Jim Streeter's guest appearances

Jim Streeter

Archiving Technical Theater History

Brandon Wardell

Michael Kruse

Sean Crowley

Anne E. McMills

Fiona Watt

Megan Gill

Ann Chandler

Peter Craig

Robert Eastman Mullins

Andrew Enil

Pavel Drábek

William Kenyon

Albert Laveau

Umberto Di Nino

Richard Boychuk

OwlTail

Welcome to this latest episode of the podcast.  The guest this week is Mr. Jim Streeter  James E. Streeter currently serves as the Production Manager for the Frist Campus Center Film and Performance Theatre at Princeton University. He was previously the Resident Lighting Designer/ Master Electrician for Princeton University's Program in Theater and Dance, where has designed the lighting for multiple productions including: A Little Night Music,  Cabaret, Yankee Dawg You Die, The Vagina Monologues, The Crucible, The Duchess of Malfi, HAMLETMACHINE, Twelfth Night, The Maids, A Delicate Balance, Happy Days, A Streetcar Named Desire, The Seagull  As well as  the premieres of student works such as A Test of Love, Chamber Music, Mixed Drinks, Invitation to the Blues, Utopia Parkway, Shadowman, The Tire Iron ( Beer, Pool and Darts), Joyce Carol Oates' Mother's Day Weekend, Of Beauty Born and T.S. Eliot's The Wasteland. Jim has also designed lighting and visual effects for A Sacred Place, choreographed by Jacques D'amboise, Negotiations, choreographed by Ze’eva Cohen and Aleta Hayes, Chamber Pieces, with choreography by Ze’eva Cohen, Aleta Hayes and Jill Sigman.  Other works include Resident Lighting Designer for the Body Hype Dance Company at Princeton University, Konvergence and Rosemary with Ginger for the Acting Studio, Inc. in New York City, The Sound of Music and Phantom for The Media Center for the Performing Arts, The Glass Menagerie (Set &amp; Lighting Designer) and A Lifetime on the Streets for Trenton State College Theater, The Rothchilds for Bristol Riverside Theatre, Jungle Coup, Moby Dick and the American Premiere of The Graduate for Stageworks/Summit and the East Coast Premiere of Cynthia Lee Smith's The Night Spirit for the Aphre Behn Theatre Co.  Jim is a graduate of the Center for Media Arts and studied lighting design at The Studio and Forum of Stage Design in New York City. He is also a member of the USITT Board of Directors and a strong proponent of USITT’s Equity, Diversity, &amp; Inclusion Committee. This committee is responsible for supporting and promoting equity, diversity, and inclusion within USITT’s programs and projects and the Institute as a whole.  This was a fantastic conversation on topics ranging from lighting practices and how they need to evolve both in teaching and perception, the recent 2018 Telegraph article written by reporter Patrick Sawer titled "Traditional theatre lighting and stage design discriminates against black and asian actors warns Shakespeare's Globe" and finally the merits of hiring someone based on their talent. This is a must listen conversation for students of all backgrounds.  This is one you shouldn't miss.   Without further ado, Mr. Jim Streeter.

Welcome to this latest episode of the podcast.  The guest this week is Mr. Jim Streeter  James E. Streeter currently serves as the Production Manager for the Frist Campus Center Film and Performance Theatre at Princeton University. He was previously the Resident Lighting Designer/ Master Electrician for Princeton University's Program in Theater and Dance, where has designed the lighting for multiple productions including: A Little Night Music,  Cabaret, Yankee Dawg You Die, The Vagina Monologues, The Crucible, The Duchess of Malfi, HAMLETMACHINE, Twelfth Night, The Maids, A Delicate Balance, Happy Days, A Streetcar Named Desire, The Seagull  As well as  the premieres of student works such as A Test of Love, Chamber Music, Mixed Drinks, Invitation to the Blues, Utopia Parkway, Shadowman, The Tire Iron ( Beer, Pool and Darts), Joyce Carol Oates' Mother's Day Weekend, Of Beauty Born and T.S. Eliot's The Wasteland. Jim has also designed lighting and visual effects for A Sacred Place, choreographed by Jacques D'amboise, Negotiations, choreographed by Ze’eva Cohen and Aleta Hayes, Chamber Pieces, with choreography by Ze’eva Cohen, Aleta Hayes and Jill Sigman.  Other works include Resident Lighting Designer for the Body Hype Dance Company at Princeton University, Konvergence and Rosemary with Ginger for the Acting Studio, Inc. in New York City, The Sound of Music and Phantom for The Media Center for the Performing Arts, The Glass Menagerie (Set &amp; Lighting Designer) and A Lifetime on the Streets for Trenton State College Theater, The Rothchilds for Bristol Riverside Theatre, Jungle Coup, Moby Dick and the American Premiere of The Graduate for Stageworks/Summit and the East Coast Premiere of Cynthia Lee Smith's The Night Spirit for the Aphre Behn Theatre Co.  Jim is a graduate of the Center for Media Arts and studied lighting design at The Studio and Forum of Stage Design in New York City. He is also a member of the USITT Board of Directors and a strong proponent of USITT’s Equity, Diversity, &amp; Inclusion Committee. This committee is responsible for supporting and promoting equity, diversity, and inclusion within USITT’s programs and projects and the Institute as a whole.  This was a fantastic conversation on topics ranging from lighting practices and how they need to evolve both in teaching and perception, the recent 2018 Telegraph article written by reporter Patrick Sawer titled "Traditional theatre lighting and stage design discriminates against black and asian actors warns Shakespeare's Globe" and finally the merits of hiring someone based on their talent. This is a must listen conversation for students of all backgrounds.  This is one you shouldn't miss.   Without further ado, Mr. Jim Streeter.

Episode 16 - Jim Streeter