but they first worked together on Zack Snyder's Justice League. And now they've teamed up again on Snyder's latest film, the zombie action flick Army of the Dead, to tackle a unique and intense VFX-heavy workflow. Thanks to Frame.io for their support of Art of the Cut and their pledge to keep this content coming your way. Read this interview and many others at blog.frame.io, where you'll also find expert guides, tutorials, and insights from veteran filmmakers across the film and TV industry.

On today's episode of Art of the Cut, Steve talks with Oscar-nominated editor Dody Dorn, ACE, and first assistant editor Carlos M, Castillón. They both have a long list of high-profile projects under their respective belts, including Iron Man, Memento, and Fury, but they first worked together on Zack Snyder's Justice League. And now they've teamed up again on Snyder's latest film, the zombie action flick Army of the Dead, to tackle a unique and intense VFX-heavy workflow. Thanks to <a href="http://Frame.io" rel="nofollow" target="_blank">Frame.io</a> for their support of Art of the Cut and their pledge to keep this content coming your way. <a href="https://blog.frame.io/2021/06/09/art-of-the-cut-zack-snyder-army-of-the-dead/" rel="nofollow" target="_blank">Read this interview</a> and many others at <a href="https://blog.frame.io/" rel="ugc noopener noreferrer nofollow" target="_blank">blog.frame.io</a>, where you'll also find expert guides, tutorials, and insights from veteran filmmakers across the film and TV industry.

Art of the Cut, Ep. 103: "Army of the Dead" Editor Dody Dorn, ACE

Finding a mentor in Hollywood is an elusive process that few really understand, but when you find a mentor that really understands your challenges and wants to help you succeed, it can change your career (and even your entire life).So then how do you find a mentor?In this episode I have the pleasure and honor of chatting with my very first mentor Academy Award nominated film &amp; television editor Dody Dorn, ACE who has worked with such acclaimed directors as James Cameron, Christopher Nolan, Baz Luhrman, David Ayer, and Ridley Scott…to name a few. We talk about how and why I reached out to Dody in the first place, why she chose to respond and become my mentor, and how our relationship has worked as mentor &amp; mentee over the last seventeen years.But more interestly, we also chat about the major transition in our relationship when Dody went from being the mentor to becoming the mentee after realizing that…“Keeping your head down is not the road to a healthy life”…and is in fact the path to an early death. Like so many in her field of editing blockbuster features, Dody struggled with major health challenges, both mental and physical, and we chat about the mindset shifts and lifestyle transformations she made to become more active, energetic, and creative.Want to Hear More Episodes Like This One?» Click here to subscribe and never miss another episodeHere’s What You’ll Learn:How Zack connected with Dody and cultivate a mentorship relationship with her.The tragic series of events that led to Dody calling Zack about “Fitness in Post” and work-life balance.Dody shares valuable insights with the benefit of 20/20 hindsight on her career in editing.Her flexible approach to gradually bringing more self-care into her busy schedule.How to stay connected to the rest of the world when internal and external pressures put you in front of a screen most of the time.Why “Keeping your head down” is not the road to a good, healthy life. In fact, it might be the road to an early death.The realities of ‘working in isolation’ and the impacts on our health, wellbeing and relationships.The “how to boil a frog” analogy and how easy it is to get so focused on work only to realize the negative health impacts once we’re already “boiling”.A key shift in mindset after working with a nutritionist for just one day that led to her losing 30 pounds without even focusing on weight loss but instead on lifestyle.On long hours: Dody shares valuable insights on how she overcomes the ‘gravity’ that draws so many of us into long hours at the expense of our wellbeing. HINT: We often have more control than we think we do.Why we editors are “horrible bosses” to ourselves.Dody’s process for preparing for the time when the director’s going to be in the room.On shooting ratios: How the shift to digital has led to “pushing the work to the other side of the camera”.The key to getting a mentor is simple. You need to ask and know what you’re asking for.Useful Resources Mentioned:Article: How I Became a Curmudgeon at 25 Years OldLive panel &amp; workshop for Editor’s Guild – Saturday Jan. 18th “Hollywood Networking for Introverts”Our Generous Sponsors:This episode is made possible for you by Ergodriven, the makers of the Topo Mat, my #1 recommendation for anyone who stands at their workstation. The Topo is super comfortable, an awesome conversation starter, and it’s also scientifically proven to help you move more throughout the day which helps reduce discomfort and also increase your focus and productivity. Click here to learn more and get your Topo Mat.Guest Bio:Switching easily between blockbusters and independent art house cinema, Dody Dorn is one of the leading film editors in the United States. A native of Santa Monica, California, Dorn graduated from Hollywood High School. At the outset of her career she worked mainly as a sound editor, before moving on to film editing in the 1990s.She has collaborated on several projects with directors Christopher Nolan (Memento, Insomnia) and Ridley Scott (e.g. Kingdom of Heaven). For Memento, she was nominated for an Academy Award for Best Film Editing in 2002.Dody Dorn is a member of the board of Governors for the film editing branch of the Academy of Motion Picture Arts and Sciences (AMPAS) as well as a board member of the Motion Picture Editors Guild (MPEG) and a member of the American Cinema Editors (ACE) . Dorn is a board member of the Avid Customer Association (ACA) and co-chair of the Friends of Residential Treasures (FORT).Dorn has spoken on numerous panels about the art of film editing including MASTERS IN MOTION (2017) ACE Edit Fest, the Lean in Moment (2015), keynote speaker for NAB adjacent Super Meet (2017) and FilmPlus in Cologne, Germany (2018). As an Academy member, Dorn has been a Branch Executive committee member for 7 years as well as a judge for the Student Academy Awards, and the UCLA Student Film Awards. She has given seminars and talks at numerous film schools and universities including USC, UCLA, and SFSU.Here is a partial list of Dorn’s film and television editing credits:ARMY OF THE DEAD (2020)COME AWAY (2019)I AM THE NIGHT (2019) 4 episodesPOWER RANGERS (2017)BEN HUR (2016)FURY (2014)ENLIGHTENED Season 2 (2012) – as Producer and EditorEND OF WATCH (2012)ENLIGHTENED Season 1 (2010) – as co-Producer and EditorTHE GOOD WIFE (2009) pilotAUSTRALIA (2008)YEAR OF THE DOG (2007)A GOOD YEAR (2007)KINGDOM OF HEAVEN (2005)MATCHSTICK MEN (2004)INSOMNIA (2002)MY LIFE WITH JUDY GARLAND (2001)MEMENTO (2000)GUINEVERE (1999)https://www.imdb.com/name/nm0233827/https://en.wikipedia.org/wiki/Dody_DornShow Credits:This episode was edited by Curtis Fritsch, and the show notes were prepared and published by Elyse Rintelman. The original music in the opening and closing of the show is courtesy of Joe Trapanese (who is quite possibly one of the most talented composers on the face of the planet).

Finding a mentor in Hollywood is an elusive process that few really understand, but when you find a mentor that really understands your challenges and wants to help you succeed, it can change your career (and even your entire life).So then how do you find a mentor?In this episode I have the pleasure and honor of chatting with my very first mentor Academy Award nominated film &amp; television editor <a href="https://www.imdb.com/name/nm0233827/?ref_=fn_al_nm_1" rel="nofollow" target="_blank">Dody Dorn, ACE</a> who has worked with such acclaimed directors as James Cameron, Christopher Nolan, Baz Luhrman, David Ayer, and Ridley Scott…to name a few. We talk about how and why I reached out to Dody in the first place, why she chose to respond and become my mentor, and how our relationship has worked as mentor &amp; mentee over the last seventeen years.But more interestly, we also chat about the major transition in our relationship when Dody went from being the mentor to becoming the mentee after realizing that…<blockquote>“Keeping your head down is not the road to a healthy life”</blockquote>…and is in fact the path to an early death. Like so many in her field of editing blockbuster features, Dody struggled with major health challenges, both mental and physical, and we chat about the mindset shifts and lifestyle transformations she made to become more active, energetic, and creative.<h3>Want to Hear More Episodes Like This One?</h3><a href="https://optimizeyourself.me/subscribe" rel="nofollow" target="_blank">» Click here to subscribe and never miss another episode</a><h3>Here’s What You’ll Learn:</h3><ul><li>How Zack connected with Dody and cultivate a mentorship relationship with her.</li><li>The tragic series of events that led to Dody calling Zack about “Fitness in Post” and work-life balance.</li><li>Dody shares valuable insights with the benefit of 20/20 hindsight on her career in editing.</li><li>Her flexible approach to gradually bringing more self-care into her busy schedule.</li><li>How to stay connected to the rest of the world when internal and external pressures put you in front of a screen most of the time.</li><li>Why “Keeping your head down” is not the road to a good, healthy life. In fact, it might be the road to an early death.</li><li>The realities of ‘working in isolation’ and the impacts on our health, wellbeing and relationships.</li><li>The “how to boil a frog” analogy and how easy it is to get so focused on work only to realize the negative health impacts once we’re already “boiling”.</li><li>A key shift in mindset after working with a nutritionist for just one day that led to her losing 30 pounds without even focusing on weight loss but instead on lifestyle.</li><li>On long hours: Dody shares valuable insights on how she overcomes the ‘gravity’ that draws so many of us into long hours at the expense of our wellbeing. HINT: We often have more control than we think we do.</li><li>Why we editors are “horrible bosses” to ourselves.</li><li>Dody’s process for preparing for the time when the director’s going to be in the room.</li><li>On shooting ratios: How the shift to digital has led to “pushing the work to the other side of the camera”.</li><li>The key to getting a mentor is simple. You need to ask and know what you’re asking for.</li></ul><h3>Useful Resources Mentioned:</h3><a href="https://americancinemaeditors.org/how-i-became-a-curmudgeon-at-25-years-old/" rel="nofollow" target="_blank">Article: How I Became a Curmudgeon at 25 Years Old</a><a href="https://optimizeyourself.me/mpegworkshop" rel="nofollow" target="_blank">Live panel &amp; workshop for Editor’s Guild – Saturday Jan. 18th “Hollywood Networking for Introverts”</a><h3>Our Generous Sponsors:</h3>This episode is made possible for you by Ergodriven, the makers of the <a href="https://optimizeyourself.me/topo" rel="nofollow" target="_blank">Topo Mat</a>, my #1 recommendation for anyone who stands at their workstation. The Topo is super comfortable, an awesome conversation starter, and it’s also scientifically proven to help you move more throughout the day which helps reduce discomfort and also increase your focus and productivity. <a href="https://optimizeyourself.me/topo" rel="nofollow" target="_blank">Click here to learn more and get your Topo Mat</a>.<h3>Guest Bio:</h3>Switching easily between blockbusters and independent art house cinema, Dody Dorn is one of the leading film editors in the United States. A native of Santa Monica, California, Dorn graduated from Hollywood High School. At the outset of her career she worked mainly as a sound editor, before moving on to film editing in the 1990s.She has collaborated on several projects with directors Christopher Nolan (Memento, Insomnia) and Ridley Scott (e.g. Kingdom of Heaven). For Memento, she was nominated for an Academy Award for Best Film Editing in 2002.Dody Dorn is a member of the board of Governors for the film editing branch of the Academy of Motion Picture Arts and Sciences (AMPAS) as well as a board member of the Motion Picture Editors Guild (MPEG) and a member of the American Cinema Editors (ACE) . Dorn is a board member of the Avid Customer Association (ACA) and co-chair of the Friends of Residential Treasures (FORT).Dorn has spoken on numerous panels about the art of film editing including MASTERS IN MOTION (2017) ACE Edit Fest, the Lean in Moment (2015), keynote speaker for NAB adjacent Super Meet (2017) and FilmPlus in Cologne, Germany (2018). As an Academy member, Dorn has been a Branch Executive committee member for 7 years as well as a judge for the Student Academy Awards, and the UCLA Student Film Awards. She has given seminars and talks at numerous film schools and universities including USC, UCLA, and SFSU.Here is a partial list of Dorn’s film and television editing credits:ARMY OF THE DEAD (2020)COME AWAY (2019)I AM THE NIGHT (2019) 4 episodesPOWER RANGERS (2017)BEN HUR (2016)FURY (2014)ENLIGHTENED Season 2 (2012) – as Producer and EditorEND OF WATCH (2012)ENLIGHTENED Season 1 (2010) – as co-Producer and EditorTHE GOOD WIFE (2009) pilotAUSTRALIA (2008)YEAR OF THE DOG (2007)A GOOD YEAR (2007)KINGDOM OF HEAVEN (2005)MATCHSTICK MEN (2004)INSOMNIA (2002)MY LIFE WITH JUDY GARLAND (2001)MEMENTO (2000)GUINEVERE (1999)<a href="https://www.imdb.com/name/nm0233827/" rel="nofollow" target="_blank">https://www.imdb.com/name/nm0233827/</a><a href="https://en.wikipedia.org/wiki/Dody_Dorn" rel="nofollow" target="_blank">https://en.wikipedia.org/wiki/Dody_Dorn</a><h3>Show Credits:</h3>This episode was edited by <a href="https://www.imdb.com/name/nm4660321/" rel="nofollow" target="_blank">Curtis Fritsch</a>, and the show notes were prepared and published by <a href="http://elyserintelman.myportfolio.com/" rel="nofollow" target="_blank">Elyse Rintelman</a>. The original music in the opening and closing of the show is courtesy of <a href="https://www.joecomposer.com/" rel="nofollow" target="_blank">Joe Trapanese</a> (who is quite possibly one of the most talented composers on the face of the planet).

Ep85: Mentorship, Networking, and Surviving Hollywood Blockbusters | with Dody Dorn, ACE