Kathryn Hamilton's guest appearances

Kathryn Hamilton

Necessary Exposure: The Female Playwright Project » Podcast

Titus Talks

#SynBio Podcast

Andrew Hessel

Ellen Jorgensen

Leah Nanako Winkler

Diana Oh

Chisa Hutchinson

Terri Moore

Sara Farrington

Hilary Bettis

Lisa Huberman

Jody Christopherson

Laura Rohrman

Kara Lee Corthron

Abby Rosebrock

Cara Francis

Kristen Palmer

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On the inaugural episode of Season 2 of Titus Talks, I’m excited to introduce my co-host for Season 2: Kathryn Hamilton. Kathryn is the Managing Editor of Bioeconomy.XYZ and the Co-Founder of the In Vivo Group. She thrives on working at the intersection of science, business, and art. As a science journalist and zealous storyteller, Kathryn integrates her passion for the scientific method and ethical business practices with crafting narratives that focus on the heart of our collective human experiences. Today we get to talk about Kathryn’s path to working with Bioeconomy.XYZ, how to articulate a unique career path, and what she is looking forward to in this coming season of Titus Talks.  Her advice in this episode? Find your ‘I dare you to do it’ person and choose how you define yourself carefully as give yourself the space to learn, make mistakes and grow. Find Kathryn on LinkedIn.

On the inaugural episode of Season 2 of <a href="//titustalkspodcast.com" rel="nofollow" target="_blank">Titus Talks</a>, I’m excited to introduce my co-host for Season 2: <a href="https://www.linkedin.com/in/kathrynehamilton96/" rel="nofollow" target="_blank">Kathryn Hamilton</a>. Kathryn is the Managing Editor of <a href="http://bioeconomy.xyz/" rel="nofollow" target="_blank">Bioeconomy.XYZ </a>and the Co-Founder of the <a href="https://theinvivogroup.com/" rel="nofollow" target="_blank">In Vivo Group</a>. She thrives on working at the intersection of science, business, and art. As a science journalist and zealous storyteller, Kathryn integrates her passion for the scientific method and ethical business practices with crafting narratives that focus on the heart of our collective human experiences. Today we get to talk about Kathryn’s path to working with Bioeconomy.XYZ, how to articulate a unique career path, and what she is looking forward to in this coming season of Titus Talks.  Her advice in this episode? Find your ‘I dare you to do it’ person and choose how you define yourself carefully as give yourself the space to learn, make mistakes and grow. Find Kathryn on <a href="https://www.linkedin.com/in/kathrynehamilton96/" rel="nofollow" target="_blank">LinkedIn</a>.

The art of polite persistence and the power of a dare

During a truly meaningful conversation, Dr. Kathryn Warren discusses her essays on teaching literature and the deep spiritual implications of studying texts that inspire thoughts about "the beyond." 

During a truly meaningful conversation, Dr. Kathryn Warren discusses her essays on teaching literature and the deep spiritual implications of studying texts that inspire thoughts about "the beyond."


                Dr. Kathryn Hamilton Warren: Literature and Transcendence 
            

This portrait was on display at Dixon Place. It is part of Necessary Exposure’s 3rd installation which explores what it means to be writing for the theater as a woman at this moment in history. Click below to listen to an excerpt of Kathryn’s play They Are Gone but Here I Must Remain read by Kathryn Hamilton. Sound Design by Martha Goode. https://thefemaleplaywrightproject.files.wordpress.com/2017/02/kathryn-hamilton.mp3 “What kind of times are these, when  To talk about trees is almost a crime  Because it implies silence about so many horrors?”  – Brecht Kathryn Hamilton is a performance maker based in New York and Istanbul. She is the founder and director of the New York-based company Sister Sylvester. Recent productions include They Are Gone at The Public Theater for Under The Radar’s Incoming! series; Welcome at Alt Bomonti gallery in Istanbul; The Maids’ The Maids at Abrons Arts Center; The Fall at The Park Avenue Armory, as part of the Under Construction Series; Dead Behind These Eyes (NYT critic’s pick) at Sing Sing Karaoke; Science Fiction at Köşe. Her work has been reviewed by New York Times, New Yorker, Time Out, Village Voice, American Theater Magazine, Performance Art Journal, Hyperallergic, Culturebot, among other publications. She has received grants from LMCC, BAC, the Foundation for Contemporary Arts, and has been a resident at The Public Theater’s Devised Theater Working Group; Salem Art Works; Park Avenue Armory; Flux Factory, Queens; and Spread Art, Detroit, among others. She is currently a part of Lift Festival’s Urban Heat program for social practice artists. She has taught or mentored students at Columbia University, NYU and Boğaziçi, Istanbul; and she spent the years 2011-13 in disguise as a french diplomat in New York. http://sistersylvester.org/

This portrait was on display at <a href="http://dixonplace.org/performances/necessary-exposure-the-female-playwright-project-2/" rel="nofollow" target="_blank">Dixon Place</a>. It is part of Necessary Exposure’s 3rd installation which explores what it means to be writing for the theater as a woman at this moment in history. Click below to listen to an excerpt of Kathryn’s play They Are Gone but Here I Must Remain read by Kathryn Hamilton. Sound Design by Martha Goode. <a href="https://thefemaleplaywrightproject.files.wordpress.com/2017/02/kathryn-hamilton.mp3" rel="nofollow" target="_blank">https://thefemaleplaywrightproject.files.wordpress.com/2017/02/kathryn-hamilton.mp3</a> “What kind of times are these, when To talk about trees is almost a crime Because it implies silence about so many horrors?” – Brecht Kathryn Hamilton is a performance maker based in New York and Istanbul. She is the founder and director of the New York-based company Sister Sylvester. Recent productions include They Are Gone at The Public Theater for Under The Radar’s Incoming! series; Welcome at Alt Bomonti gallery in Istanbul; The Maids’ The Maids at Abrons Arts Center; The Fall at The Park Avenue Armory, as part of the Under Construction Series; Dead Behind These Eyes (NYT critic’s pick) at Sing Sing Karaoke; Science Fiction at Köşe. Her work has been reviewed by New York Times, New Yorker, Time Out, Village Voice, American Theater Magazine, Performance Art Journal, Hyperallergic, Culturebot, among other publications. She has received grants from LMCC, BAC, the Foundation for Contemporary Arts, and has been a resident at The Public Theater’s Devised Theater Working Group; Salem Art Works; Park Avenue Armory; Flux Factory, Queens; and Spread Art, Detroit, among others. She is currently a part of Lift Festival’s Urban Heat program for social practice artists. She has taught or mentored students at Columbia University, NYU and Boğaziçi, Istanbul; and she spent the years 2011-13 in disguise as a french diplomat in New York. <a href="http://sistersylvester.org/" rel="nofollow" target="_blank">http://sistersylvester.org/</a>

Playwright Kathryn Hamilton