Ramu Ramanathan's guest appearances

Ramu Ramanathan

Audiogyan

The HrishiKay Sessions

Payal Gupta

Ambi Parameswaran

Dilip Prabhavalkar

Anthony Burrill

Sunit Singh

Ajay Shah

Rohan Shivkumar

Uday Kumar

Alicia Souza

Shivaji Das

Alisha Sadikot

Rudra Veena

Dhimant Panchal

Lokesh Karekar

E Suresh

OwlTail

Vijay Tendulkar

Vijay Dhondopant TendulkarBorn on 6 January 1928 and passed away on 19 May 2008. Tendulkar Sahab was or should I call is an unarguably a leading Indian playwright, movie and television writer, literary essayist, political journalist, and social commentator. He is best known for his plays Shantata! Court Chalu Aahe (1967), Ghāshirām Kotwāl (1972), and Sakhārām Binder (1972).Welcome to Audiogyan Biographies. Today we will be documenting Vijay Tendulkar with a bit of help from Ramu Ramanathan.Ramu is an Indian playwright-director with acclaimed plays to his credit. Ramu has previously been a guest on Episode Number 29 of Season 1. He spoke about Stagelife Characters. Ramu is my go to person to understand tidbits about Indian Theatre.

Vijay Dhondopant Tendulkar Born on 6 January 1928 and passed away on 19 May 2008. Tendulkar Sahab was or should I call is an unarguably a leading Indian playwright, movie and television writer, literary essayist, political journalist, and social commentator. He is best known for his plays Shantata! Court Chalu Aahe (1967), Ghāshirām Kotwāl (1972), and Sakhārām Binder (1972). Welcome to Audiogyan Biographies. Today we will be documenting Vijay Tendulkar with a bit of help from Ramu Ramanathan. Ramu is an Indian playwright-director with acclaimed plays to his credit. Ramu has previously been a guest on Episode Number 29 of Season 1. He spoke about Stagelife Characters. Ramu is my go to person to understand tidbits about Indian Theatre.

14: Vijay Tendulkar Biography by Ramu Ramanathan (Part 2)

Vijay Dhondopant TendulkarBorn on 6 January 1928 and passed away on 19 May 2008. Tendulkar Sahab was or should I call is an unarguably a leading Indian playwright, movie and television writer, literary essayist, political journalist, and social commentator. He is best known for his plays Shantata! Court Chalu Aahe (1967), Ghāshirām Kotwāl (1972), and Sakhārām Binder (1972).Welcome to Audiogyan Biographies. Today we will be documenting Vijay Tendulkar with a bit of help from Ramu Ramanathan.Ramu is an Indian playwright-director with acclaimed plays to his credit. Ramu has previously been a guest on Episode Number 29 of Season 1. He spoke about Stagelife Characters. Ramu is my go to person to understand tidbits about Indian Theatre.I am very curious to know, who were Tendulakar Sahab’s influencers? I am asking this because I was reading, Manus Navache Bait (Man is An Island), one of his first plays, was remarkable. People had never heard such dialogues before. Theatre at that time used very stylised acting and long sentences with very flowery language; it was distanced from reality. Something similar to which you spoke in the Episode 29 about Samuel Beckett and other playwrights trying to bring court room dramas to dining rooms. So do you have any insights what made him start this way?What was happening in from 1960 to 1990s that Tendulkar wanted to express his thoughts through violence; because according to my limited knowledge, he said, that he lived in a simple middle class family which was doing fine.What do you think; what made Vijay Tendulkar show violence to create awareness about violence, rather than showing something morally good or ethically sound? What is this style of showing real? Where does this form stem from?What was his trajectory of him expressing violence throughout his plays? Did it increase due to ongoing unrest or it decreased? From Gidhade to Kamala?Some of his plays were censored. What made him write so boldly in his new plays, despite being censored?What is the one thing which young generation playwrights should learn from Tendulkar and what is that one should avoid considering the current times?https://www.dnaindia.com/analysis/report-vijay-tendulkar-is-a-scathing-interpreter-of-maladies-4810 https://web.archive.org/web/20081201033510/http://www.indianexpress.com/res/web/pIe/ie/daily/19991020/ile20071.html https://www.youtube.com/watch?v=rTqj3GVs6bM https://www.youtube.com/watch?v=2bF3GLjn1iI (Part 1 to 6)https://www.indiatoday.in/magazine/society-the-arts/story/19801231-vijay-tendulkar-indian-theatre-only-complete-philosopher-773665-2013-12-02

Vijay Dhondopant Tendulkar Born on 6 January 1928 and passed away on 19 May 2008. Tendulkar Sahab was or should I call is an unarguably a leading Indian playwright, movie and television writer, literary essayist, political journalist, and social commentator. He is best known for his plays Shantata! Court Chalu Aahe (1967), Ghāshirām Kotwāl (1972), and Sakhārām Binder (1972). Welcome to Audiogyan Biographies. Today we will be documenting Vijay Tendulkar with a bit of help from Ramu Ramanathan. Ramu is an Indian playwright-director with acclaimed plays to his credit. Ramu has previously been a guest on Episode Number 29 of Season 1. He spoke about Stagelife Characters. Ramu is my go to person to understand tidbits about Indian Theatre. I am very curious to know, who were Tendulakar Sahab’s influencers? I am asking this because I was reading, Manus Navache Bait (Man is An Island), one of his first plays, was remarkable. People had never heard such dialogues before. Theatre at that time used very stylised acting and long sentences with very flowery language; it was distanced from reality. Something similar to which you spoke in the Episode 29 about Samuel Beckett and other playwrights trying to bring court room dramas to dining rooms. So do you have any insights what made him start this way? What was happening in from 1960 to 1990s that Tendulkar wanted to express his thoughts through violence; because according to my limited knowledge, he said, that he lived in a simple middle class family which was doing fine. What do you think; what made Vijay Tendulkar show violence to create awareness about violence, rather than showing something morally good or ethically sound? What is this style of showing real? Where does this form stem from? What was his trajectory of him expressing violence throughout his plays? Did it increase due to ongoing unrest or it decreased? From Gidhade to Kamala? Some of his plays were censored. What made him write so boldly in his new plays, despite being censored? What is the one thing which young generation playwrights should learn from Tendulkar and what is that one should avoid considering the current times? <a href="https://www.dnaindia.com/analysis/report-vijay-tendulkar-is-a-scathing-interpreter-of-maladies-4810" rel="nofollow" target="_blank">https://www.dnaindia.com/analysis/report-vijay-tendulkar-is-a-scathing-interpreter-of-maladies-4810</a> <a href="https://web.archive.org/web/20081201033510/http://www.indianexpress.com/res/web/pIe/ie/daily/19991020/ile20071.html" rel="nofollow" target="_blank">https://web.archive.org/web/20081201033510/http://www.indianexpress.com/res/web/pIe/ie/daily/19991020/ile20071.html</a> <a href="https://www.youtube.com/watch?v=rTqj3GVs6bM" rel="nofollow" target="_blank">https://www.youtube.com/watch?v=rTqj3GVs6bM</a> <a href="https://www.youtube.com/watch?v=2bF3GLjn1iI" rel="nofollow" target="_blank">https://www.youtube.com/watch?v=2bF3GLjn1iI</a> (Part 1 to 6) <a href="https://www.indiatoday.in/magazine/society-the-arts/story/19801231-vijay-tendulkar-indian-theatre-only-complete-philosopher-773665-2013-12-02" rel="nofollow" target="_blank">https://www.indiatoday.in/magazine/society-the-arts/story/19801231-vijay-tendulkar-indian-theatre-only-complete-philosopher-773665-2013-12-02</a>

13: Vijay Tendulkar Biography by Ramu Ramanathan (Part 1)

Who or what is an Antagonist and a Protagonist?Do societies define hero, heroins &amp; villains, do hero and villains guide societies or is there an absolute hero and a villain?India is a land where antagonist and protagonist are worshipped equally. Whats your process of defining them?What could be parameters to gauge a character since a very subjective thing? It’s a question to become a better audience?If there is a gun in the first act then it should fire in the third. How true it is and how have you used it in your plays?

Who or what is an Antagonist and a Protagonist? Do societies define hero, heroins &amp; villains, do hero and villains guide societies or is there an absolute hero and a villain? India is a land where antagonist and protagonist are worshipped equally. Whats your process of defining them? What could be parameters to gauge a character since a very subjective thing? It’s a question to become a better audience? If there is a gun in the first act then it should fire in the third. How true it is and how have you used it in your plays?

29: Understanding stage life characters with Ramu Ramanathan