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Shakespeare Apocrypha

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Ripe Good Scholar

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Hello and welcome to episode 43 of Ripe Good Scholar. Ever since Shakespeare started gaining popularity, people have been attributing plays to him that he may not have had anything to do with. Some of these have been easier to disprove than others. There are a few lingering plays that we cannot say whether Shakespeare had a hand in and so we have The Shakespeare Apocrypha. Things get much more complicated as we dive deeper into what it meant to be a playwright in Shakespeare’s time. There was a lot of collaboration, stealing, and editing. This can make it nearly impossible to determine who was the author. But, that won’t stop us from speculating!   Full show notes available at ripegoodscholar.com/ep43   Teller of Tales by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4467-teller-of-the-tales License: http://creativecommons.org/licenses/by/4.0/   Minstrel Guild by KevinMacLeod Link: https://incompetech.filmmusic.io/song/4056-minstrel-guild License: http://creativecommons.org/licenses/by/4.0/

Hello and welcome to episode 43 of Ripe Good Scholar. Ever since Shakespeare started gaining popularity, people have been attributing plays to him that he may not have had anything to do with. Some of these have been easier to disprove than others. There are a few lingering plays that we cannot say whether Shakespeare had a hand in and so we have The Shakespeare Apocrypha. Things get much more complicated as we dive deeper into what it meant to be a playwright in Shakespeare’s time. There was a lot of collaboration, stealing, and editing. This can make it nearly impossible to determine who was the author. But, that won’t stop us from speculating! Full show notes available at <a href="http://ripegoodscholar.com/ep43" rel="nofollow" target="_blank">ripegoodscholar.com/ep43</a> Teller of Tales by Kevin MacLeod Link: <a href="https://incompetech.filmmusic.io/song/4467-teller-of-the-tales" rel="nofollow" target="_blank">https://incompetech.filmmusic.io/song/4467-teller-of-the-tales</a> License:<a href="http://creativecommons.org/licenses/by/4.0/" rel="nofollow" target="_blank"> http://creativecommons.org/licenses/by/4.0/</a> Minstrel Guild by KevinMacLeod Link: <a href="https://incompetech.filmmusic.io/song/4056-minstrel-guild" rel="nofollow" target="_blank">https://incompetech.filmmusic.io/song/4056-minstrel-guild</a> License:<a href="http://creativecommons.org/licenses/by/4.0/" rel="nofollow" target="_blank"> http://creativecommons.org/licenses/by/4.0/</a>

The Shakespeare Apocrypha

The incomparably funny and poignant comedian Hannah Gadsby said it best: “This adoration of the artist as a lone genius is quite misled, I think, because they are very much a part of their time and their community.” Sometimes we all need a community. Whether it’s because our own expertise has fallen short or because two heads are better than one, no one among us can say that we are perfectly capable of living life without the help of our friends.  Not even William Shakespeare. Join us as we examine Shakespeare's Apocrypha, a series of plays, poems, and other writings variously attributed to the Bard as well as a whole host of other Tudor/Elizabethan and Jacobean dramatists. It's a veritable who's-who of the extended theatre community to which Shakespeare undoubtedly would have belonged in late 16th/early 17th century London, which leads us to question: just how many people had a hand in writing the Shakespearean canon? Along the way, we'll explain some of the handwriting analysis and stylometry results that recent researchers have used to point to their favoured candidates for the authorship of this collection of works.  It's a jam-packed episode. We hope you'll enjoy! Notes: Folio, Quarto, and Octavo bookmaking techniques, as depicted on Wikipedia:   Full text of The Shakespeare Apocrypha by C.F. Tucker Brooke Full text of William Shakespeare A Study Of Facts And Problems Vol I by E.K. Chambers Shakespeare's Collaborators - shakespeare.org New Oxford Shakespeare: Modern Critical Edition Example of Secretary Handwriting in Hand D, purportedly Shakespeare's own handwriting, in the play The Booke of Sir Thomas More:   YouTube clip of a one-man play by Keir Cutler about Shakespeare and the authorship question All available text of The Booke of Sir Thomas More, courtesy of The British Library "Shakespeare By The Numbers: What Stylometrics Can and Can't Tell Us" - a book review by Ramon Jimenez for the Shakespeare Oxford Fellowship "The Stylometric Debate Over Authorship" - Shakespeare Oxford Fellowship "Stylometry and the Shakespearean Clinic" and "Response to Criticisms on Stylometry" by David Kathman and Terry Ross Dr. Michael Delahoyde's analysis of Two Noble Kinsmen Petr Plechac's stylometric analysis of Henry VIII  Ancient Bickerings: Which play would you most like to revise alongside Shakespeare?

The incomparably funny and poignant comedian Hannah Gadsby said it best: “This adoration of the artist as a lone genius is quite misled, I think, because they are very much a part of their time and their community.” Sometimes we all need a community. Whether it’s because our own expertise has fallen short or because two heads are better than one, no one among us can say that we are perfectly capable of living life without the help of our friends. Not even William Shakespeare. Join us as we examine Shakespeare's Apocrypha, a series of plays, poems, and other writings variously attributed to the Bard as well as a whole host of other Tudor/Elizabethan and Jacobean dramatists. It's a veritable who's-who of the extended theatre community to which Shakespeare undoubtedly would have belonged in late 16th/early 17th century London, which leads us to question: just how many people had a hand in writing the Shakespearean canon? Along the way, we'll explain some of the handwriting analysis and stylometry results that recent researchers have used to point to their favoured candidates for the authorship of this collection of works.  It's a jam-packed episode. We hope you'll enjoy! Notes: <ul><li>Folio, Quarto, and Octavo bookmaking techniques, as depicted on <a href="https://en.wikipedia.org/wiki/Quarto" rel="nofollow" target="_blank">Wikipedia</a>:</li> </ul> <ul><li>Full text of <a href="https://archive.org/details/shakespeareapoc00broouoft/page/n15/mode/2up" rel="nofollow" target="_blank">The Shakespeare Apocrypha</a> by C.F. Tucker Brooke</li> <li>Full text of <a href="https://archive.org/details/williamshakespea017475mbp/page/536/mode/2up" rel="nofollow" target="_blank">William Shakespeare A Study Of Facts And Problems Vol I</a> by E.K. Chambers</li> <li><a href="https://www.shakespeare.org.uk/explore-shakespeare/podcasts/60-minutes-shakespeare/shakespeares-collaborations/" rel="nofollow" target="_blank">Shakespeare's Collaborators</a> - <a href="http://shakespeare.org" rel="nofollow" target="_blank">shakespeare.org</a></li> <li><a href="https://www.oxfordscholarlyeditions.com/view/10.1093/actrade/9780199591152.book.1/actrade-9780199591152-book-1" rel="nofollow" target="_blank">New Oxford Shakespeare: Modern Critical Edition</a></li> <li>Example of Secretary Handwriting in Hand D, purportedly Shakespeare's own handwriting, in the play The Booke of Sir Thomas More:</li> </ul> <ul><li><a href="https://www.youtube.com/watch?v=gEtwrZdQqqM&amp;t=215s" rel="nofollow" target="_blank">YouTube clip</a> of a one-man play by Keir Cutler about Shakespeare and the authorship question</li> <li><a href="http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Harley_MS_7368" rel="nofollow" target="_blank">All available text</a> of The Booke of Sir Thomas More, courtesy of The British Library</li> <li>"<a href="https://shakespeareoxfordfellowship.org/shakespeare-by-the-numbers-what-stylometrics-can-and-cannot-tell-us/" rel="nofollow" target="_blank">Shakespeare By The Numbers: What Stylometrics Can and Can't Tell Us</a>" - a book review by Ramon Jimenez for the Shakespeare Oxford Fellowship</li> <li>"<a href="" rel="nofollow" target="_blank">The Stylometric Debate Over Authorship</a>" - Shakespeare Oxford Fellowship</li> <li>"<a href="https://shakespeareauthorship.com/ox6.html" rel="nofollow" target="_blank">Stylometry and the Shakespearean Clinic</a>" and "<a href="https://shakespeareauthorship.com/ox8.html" rel="nofollow" target="_blank">Response to Criticisms on Stylometry</a>" by David Kathman and Terry Ross</li> <li>Dr. Michael Delahoyde's <a href="https://public.wsu.edu/~delahoyd/shakespeare/tnkinsmen1.html" rel="nofollow" target="_blank">analysis</a> of Two Noble Kinsmen</li> <li>Petr Plechac's <a href="https://arxiv.org/pdf/1911.05652.pdf" rel="nofollow" target="_blank">stylometric analysis</a> of Henry VIII</li> </ul> Ancient Bickerings: Which play would you most like to revise alongside Shakespeare?

Episode 71 - Shakespeare Apocrypha

"The ambition of the editor has been to provide an accurate and complete text, with adequate critical and supplementary matter, of all those plays which can, without entire absurdity, be included in the 'doubtfully Shakespearian' class."  This Librivox project provides the Preface and Introduction of this book, wherein some 42 candidate Shakespeares are whittled down to some 14 plays "which alone appear entitled, on grounds either of reason or of custom, to a place among the Shakespeare Apocrypha." The book then presents the text (not included here) of the 14 plays; Librivox performances of these play texts will be presented separately in our catalog. For example, The Two Noble Kinsmen and The Birth of Merlin are already released.  Genre(s): Literary Criticism  ---   Support this podcast: https://anchor.fm/3daudiobooks0/support

"The ambition of the editor has been to provide an accurate and complete text, with adequate critical and supplementary matter, of all those plays which can, without entire absurdity, be included in the 'doubtfully Shakespearian' class." This Librivox project provides the Preface and Introduction of this book, wherein some 42 candidate Shakespeares are whittled down to some 14 plays "which alone appear entitled, on grounds either of reason or of custom, to a place among the Shakespeare Apocrypha." The book then presents the text (not included here) of the 14 plays; Librivox performances of these play texts will be presented separately in our catalog. For example, The Two Noble Kinsmen and The Birth of Merlin are already released.  Genre(s): Literary Criticism --- Support this podcast: <a href="https://anchor.fm/3daudiobooks0/support" rel="payment nofollow" target="_blank">https://anchor.fm/3daudiobooks0/support</a>