Louis Henderson's guest appearances

Louis Henderson

Sonic Acts Podcast

Lucid Dreaming - Conversations on Cinema, Art and Moving Image

Filipa César

Kirsten Johnson

Jodi Dean

Kim Longinotto

Helen Pritchard

Maeve Brennan

Daniel Mann

Jasmina Cibic

Penny Lane

Elizabeth A. Povinelli

Gregory Sholette

Rosi Braidotti

Miko Revereza

Karin Chien

Jessica Kingdon

OwlTail

Filmmaker and artist Louis Henderson joins Pamela to discuss collective making, historiography and languages of cinema.

Filmmaker and artist Louis Henderson joins Pamela to discuss collective making, historiography and languages of cinema.

Louis Henderson - Conversation #5 - Anthology #4 - July 15

SONIC ACTS FESTIVAL 2019 – HEREAFTERPost-Screening Discussion: Louis Henderson23 February – De Brakke Grond, Amsterdam, The NetherlandsFollowing the screening of Bring breath to the death of rocks (2018, 34 min)(work in progress) Louis Henderson discusses the films with Mirna Belina.‘I feel this force that draws me towards the invisible doorway, and it is like a fire burning in my stiffened limbs. So I must walk through the fields of snow… there, to where my resting place is already prepared.’ (Édouard Glissant, Monsieur Toussaint, 1961)Wandering from a study of the handwritten memoirs of Toussaint Louverture in the French National Archives to the prison cell in the Jura mountains in which they were written, Bring breath to the death of rocks (2018, 34 min) proposes an archaeology of the colonial history of France buried within its landscapes and institutions. Many millions of years ago the Jura was a tropical ocean, as it metamorphosed into the mountain range it is today it left behind large sedimented layers of time, creating the strata that fold along the horizon line. If stratigraphy is the writing of strata, here we have a reading of this strata in which the fossilised history of Louverture can be brought to life through a geologic haunting. The film dramatises the escape of Louverture’s ghost from his castle prison (through the body of a young Haitian researcher) into a form of marronage and errantry within the fields of snow and a dark baroque-like cave. Through historical détournement the past is revisited in order to imagine an alternative future, and in doing so the film offers what Glissant described in the introduction to his play Monsieur Toussaint as ​‘a prophetic vision of the past’. We hear an echo, a spiral retelling.Featuring extracts of text from Monsieur Toussaint by Édouard Glissant (1959) and Cahier d’un retour au pays natal (1939) by Aimé Césaire. Actor: Jephthé Carmil, DOP: Diana Vidrascu, Editor: Louis Henderson, Producer: Olivier Marboeuf, Spectre Productions. Work in progress.Louis Henderson is a filmmaker who is trying to find new ways of working with people to address and question our current global condition defined by racial capitalism and ever-present histories of the European colonial project. Interested in exploring the sonic space of images, his work aims to develop an archaeological method in cinema, listening to the echoes and spirals of the stratigraphic. Since 2017, Henderson has been working within the artist group The Living and the Dead Ensemble. Based between Haiti and France, they focus on theatre, song, slam, poetry and cinema. Henderson has shown his work at various film festivals, exhibitions and biennials worldwide. His work is in the public collection of the Centre National des Arts Plastiques, France, and is distributed by LUX and Video Data Bank.

SONIC ACTS FESTIVAL 2019 – HEREAFTER Post-Screening Discussion: Louis Henderson 23 February – De Brakke Grond, Amsterdam, The Netherlands Following the screening of Bring breath to the death of rocks (2018, 34 min)(work in progress) Louis Henderson discusses the films with Mirna Belina. ‘I feel this force that draws me towards the invisible doorway, and it is like a fire burning in my stiffened limbs. So I must walk through the fields of snow… there, to where my resting place is already prepared.’ (Édouard Glissant, Monsieur Toussaint, 1961) Wandering from a study of the handwritten memoirs of Toussaint Louverture in the French National Archives to the prison cell in the Jura mountains in which they were written, Bring breath to the death of rocks (2018, 34 min) proposes an archaeology of the colonial history of France buried within its landscapes and institutions. Many millions of years ago the Jura was a tropical ocean, as it metamorphosed into the mountain range it is today it left behind large sedimented layers of time, creating the strata that fold along the horizon line. If stratigraphy is the writing of strata, here we have a reading of this strata in which the fossilised history of Louverture can be brought to life through a geologic haunting. The film dramatises the escape of Louverture’s ghost from his castle prison (through the body of a young Haitian researcher) into a form of marronage and errantry within the fields of snow and a dark baroque-like cave. Through historical détournement the past is revisited in order to imagine an alternative future, and in doing so the film offers what Glissant described in the introduction to his play Monsieur Toussaint as ​‘a prophetic vision of the past’. We hear an echo, a spiral retelling. Featuring extracts of text from Monsieur Toussaint by Édouard Glissant (1959) and Cahier d’un retour au pays natal (1939) by Aimé Césaire. Actor: Jephthé Carmil, DOP: Diana Vidrascu, Editor: Louis Henderson, Producer: Olivier Marboeuf, Spectre Productions. Work in progress. Louis Henderson is a filmmaker who is trying to find new ways of working with people to address and question our current global condition defined by racial capitalism and ever-present histories of the European colonial project. Interested in exploring the sonic space of images, his work aims to develop an archaeological method in cinema, listening to the echoes and spirals of the stratigraphic. Since 2017, Henderson has been working within the artist group The Living and the Dead Ensemble. Based between Haiti and France, they focus on theatre, song, slam, poetry and cinema. Henderson has shown his work at various film festivals, exhibitions and biennials worldwide. His work is in the public collection of the Centre National des Arts Plastiques, France, and is distributed by LUX and Video Data Bank.

Sonic Acts 2019: Post-Screening Discussion with Louis Henderson

SONIC ACTS FESTIVAL 2019 – HEREAFTERLouis Henderson – Dialect of hurricanes. Patois of rains. Language of storms. Unfolding of life in a spiral.24 February – De Brakke Grond, Amsterdam, The NetherlandsWith an introduction by Mirna Belina.Unfurling like a fiddlehead fern fond in a forest, the word ‘creole’ comes from the Greek root *ḱer- meaning to grow, to nourish. Celebrating the vast possibilities of translating both into and from Haitian Creole, this talk will describe how the artist group The Living and the Dead Ensemble unravelled into being by translating the play Monsieur Toussaint by Édouard Glissant, from French to Haitian Creole. The group put Glissant’s work into motion as a means to critique and test the limits of his philosophy within a contemporary Haitian context. The Haitian poet Frankétienne offers a way out through the spiralling voice of the We.Louis Henderson is a filmmaker who is trying to find new ways of working with people to address and question our current global condition defined by racial capitalism and ever-present histories of the European colonial project. Interested in exploring the sonic space of images, his work aims to develop an archaeological method in cinema, listening to the echoes and spirals of the stratigraphic. Since 2017, Henderson has been working within the artist group The Living and the Dead Ensemble. Based between Haiti and France, they focus on theatre, song, slam, poetry and cinema. Henderson has shown his work at various film festivals, exhibitions and biennials worldwide. His work is in the public collection of the Centre National des Arts Plastiques, France, and is distributed by LUX and Video Data Bank.

SONIC ACTS FESTIVAL 2019 – HEREAFTER Louis Henderson – Dialect of hurricanes. Patois of rains. Language of storms. Unfolding of life in a spiral. 24 February – De Brakke Grond, Amsterdam, The Netherlands With an introduction by Mirna Belina. Unfurling like a fiddlehead fern fond in a forest, the word ‘creole’ comes from the Greek root *ḱer- meaning to grow, to nourish. Celebrating the vast possibilities of translating both into and from Haitian Creole, this talk will describe how the artist group The Living and the Dead Ensemble unravelled into being by translating the play Monsieur Toussaint by Édouard Glissant, from French to Haitian Creole. The group put Glissant’s work into motion as a means to critique and test the limits of his philosophy within a contemporary Haitian context. The Haitian poet Frankétienne offers a way out through the spiralling voice of the We. Louis Henderson is a filmmaker who is trying to find new ways of working with people to address and question our current global condition defined by racial capitalism and ever-present histories of the European colonial project. Interested in exploring the sonic space of images, his work aims to develop an archaeological method in cinema, listening to the echoes and spirals of the stratigraphic. Since 2017, Henderson has been working within the artist group The Living and the Dead Ensemble. Based between Haiti and France, they focus on theatre, song, slam, poetry and cinema. Henderson has shown his work at various film festivals, exhibitions and biennials worldwide. His work is in the public collection of the Centre National des Arts Plastiques, France, and is distributed by LUX and Video Data Bank.