Aubre Hill's guest appearances

Aubre Hill

Podcasts – Shut Up And Shimmy Podcast

Belly Dance Life

Yallah Raqs

The Arts Salon

Mercedes Nieto

Sabriye Tekbilek

Victoria Teel

Amanda Rose

Yasmin Henkesh

Suhaila Salimpour

Zaina Brown

Sahra Saeeda

Mao Murakami

Dawn Devine

Alia Thabit

Ranya Renee

Sahra Kent

Rosa Noreen

Terri Allred

OwlTail

Aubre Hill is an international dance artist, choreographer, somatic teacher, and event producer. The artistic director of the Qabila Folkdance Company, Lumina Dance Co, and Beyajja Dance Theatre as well as a prolific performer, Aubre is known for her diverse stylings rooted in cultural understand and pushing the boundaries of expectations with innovation. With over twenty years of teaching experience, her classes, private training, and workshops are highly valued for their inclusion, rigor, and well rounded approach. A quintessential artist in everything she does…welcome to the journey!--- Support this podcast: https://podcasters.spotify.com/pod/show/artssalon/support

Aubre Hill is an international dance artist, choreographer, somatic teacher, and event producer. The artistic director of the Qabila Folkdance Company, Lumina Dance Co, and Beyajja Dance Theatre as well as a prolific performer, Aubre is known for her diverse stylings rooted in cultural understand and pushing the boundaries of expectations with innovation. With over twenty years of teaching experience, her classes, private training, and workshops are highly valued for their inclusion, rigor, and well rounded approach. A quintessential artist in everything she does…welcome to the journey!--- Support this podcast: <a href="https://podcasters.spotify.com/pod/show/artssalon/support" rel="payment nofollow" target="_blank">https://podcasters.spotify.com/pod/show/artssalon/support</a>

Episode 42: Aubre Hill, Dance Artist, Choreographer, Educator, Producer 

Today Aubre Hill joins me to talk about performance in the new age. How do we utilize our video recordings to portray our dance art? Obviously, video performances are completely different, both in impact and energy from in-person performances. But how can we use those differences to expand our artform? Especially in this age of digital haflas and the pandemic, but even past that just into the realm of Instagram and other social media platforms? Video is here to stay with the bellydance world, so lets start figuring out how to use and leverage it as best we can!

Today Aubre Hill joins me to talk about performance in the new age. How do we utilize our video recordings to portray our dance art? Obviously, video performances are completely different, both in impact and energy from in-person performances. But how can we use those differences to expand our artform? Especially in this age of digital haflas and the pandemic, but even past that just into the realm of Instagram and other social media platforms? Video is here to stay with the bellydance world, so lets start figuring out how to use and leverage it as best we can!

Video Art with Aubre Hill

Aubre Hill has been a professional dance artist for over twenty years including touring and assistant-directing large ensembles across the United States, Europe, China, Taiwan, and Japan. She has been on faculty at California State University, Los Angeles teaching credited courses in pilates, fitness, and dance for over 10 years. She owned and directed Movement Art Space, a dance and fitness studio in Los Angeles offering education for all ages and levels for three successful years. She can be seen as a featured artist in numerous films and videos as well as was on the bellydance hit sensation of FitTV with her “All Stars Workouts”.Aubre has choreographed full dance theatrical productions including “The Nutcracker: a bellydance tale,” “Sketches of Arabia,” “Nights of Arabe,” and more. She is the artistic director and choreographer for the Lumina Dance Company (now in its 13th year), the Qabila Folkdance Company (a company focused solely on Arabic folk dance and celebrating its 7th year), and the Beyajja Dance Theatre (a Raqs Sharqi dance company with a focus on developing individual artistic expression).In this episode you will learn about:-Natural evolution and expansion of interests throughout your dance journey- The importance of learning folklore, even if you are not planing to perform it anywhere- Responsibility of artists, maturity of the audience, and attention to the content of performances and social media videos- Challenges of exploring and teaching very different dance styles- Transnational dance fusionShow Notes to this episode:Find Aubre Hill on Facebook, YouTube, Instagram, and website.Follow Iana on Instagram, FB, Youtube, website .For more information about Jillina’s initiative #2getherWeMoveLive visit jillina.eventbrite.com.Podcast: www.ianadance.com/podcast

Aubre Hill has been a professional dance artist for over twenty years including touring and assistant-directing large ensembles across the United States, Europe, China, Taiwan, and Japan. She has been on faculty at California State University, Los Angeles teaching credited courses in pilates, fitness, and dance for over 10 years. She owned and directed Movement Art Space, a dance and fitness studio in Los Angeles offering education for all ages and levels for three successful years. She can be seen as a featured artist in numerous films and videos as well as was on the bellydance hit sensation of FitTV with her “All Stars Workouts”.Aubre has choreographed full dance theatrical productions including “The Nutcracker: a bellydance tale,” “Sketches of Arabia,” “Nights of Arabe,” and more. She is the artistic director and choreographer for the Lumina Dance Company (now in its 13th year), the Qabila Folkdance Company (a company focused solely on Arabic folk dance and celebrating its 7th year), and the Beyajja Dance Theatre (a Raqs Sharqi dance company with a focus on developing individual artistic expression).In this episode you will learn about:-Natural evolution and expansion of interests throughout your dance journey- The importance of learning folklore, even if you are not planing to perform it anywhere- Responsibility of artists, maturity of the audience, and attention to the content of performances and social media videos- Challenges of exploring and teaching very different dance styles- Transnational dance fusionShow Notes to this episode:Find Aubre Hill on <a href="https://www.facebook.com/aubre.hill" rel="nofollow" target="_blank">Facebook</a>, <a href="https://www.youtube.com/channel/UC3--X7W2bAYbu_yg3Bizq7w" rel="nofollow" target="_blank">YouTube</a>, <a href="https://www.instagram.com/aubrehill/" rel="nofollow" target="_blank">Instagram</a>, and <a href="http://www.aubrehill.com" rel="nofollow" target="_blank">website</a>.Follow Iana on <a href="https://www.instagram.com/iana_dance/" rel="nofollow" target="_blank">Instagram</a>, <a href="https://www.facebook.com/ianadance/" rel="nofollow" target="_blank">FB</a>, <a href="https://www.youtube.com/user/YaninaJawl" rel="nofollow" target="_blank">Youtube</a>, <a href="http://www.ianadanceclub.com/" rel="nofollow" target="_blank">website</a> .For more information about Jillina’s initiative #2getherWeMoveLive visit <a href="https://jillina.eventbrite.com/" rel="nofollow" target="_blank">jillina.eventbrite.com</a>.Podcast:<a href="http://www.ianadance.com/podcast" rel="nofollow" target="_blank"> www.ianadance.com/podcast</a>

Ep 131. Aubre Hill: Transnational Dance Fusion