Flavio Labiano's guest appearances

Flavio Labiano

Go Creative Show

The Cinematography Podcast

Next Best Picture Podcast

Linus Sandgren

Checco Varese

Xavier Grobet

Larkin Seiple

Emerald Fennell

Chris Hayward

Jon M. Chu

Lawrence Sher

Eric Branco

Paula Huidobro

David Mullen

Gloria Bell

Haris Zambarloukos

Andrew Dunn

Byron Kopman

OwlTail

Cruise

Cinematographer Flavio Labiano doesn't consider himself an artist with a capital “A” but more of a craftsperson. To him, cinematography is a craft that you learn by making mistakes and taking risks, like any other craft that you hone and improve over time.On Disney's Jungle Cruise, Flavio found the planning and pre-production stages of the huge-scale movie to be especially challenging. It was about 100 days of planning, with two different sets- one in Hawaii and one in Atlanta, Georgia, and with the second unit shooting footage in the Amazon to use as background plates. All the exterior tank work was done in front of a blue screen in a parking lot in Atlanta. The town of Porto Velho, where the jungle cruise adventure begins, was mainly shot in Hawaii. Flavio paid close attention to the orientation of the sun in order to match the set in Hawaii with the set in Atlanta. He also had to match the hard sunlight in the South to the sunlight in Hawaii, and the crew had to deal with the constant interruptions of summer afternoon rainstorms in Georgia. Flavio and Jungle Cruise director, Jaume Collet-Serra, have worked together on several films including The Shallows, another movie that takes place mostly in water.Flavio grew up in Spain, then moved to Los Angeles to attend AFI. He found his first film jobs working for Roger Corman's studio alongside Wally Pfister, Phedon Papamichael, and Janusz Kaminski. Flavio moved back to Spain for film work and has made most of his career there with movies such as The Day of the Beast, which was a huge commercial success in Spain, and Timecrimes, an exciting and mind-bending thriller. Shortly after Timecrimes, he and fellow Spaniard, director Jaume Collet-Serra began working together. Influenced by director Alfred Hitchcock, who enjoyed making thrillers with characters who are celebrities, the two made Nonstop and Unknown with Liam Neeson.You can watch Jungle Cruise on Disney+Find out even more about this episode, with extensive show notes and links: http://camnoir.com/ep135/ Sponsored by Hot Rod Cameras: www.hotrodcameras.com The Cinematography Podcast website: www.camnoir.comYouTube: https://www.youtube.com/c/TheCinematographyPodcast Facebook: @cinepodInstagram: @thecinepodTwitter: @ShortEndz

Cinematographer Flavio Labiano doesn't consider himself an artist with a capital “A” but more of a craftsperson. To him, cinematography is a craft that you learn by making mistakes and taking risks, like any other craft that you hone and improve over time. On Disney's Jungle Cruise, Flavio found the planning and pre-production stages of the huge-scale movie to be especially challenging. It was about 100 days of planning, with two different sets- one in Hawaii and one in Atlanta, Georgia, and with the second unit shooting footage in the Amazon to use as background plates. All the exterior tank work was done in front of a blue screen in a parking lot in Atlanta. The town of Porto Velho, where the jungle cruise adventure begins, was mainly shot in Hawaii. Flavio paid close attention to the orientation of the sun in order to match the set in Hawaii with the set in Atlanta. He also had to match the hard sunlight in the South to the sunlight in Hawaii, and the crew had to deal with the constant interruptions of summer afternoon rainstorms in Georgia. Flavio and Jungle Cruise director, Jaume Collet-Serra, have worked together on several films including The Shallows, another movie that takes place mostly in water. Flavio grew up in Spain, then moved to Los Angeles to attend AFI. He found his first film jobs working for Roger Corman's studio alongside Wally Pfister, Phedon Papamichael, and Janusz Kaminski. Flavio moved back to Spain for film work and has made most of his career there with movies such as The Day of the Beast, which was a huge commercial success in Spain, and Timecrimes, an exciting and mind-bending thriller. Shortly after Timecrimes, he and fellow Spaniard, director Jaume Collet-Serra began working together. Influenced by director Alfred Hitchcock, who enjoyed making thrillers with characters who are celebrities, the two made Nonstop and Unknown with Liam Neeson. You can watch Jungle Cruise on Disney+ Find out even more about this episode, with extensive show notes and links: <a href="http://camnoir.com/ep135/" rel="nofollow" target="_blank">http://camnoir.com/ep135/</a> Sponsored by Hot Rod Cameras: <a href="http://www.hotrodcameras.com" rel="nofollow" target="_blank">www.hotrodcameras.com</a> The Cinematography Podcast website: <a href="http://www.camnoir.com" rel="nofollow" target="_blank">www.camnoir.com</a> YouTube: <a href="https://www.youtube.com/c/TheCinematographyPodcast" rel="nofollow" target="_blank">https://www.youtube.com/c/TheCinematographyPodcast</a> Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

Cinematographer Flavio Labiano on Jungle Cruise, Timecrimes, Day of the Beast, and more

After a year-long delay due to the COVID-19 pandemic, Disney's "Jungle Cruise," starring Dwayne Johnson and Emily Blunt, is now playing in theaters and available to stream on Disney+ with Premiere Access. The film's cinematographer, Flavio Martínez Labiano, was kind enough to speak with us about his work on the film, working with the film's big stars, his collaboration with director Jaume Collet-Serra, working on such a huge scale and more! Take a listen down below and enjoy!Check out more on NextBestPicture.comPlease subscribe on...SoundCloud - https://soundcloud.com/nextbestpicturepodcastiTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jTAnd be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

After a year-long delay due to the COVID-19 pandemic, Disney's "<a href="http://weebly-link/379577132731675129" rel="nofollow" target="_blank">Jungle Cruise</a>," starring Dwayne Johnson and Emily Blunt, is now playing in theaters and available to stream on Disney+ with Premiere Access. The film's cinematographer, Flavio Martínez Labiano, was kind enough to speak with us about his work on the film, working with the film's big stars, his collaboration with director Jaume Collet-Serra, working on such a huge scale and more! Take a listen down below and enjoy!Check out more on <a href="http://NextBestPicture.com" rel="nofollow" target="_blank">NextBestPicture.com</a>Please subscribe on...SoundCloud - <a href="https://soundcloud.com/negsbestfilmpodcast" rel="nofollow" target="_blank">https://soundcloud.com/nextbestpicturepodcast</a>iTunes Podcasts - <a href="https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2" rel="nofollow" target="_blank">https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2</a>Spotify - <a href="https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT" rel="nofollow" target="_blank">https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT</a>And be sure to help support us on Patreon for as little as $1 a month at <a href="https://www.patreon.com/NextBestPicture" rel="nofollow" target="_blank">https://www.patreon.com/NextBestPicture</a>

Interview With "Jungle Cruise" Cinematographer, Flavio Labiano

JUNGLE CRUISE is a modern adventure film with cinematography inspired by old-school classics! Cinematographer Flavio Labiano shares his experience working with Emily Blunt and The Rock and shooting most of the film in a giant water-tank in an Atlanta parking lot. Flavio and Go Creative Show host, Ben Consoli, discuss the challenges of filming the boat scenes, the role of 2nd unit cinematography, importance of color in cinematography, and more! Subscribe Now! What you will learn in this episode  What it’s like working with A-list actors (01:04) Why the boat scenes were so challenging (03:29) Importance of color in cinematography (07:02) Why the Jungle Cruise ride was not a big inspiration (11:06) The movie’s inspiration from 1970s movies (13:47) The role of 2nd unit cinematography (16:08) Deconstructing the “coming out” scene (19:02) Challenges of shooting in an exterior water tank (22:57) Creating the vintage camera scenes (34:11) How to create engaging action sequences (35:57) Shooting with Alexa Mini and Panavision lenses (40:52) Flavio's early film career (44:10) Lack of passion in some filmmakers (49:14) And more!  Go Creative Show is supported by: MZed - Education for Creatives   Subscribe + Follow Go Creative Show  Twitter Facebook  Apple Podcasts Stitcher Google Play Podcasts iHeart Radio YouTube  Show Links  JUNGLE CRUISE IMDb  JUNGLE CRUISE on Disney+ JUNGLE CRUISE trailer  Follow Our Guest  Flavio Martinez Labiano’s IMDb  Follow Ben Consoli  BC Media Productions BenConsoli.com Twitter Instagram   Follow Dave Siegel (sound mixer)  Dave Siegel's website Dave Siegel's Instagram  Follow Connor Crosby (producer)  Ignition Visuals' website Ignition Visuals' Instagram 

<a href="https://www.disneyplus.com/movies/jungle-cruise/73QMeTY6Dray" rel="nofollow" target="_blank">JUNGLE CRUISE</a> is a modern adventure film with cinematography inspired by old-school classics! Cinematographer <a href="https://www.imdb.com/name/nm0554871/" rel="nofollow" target="_blank">Flavio Labiano</a> shares his experience working with Emily Blunt and The Rock and shooting most of the film in a giant water-tank in an Atlanta parking lot. Flavio and Go Creative Show host, Ben Consoli, discuss the challenges of filming the boat scenes, the role of 2nd unit cinematography, importance of color in cinematography, and more! <a href="https://gocreativeshow.com/subscribe/" rel="nofollow" target="_blank">Subscribe Now!</a> What you will learn in this episode <ul> <li>What it’s like working with A-list actors (01:04)</li> <li>Why the boat scenes were so challenging (03:29)</li> <li>Importance of color in cinematography (07:02)</li> <li>Why the Jungle Cruise ride was not a big inspiration (11:06)</li> <li>The movie’s inspiration from 1970s movies (13:47)</li> <li>The role of 2nd unit cinematography (16:08)</li> <li>Deconstructing the “coming out” scene (19:02)</li> <li>Challenges of shooting in an exterior water tank (22:57)</li> <li>Creating the vintage camera scenes (34:11)</li> <li>How to create engaging action sequences (35:57)</li> <li>Shooting with Alexa Mini and Panavision lenses (40:52)</li> <li>Flavio's early film career (44:10)</li> <li>Lack of passion in some filmmakers (49:14)</li> <li>And more!</li> </ul> Go Creative Show is supported by: <a href="https://www.mzed.com" rel="noopener nofollow" target="_blank">MZed - Education for Creatives</a>   Subscribe + Follow Go Creative Show <ul> <li><a href="http://www.twitter.com/gocreativeshow" rel="nofollow" target="_blank">Twitter</a></li> <li><a href="https://www.facebook.com/gocreativeshow/" rel="nofollow" target="_blank">Facebook</a></li> <li><a href="https://itunes.apple.com/us/podcast/go-creative-show/id539359582?mt=2" rel="nofollow" target="_blank"> Apple Podcasts</a></li> <li><a href="https://www.stitcher.com/podcast/needcreative-podcast" rel="nofollow" target="_blank">Stitcher</a></li> <li><a href="https://play.google.com/music/m/Ihnniig5wp3ox3w7ptohkqp66ue?t=Go_Creative_Show" rel="noopener nofollow" target="_blank">Google Play Podcasts</a></li> <li><a href="https://www.iheart.com/podcast/263-go-creative-show-mu-29133773/" rel="noopener nofollow" target="_blank">iHeart Radio</a></li> <li><a href="https://www.youtube.com/channel/UCkT176vXYpP58e2BVNOPfrg" rel="noopener nofollow" target="_blank">YouTube</a></li> </ul> Show Links <ul> <li><a href="https://www.imdb.com/title/tt0870154/" rel="nofollow" target="_blank">JUNGLE CRUISE IMDb</a></li> <li><a href="https://www.disneyplus.com/movies/jungle-cruise/73QMeTY6Dray" rel="nofollow" target="_blank"> JUNGLE CRUISE on Disney+</a></li> <li><a href="https://youtu.be/hJZ82pwwJqA" rel="nofollow" target="_blank">JUNGLE CRUISE trailer</a></li> </ul> Follow Our Guest <ul> <li><a href="https://www.imdb.com/name/nm0554871/" rel="nofollow" target="_blank">Flavio Martinez Labiano’s IMDb</a></li> </ul> Follow Ben Consoli <ul> <li><a href="http://www.bcmediaproductions.com" rel="nofollow" target="_blank">BC Media Productions</a></li> <li><a href="http://www.benconsoli.com" rel="nofollow" target="_blank">BenConsoli.com</a></li> <li><a href="http://www.twitter.com/benconsoli" rel="nofollow" target="_blank">Twitter</a></li> <li><a href="https://www.instagram.com/benconsoli/" rel="nofollow" target="_blank">Instagram</a> </li> </ul> Follow Dave Siegel (sound mixer) <ul> <li><a href="https://www.siegelsound.com" rel="nofollow" target="_blank">Dave Siegel's website</a></li> <li><a href="https://www.instagram.com/siegelsound/" rel="nofollow" target="_blank">Dave Siegel's Instagram</a></li> </ul> Follow Connor Crosby (producer) <ul> <li><a href="https://ignitionvisuals.com" rel="nofollow" target="_blank">Ignition Visuals' website</a></li> <li><a href="https://instagram.com/ignitionvisuals" rel="nofollow" target="_blank">Ignition Visuals' Instagram</a></li> </ul>

Jungle Cruise Cinematography (with Flavio Labiano) GCS278