Nazlee Saif's guest appearances

Nazlee Saif

Hip Hop African Podcast

Seth Markle

Mohamed Benloulou

Reggie Rockstone

Ghanaian Hiplife

Laura Lora

Yugen Blakrok

Kanyi Mavi

Klein Fortuin

Keur Gui

Quentin Williams

Abena Rockstar

Lola Monroe

MC Jahi

Lord Ekomy Ndong

OwlTail

Our conversation with Cape Town based hip hop and spoken word artist Nazlee Saif centers on discussions of race, gender, religion, sexuality, and activism. This conversation centers on the use of hip hop as a cultural space within which to engage several different social issues, and to deconstruct social taboos that continue to exist within hip hop culture.Nazlee Saif is a spoken word and hip hop artist originally from Durban, who moved to Cape Town and attended the University of Cape Town (UCT) during the height of the #RhodesMustFall movement. Nazlee, who was already a socially conscious artist, was an activist and organizer in the movement on the UCT campus. Nazlee, as a queer identified, Muslim, MC, also brings those intersecting identities into the hip hop, a culture that has historically been very patriarchal, very misogynistic, and hostile to queer voices.In the conversation Nazlee Saif talks about several topic, including the #RhodesMustFall movement at UCT, intersectionality, being Black &amp; Coloured, queer identities, being a Muslim &amp; queer MC, Steve Biko and Black consciousness, the term “Hoteps”, and feminism.Nazlee Saif's presence in hip hop challenges hip hop's masculine, heteronormative culture. Nazlee Saif expresses strong stances on topics of race, sexuality, and religion. The artist's discussion of a level of frustration with Black Consciousness, as well as the term "Hoteps", may put Nazlee Saif at odds with some Pan Africanists.Nazlee on YouTube: https://www.youtube.com/channel/UCwNoj0WTO0fAoKG0fagDFxQNazlee on Twitter: @NazleeArbeeReadingsClark, Msia Kibona. 2014. “Gendered Representations among Tanzanian Female Emcees”. In Ni Wakati: Hip Hop and Social Change in Africa, edited by Msia Kibona Clark and Mickie Koster. Lanham, MD: Lexington Press.Haupt, Adam. 2016. Queering Hip-Hop, Queering the City: Dope Saint Jude’s Transformative Politics. M/C Journal, 19(4).Smith, Marquita R., 2014. “Or a Real, Real Bad Lesbian”: Nicki Minaj and the Acknowledgement of Queer Desire in Hip-Hop Culture. Popular Music and Society, 37(3), pp.360-370.

Our conversation with Cape Town based hip hop and spoken word artist Nazlee Saif centers on discussions of race, gender, religion, sexuality, and activism. This conversation centers on the use of hip hop as a cultural space within which to engage several different social issues, and to deconstruct social taboos that continue to exist within hip hop culture. Nazlee Saif is a spoken word and hip hop artist originally from Durban, who moved to Cape Town and attended the University of Cape Town (UCT) during the height of the #RhodesMustFall movement. Nazlee, who was already a socially conscious artist, was an activist and organizer in the movement on the UCT campus. Nazlee, as a queer identified, Muslim, MC, also brings those intersecting identities into the hip hop, a culture that has historically been very patriarchal, very misogynistic, and hostile to queer voices. In the conversation Nazlee Saif talks about several topic, including the #RhodesMustFall movement at UCT, intersectionality, being Black &amp; Coloured, queer identities, being a Muslim &amp; queer MC, Steve Biko and Black consciousness, the term “Hoteps”, and feminism. Nazlee Saif's presence in hip hop challenges hip hop's masculine, heteronormative culture. Nazlee Saif expresses strong stances on topics of race, sexuality, and religion. The artist's discussion of a level of frustration with Black Consciousness, as well as the term "Hoteps", may put Nazlee Saif at odds with some Pan Africanists. Nazlee on YouTube: <a href="https://www.youtube.com/channel/UCwNoj0WTO0fAoKG0fagDFxQ" rel="nofollow" target="_blank">https://www.youtube.com/channel/UCwNoj0WTO0fAoKG0fagDFxQ</a> Nazlee on Twitter: @NazleeArbee Readings Clark, Msia Kibona. 2014. “Gendered Representations among Tanzanian Female Emcees”. In Ni Wakati: Hip Hop and Social Change in Africa, edited by Msia Kibona Clark and Mickie Koster. Lanham, MD: Lexington Press. Haupt, Adam. 2016. Queering Hip-Hop, Queering the City: Dope Saint Jude’s Transformative Politics. M/C Journal, 19(4). Smith, Marquita R., 2014. “Or a Real, Real Bad Lesbian”: Nicki Minaj and the Acknowledgement of Queer Desire in Hip-Hop Culture. Popular Music and Society, 37(3), pp.360-370.

HHAP Episode 20: Nazlee Saif on Hip Hop, Sexuality, Race, & Protest in Cape Town