Wayne Pauley's guest appearances

Wayne Pauley

Signal To Noise Podcast

Thinkin' & Drinkin'

Insights In Sound

KARRIE KEYES

Kyle Chirnside

Erik Rogers

Brad Madix

Lee Brice

Joe Lamond

David Morgan

Karl Winkler

Jeri Palumbo

Leo Pisaq

Chris Leonard

Brandi Carlile

Rick Allen

John Legend

Bruno Mars

OwlTail

Wayne Pauley's no-nonsense, old school approach to mixing live sound has garnered accolades from rock to country to Celtic and beyond. He'll be the first one to tell you, it's not just about the gear, it's about the attitude.

IIS 60 _ Wayne Pauley

Front

Wayne Pauley joins Bart on the podcast this week. He shares stories of growing up and how music was always a part of who he was. He talks about getting his start into the music scene, his decisions to go to LA and how he ended up in Nashville. He has worked with all different genres of music all over the world and shares the things that he has learned during the different stages of life. He has spent the last almost 10 years working with Lee Brice. He shares what his role is, how they have adjusted during COVID and stories from the road. In this episode, you’ll hearOne of Wayne’s first gigs in Nashville was as a monitor guy at 12th &amp; Porter for a band called Four Wheel Drive, who’s frontman was Keith Urban.  He was paid $50 for the nightWayne had to mix a 42 piece orchestra with 11 mics for Ray Charles because Ray hated one mic per instrument, so he had to mix sections of the orchestra. For the full show notes visit &gt;&gt; http://www.thinkinanddrinkin.com/podcast/wayne-pauley Connect with Bart on Instagram &gt;&gt; https://www.instagram.com/thinkinanddrinkinpod Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Wayne Pauley joins Bart on the podcast this week. He shares stories of growing up and how music was always a part of who he was. He talks about getting his start into the music scene, his decisions to go to LA and how he ended up in Nashville. He has worked with all different genres of music all over the world and shares the things that he has learned during the different stages of life. He has spent the last almost 10 years working with Lee Brice. He shares what his role is, how they have adjusted during COVID and stories from the road. In this episode, you’ll hear<ul><li>One of Wayne’s first gigs in Nashville was as a monitor guy at 12th &amp; Porter for a band called Four Wheel Drive, who’s frontman was Keith Urban.  He was paid $50 for the night</li><li>Wayne had to mix a 42 piece orchestra with 11 mics for Ray Charles because Ray hated one mic per instrument, so he had to mix sections of the orchestra. </li></ul> For the full show notes visit &gt;&gt; <a href="http://www.thinkinanddrinkin.com/podcast/wayne-pauley" rel="noopener noreferrer nofollow" target="_blank">http://www.thinkinanddrinkin.com/podcast/wayne-pauley</a> Connect with Bart on Instagram &gt;&gt; <a href="https://www.instagram.com/thinkinanddrinkinpod" rel="noopener noreferrer nofollow" target="_blank">https://www.instagram.com/thinkinanddrinkinpod</a> Our GDPR privacy policy was updated on August 8, 2022. Visit <a href="https://acast.com/privacy" rel="noopener noreferrer nofollow" target="_blank">acast.com/privacy</a> for more information.

Lee Brice’s Front of House Sound Engineer and Production Manager, Wayne Pauley

In Episode 57, veteran front of house engineer Wayne Pauley details his all-analog approach at FOH for country artist Lee Brice, including the “epic” ATI Paragon II console, EQs, outboard processing, and more. Wayne, who’s also worked with artists that include Celtic Women, Bo Bice, Trisha Yearwood, and many others, also provides an overview of his system tuning process.This episode is sponsored by: Audix Be sure to check out the Signal To Noise Facebook Group. It’s a space for listeners to create to generate conversations around the people and topics covered in the podcast — we want your questions and comments! Let’s build a great sound community with a place to learn, discuss and reminisce about the “good old days.”The Signal To Noise podcast series on ProSoundWeb is hosted by Live Sound/PSW technical editor Michael Lawrence and pro audio veterans Kyle Chirnside/Chris Leonard

In Episode 57, veteran front of house engineer Wayne Pauley details his all-analog approach at FOH for country artist Lee Brice, including the “epic” ATI Paragon II console, EQs, outboard processing, and more. Wayne, who’s also worked with artists that include Celtic Women, Bo Bice, Trisha Yearwood, and many others, also provides an overview of his system tuning process. This episode is sponsored by: <a href="https://bit.ly/STN_Audix" rel="nofollow" target="_blank">Audix </a>Be sure to check out the <a href="https://www.facebook.com/groups/243833546641306/" rel="nofollow" target="_blank">Signal To Noise Facebook Group</a>. It’s a space for listeners to create to generate conversations around the people and topics covered in the podcast — we want your questions and comments! Let’s build a great sound community with a place to learn, discuss and reminisce about the “good old days.”The Signal To Noise podcast series on <a href="https://www.prosoundweb.com/" rel="nofollow" target="_blank">ProSoundWeb</a> is hosted by Live Sound/PSW technical editor <a href="https://www.linkedin.com/in/michael-lawrence-65274816a/" rel="nofollow" target="_blank">Michael Lawrence</a> and pro audio veterans <a href="https://www.linkedin.com/in/kyle-chirnside-ba493960/" rel="nofollow" target="_blank">Kyle Chirnside</a>/<a href="https://www.linkedin.com/in/chris-leonard-audio/" rel="nofollow" target="_blank">Chris Leonard</a>

57. Wayne Pauley, FOH - Lee Brice