Jerry Fuller's guest appearances

Jerry Fuller

Contrabass Conversations

D-Sides, Orphans, and Oddities

David Allen

Paul Simon

Brian Johnson

Willie Nelson

Henry Chen

Paul Williams

Vaughn Meader

Sammy Davis Jr

William Parker

Steve Metcalf

Scott Dixon

John Davis

Chris West

Paul Revere

Chuck Berry

OwlTail

Gilbert Neal - Young Girl/Lies (2018) Sung like a drunken, sleazy lothario at a family picnic.  Hamilton, Joe Frank, and Reynolds - Daisy Mae (1971) Hamilton, Joe Frank, and Reynolds - Every Day Without Your Love (1975) Hamilton, Joe Frank, and Reynolds - Annabella (1971) Hamilton, Joe Frank, and Reynolds - Hallway Symphony (1972) Gilbert Neal - Don't Pull Your Love Out (2018)  Denny Doherty - Still Can't Hear The Music (1971) Denny Doherty - Gathering The Words (1971) Denny Doherty - Simone (1973) Al Wilson - I've Got a Feeling (1976) Barbi Benton - Brass Buckles (1975) Lois Fletcher - I Am What I Am (1973) Sharon Cash - You're My Life, You're My World (1973) Percy and Them - Sing a Sad Song (1973) Willie Henderson - Gangster Boogie Bump (1974) Gilbert Neal - Show and Tell (2018) That's it. No more singing on my show.  Here, There and Everywhere. I sang this song at my ex-girlfriend's sister's wedding. It didn't take.  The Beatles did not cater to the Oxford Comma.  Cathy Berberian (1967) Yes, there was a whole album of this.  Dick Smothers (1967) Ibid.  The Fourmost (1966) Episode Six (1966) More or less a precursor to Deep Purple.  The Hard Times (1967) Their drummer joined Gary Puckett and the Union Gap. They had a drummer! Tracy Huang (1980) Bobby Gentry (1968) Emmylou Harris (1975) John Denver (1966) Bob Hocko and the Swamp Rats (1967)  Jay and the Americans (1967) José Feliciano (1968) Keith Potger and the New Seekers (1970)  Marcela Bujnová (Laiferová - Uspávanku vánku hrám) (1967) Monique Leyrac (Dis-Moi) (1967) Olivia-Newton John (1966) Olivier Despax (Dis-Moi) (1967) Sarah Vaughan (1981) The Singers Unlimited (1972) Sonny Curtis (1970) B-side of "Love Is All Around", the theme song for The Mary Tyler Moore Show. He also played in The Crickets. You should read about him.  R. Steve Moore (1975)

Gilbert Neal - Young Girl/Lies (2018) Sung like a drunken, sleazy lothario at a family picnic.  Hamilton, Joe Frank, and Reynolds - Daisy Mae (1971) Hamilton, Joe Frank, and Reynolds - Every Day Without Your Love (1975) Hamilton, Joe Frank, and Reynolds - Annabella (1971) Hamilton, Joe Frank, and Reynolds - Hallway Symphony (1972) Gilbert Neal - Don't Pull Your Love Out (2018)  Denny Doherty - Still Can't Hear The Music (1971) Denny Doherty - Gathering The Words (1971) Denny Doherty - Simone (1973) Al Wilson - I've Got a Feeling (1976) Barbi Benton - Brass Buckles (1975) Lois Fletcher - I Am What I Am (1973) Sharon Cash - You're My Life, You're My World (1973) Percy and Them - Sing a Sad Song (1973) Willie Henderson - Gangster Boogie Bump (1974) Gilbert Neal - Show and Tell (2018) That's it. No more singing on my show.  Here, There and Everywhere. I sang this song at my ex-girlfriend's sister's wedding. It didn't take.  The Beatles did not cater to the Oxford Comma.  Cathy Berberian (1967) Yes, there was a <a href="https://en.wikipedia.org/wiki/Beatles_Arias" rel="nofollow" target="_blank">whole album</a> of this. Dick Smothers (1967) <a href="https://www.45worlds.com/vinyl/album/sr61134" rel="nofollow" target="_blank">Ibid</a>.  The Fourmost (1966) Episode Six (1966) More or less a precursor to <a href="https://en.wikipedia.org/wiki/Episode_Six" rel="nofollow" target="_blank">Deep Purple</a>.  The Hard Times (1967) Their drummer joined Gary Puckett and the Union Gap. They had a drummer! Tracy Huang (1980) Bobby Gentry (1968) Emmylou Harris (1975) John Denver (1966) Bob Hocko and the Swamp Rats (1967)  Jay and the Americans (1967) José Feliciano (1968) Keith Potger and the New Seekers (1970)  Marcela Bujnová (Laiferová - Uspávanku vánku hrám) (1967) Monique Leyrac (Dis-Moi) (1967) Olivia-Newton John (1966) Olivier Despax (Dis-Moi) (1967) Sarah Vaughan (1981) The Singers Unlimited (1972) Sonny Curtis (1970) B-side of "Love Is All Around", the theme song for The Mary Tyler Moore Show. He also played in The Crickets. You should <a href="https://en.wikipedia.org/wiki/Sonny_Curtis" rel="nofollow" target="_blank">read about him</a>.  R. Steve Moore (1975)

Jerry Fuller, get out of my mind. The Playboy Records story. "Here, There and Everywhere." Everywhere. 

Today’s episode features double bassist Jerry Fuller.  I’ve known Jerry for well over a decade at this point and have found him to be such an interesting person.  Jerry is best known in the music world for his work in period performance—in fact, he won an award for historically informed performance from the International Society of Bassists in 2015, and he is also a former ISB board member.   We cover Jerry’s early years in music, attending Northwestern in bass studio of rock stars including Hal Robinson, Curtis Burriss, and Rufus Reid, and his time spent performing in the bass section of the Lyric Opera of Chicago and in Switzerland.  While he was in Lyric, Jerry attended business school at the University of Chicago and has worked for most of his professional life in the world of business while simultaneously keeping up an active musical life, and we talk about his what prompted this decision to attend business school and what his experiences in that world have been like. We get into details about how period performance differs from modern technique, how players can explore the world of period playing, and the role of the bass player in the continuo.  We also have a great discussion on creativity in music and answer listener questions from Gaelen McCormick and Dan Carson. Jerry has gotten into traditional jazz recently, and we’ll open up the episode with an excerpt featuring Jerry performing C'est si Bon, and we’ll close with a duet by Bernhard Romberg with Richard Hirschl on cello.   Links to check out:  Jordi Savall  Juilliard Baroque Program Angela Duckworth - Grit ArsAntiguaPresents.com earlybass.com  Interview Highlights Early Years and Career  grew up in Wisconsin - inspiring encounter with Roger Ruggeri of the Milwaukee Symphony accepted into Northwestern University bass studio with Warren Benfield joined Lyric junior year of college, promoted to assistant principal enrolled in business school at University of Chicago while still playing in Lyric went to work for American Hospital Supply Corporation and found an amazingly creative group of people there joined orchestra in Switzerland  Early Music  physical and mental differences in early and modern playing what instrument really “drives the bus” in continuo playing outlets for learning more about early music performance switching between early and modern setups  Careers and Creative Outlets  personality and temperament play a huge role into us figuring out what we should do in the world career-wise temperament over skill level creativity in music and life 

Today’s episode features double bassist <a href="http://arsantiguapresents.com/about-jerry-fuller/" rel="nofollow" target="_blank">Jerry Fuller</a>.  I’ve known Jerry for well over a decade at this point and have found him to be such an interesting person.  Jerry is best known in the music world for his work in period performance—in fact, he won an award for historically informed performance from the International Society of Bassists in 2015, and he is also a former ISB board member.   We cover Jerry’s early years in music, attending Northwestern in bass studio of rock stars including Hal Robinson, Curtis Burriss, and Rufus Reid, and his time spent performing in the bass section of the Lyric Opera of Chicago and in Switzerland.  While he was in Lyric, Jerry attended business school at the University of Chicago and has worked for most of his professional life in the world of business while simultaneously keeping up an active musical life, and we talk about his what prompted this decision to attend business school and what his experiences in that world have been like. We get into details about how period performance differs from modern technique, how players can explore the world of period playing, and the role of the bass player in the continuo.  We also have a great discussion on creativity in music and answer listener questions from Gaelen McCormick and Dan Carson. Jerry has gotten into traditional jazz recently, and we’ll open up the episode with an excerpt featuring Jerry performing C'est si Bon, and we’ll close with a duet by Bernhard Romberg with Richard Hirschl on cello.   Links to check out: <ul> <li><a href="https://en.wikipedia.org/wiki/Jordi_Savall" rel="nofollow" target="_blank">Jordi Savall</a></li> <li><a href="http://www.juilliard.edu/degrees-programs/music/historical-performance/juilliard-baroque" rel="nofollow" target="_blank"> Juilliard Baroque Program</a></li> <li><a href="http://amzn.to/1NCOneI" rel="nofollow" target="_blank">Angela Duckworth - Grit</a></li> <li><a href="http://arsantiguapresents.com" rel="nofollow" target="_blank">ArsAntiguaPresents.com</a></li> <li><a href="http://earlybass.com/" rel="nofollow" target="_blank">earlybass.com</a></li> </ul> Interview Highlights Early Years and Career <ul> <li>grew up in Wisconsin - inspiring encounter with Roger Ruggeri of the Milwaukee Symphony</li> <li>accepted into Northwestern University bass studio with Warren Benfield</li> <li>joined Lyric junior year of college, promoted to assistant principal</li> <li>enrolled in business school at University of Chicago while still playing in Lyric</li> <li>went to work for American Hospital Supply Corporation and found an amazingly creative group of people there</li> <li>joined orchestra in Switzerland</li> </ul> Early Music <ul> <li>physical and mental differences in early and modern playing</li> <li>what instrument really “drives the bus” in continuo playing</li> <li>outlets for learning more about early music performance</li> <li>switching between early and modern setups</li> </ul> Careers and Creative Outlets <ul> <li>personality and temperament play a huge role into us figuring out what we should do in the world career-wise</li> <li>temperament over skill level</li> <li>creativity in music and life</li> </ul>

217: Jerry Fuller on early music, creativity, and business world lessons

Double bassist and early music specialist Jerry Fuller turns the tables and interviews Jason Heath in this brief and fun episode.

Double bassist and early music specialist Jerry Fuller turns the tables and interviews Jason Heath in this brief and fun episode.