Kevin Fellezs's guest appearances

Kevin Fellezs

New Books in American Studies

New Books Network

New Books in Music

Monica R. Miller

Alberto Cairo

Kathy Sloane

Deborah R. Vargas

Bob Riesman

Jason Bivins

Judy Garland

K. Linder

Kevin Avery

Isaac Weiner

Gertrude Hoffman

Jonathan Wright

Ryan Weber

Michael Jacksons

Kenneth Womack

OwlTail

To introduce his book Birds of Fire: Jazz, Rock, Funk, and the Creation of Fusion (Duke, 2011),Kevin Fellezs quotes Jeff Beck: “For Christ’s sake, I wish somebody would make up a name for this kind of music, ’cause it ain’t jazz and it ain’t rock.” Beck’s words echo Fellezs’s argument, namely, that 1970’s fusion artists situated themselves in the “broken middle” between already established genres like rock, jazz, and funk. They liberally borrowed elements from many musical styles, often to the dismay of genre purists. Fellezs provides a detailed theoretical discussion of the social construction of genre using fusion as an empirical example of how new genres emerge through the appropriation of elements of those that already exist. Fellezs also shows how our conceptions of genre are intimately linked to our ideas about larger social categories–in this case fusion artists are seen as crossing the racially charged boundaries of jazz and rock. More than half of Birds of a Feather is devoted to discussions of four artists in particular: Tony Williams, John McLaughlin, Joni Mitchell, and Herbie Hancock.Kevin Fellezs is currently an Assistant Professor of Music at University of California-Merced. Beginning January 1, 2012 he will be an Assistant Professor of Music at Columbia University in the City of New York. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

To introduce his book <a href="http://www.amazon.com/dp/0822350475/?tag=newbooinhis-20" rel="nofollow" target="_blank">Birds of Fire: Jazz, Rock, Funk, and the Creation of Fusion</a> (Duke, 2011),<a href="http://www.ucmerced.edu/faculty/kevin-fellezs" rel="nofollow" target="_blank">Kevin Fellezs</a> quotes Jeff Beck: “For Christ’s sake, I wish somebody would make up a name for this kind of music, ’cause it ain’t jazz and it ain’t rock.” Beck’s words echo Fellezs’s argument, namely, that 1970’s fusion artists situated themselves in the “broken middle” between already established genres like rock, jazz, and funk. They liberally borrowed elements from many musical styles, often to the dismay of genre purists. Fellezs provides a detailed theoretical discussion of the social construction of genre using fusion as an empirical example of how new genres emerge through the appropriation of elements of those that already exist. Fellezs also shows how our conceptions of genre are intimately linked to our ideas about larger social categories–in this case fusion artists are seen as crossing the racially charged boundaries of jazz and rock. More than half of Birds of a Feather is devoted to discussions of four artists in particular: Tony Williams, John McLaughlin, Joni Mitchell, and Herbie Hancock. Kevin Fellezs is currently an Assistant Professor of Music at University of California-Merced. Beginning January 1, 2012 he will be an Assistant Professor of Music at Columbia University in the City of New York. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/american-studies" rel="nofollow" target="_blank">https://newbooksnetwork.supportingcast.fm/american-studies</a>

Kevin Fellezs, “Birds of a Fire: Jazz, Rock, Funk, and the Creation of Fusion” (Duke UP, 2011)

To introduce his book Birds of Fire: Jazz, Rock, Funk, and the Creation of Fusion (Duke, 2011),Kevin Fellezs quotes Jeff Beck: “For Christ’s sake, I wish somebody would make up a name for this kind of music, ’cause it ain’t jazz and it ain’t rock.” Beck’s words echo Fellezs’s argument, namely, that 1970’s fusion artists situated themselves in the “broken middle” between already established genres like rock, jazz, and funk. They liberally borrowed elements from many musical styles, often to the dismay of genre purists. Fellezs provides a detailed theoretical discussion of the social construction of genre using fusion as an empirical example of how new genres emerge through the appropriation of elements of those that already exist. Fellezs also shows how our conceptions of genre are intimately linked to our ideas about larger social categories–in this case fusion artists are seen as crossing the racially charged boundaries of jazz and rock. More than half of Birds of a Feather is devoted to discussions of four artists in particular: Tony Williams, John McLaughlin, Joni Mitchell, and Herbie Hancock.Kevin Fellezs is currently an Assistant Professor of Music at University of California-Merced. Beginning January 1, 2012 he will be an Assistant Professor of Music at Columbia University in the City of New York. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

To introduce his book <a href="http://www.amazon.com/dp/0822350475/?tag=newbooinhis-20" rel="nofollow" target="_blank">Birds of Fire: Jazz, Rock, Funk, and the Creation of Fusion</a> (Duke, 2011),<a href="http://www.ucmerced.edu/faculty/kevin-fellezs" rel="nofollow" target="_blank">Kevin Fellezs</a> quotes Jeff Beck: “For Christ’s sake, I wish somebody would make up a name for this kind of music, ’cause it ain’t jazz and it ain’t rock.” Beck’s words echo Fellezs’s argument, namely, that 1970’s fusion artists situated themselves in the “broken middle” between already established genres like rock, jazz, and funk. They liberally borrowed elements from many musical styles, often to the dismay of genre purists. Fellezs provides a detailed theoretical discussion of the social construction of genre using fusion as an empirical example of how new genres emerge through the appropriation of elements of those that already exist. Fellezs also shows how our conceptions of genre are intimately linked to our ideas about larger social categories–in this case fusion artists are seen as crossing the racially charged boundaries of jazz and rock. More than half of Birds of a Feather is devoted to discussions of four artists in particular: Tony Williams, John McLaughlin, Joni Mitchell, and Herbie Hancock. Kevin Fellezs is currently an Assistant Professor of Music at University of California-Merced. Beginning January 1, 2012 he will be an Assistant Professor of Music at Columbia University in the City of New York. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/music" rel="nofollow" target="_blank">https://newbooksnetwork.supportingcast.fm/music</a>